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This Is the End · 2013 — 第 9 / 27 章 · 3'10" · B2

Everyone Sleeps in One Room, Explained：lone wolf

Scared to sleep alone, Jay invades Seth's corner and the pair start whispering about the apocalypse. Seth wonders whether the quake was meant to bring them closer; Jay insists he's "a lone wolf," and the group debates whether this is "Judgment Day" — or just the wrong kind of disaster.

あらすじ

Everyone beds down together on Franco's floor. Jay, afraid to sleep alone, moves into Seth's space, and the two whisper about the disaster: Seth suggests it was fate to make them closer, while Jay insists he's a lone wolf. Talk turns to whether the quake was Judgment Day, and more people keep piling in.

ArgumentsTeasingComplainingComfortingFriendsB2fastamerican
IMDb ↗

注目の表現

lone wolfJudgment Dayawesome enoughopen floor plan

00:00 / 03:10
Space 再生 · ← → セリフ移動 · R リピート
いま
  13. ❝ 独白Jay's backhanded confession5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

lone wolf

a person who stays solo

Craig insists he is a lone wolf and cites DMX, though the pose does not survive the next line.

He calls himself a lone wolf but texts the group all night.

このシーンの他の表現

  • Judgment Day

    the final day of reckoning

  • awesome enough

    good enough to qualify

  • open floor plan

    one big room with few walls

  • spoon

    lie curled against someone

  • fucking

    a crude intensifier

このシーンのメモ一覧

85 行のセリフに 30 件のメモ

表現 · A2sleep with someone

share a bed with you Literally shares a bed for safety, with no sexual hint.

I'm gonna sleep with you.
表現 · A2sleep alone

sleep by yourself

It's too scary to sleep alone.
文法 · B1too scary to sleep

too ... to: Too plus an adjective plus to-infinitive means so bad that the action is impossible.

It's too scary to sleep alone.
発音too scary to

Too scary to runs together with a weak to.

It's too scary to sleep alone.
表現 · A2be mad at someone

angry with someone

Are you mad at me, man?
表現 · B1have no interest in something

not want to do it

with the fact that I had no interest in coming to this house socially.
表現 · B2be barricaded in somewhere

blocked in and trapped

and now I am barricaded in here with a bunch of people that I really hate.
表現 · B2be meant to be

fated to happen

Maybe this was meant to be.
表現 · B1become closer

grow closer

Maybe this horrible, horrible deadly earthquake happened so we could become closer as a group of friends.
文法 · B2so we could become closer

purpose clause: The so-clause states the purpose of the quake, and could keeps it a guess.

Maybe this horrible, horrible deadly earthquake happened so we could become closer as a group of friends.
表現 · B2a lone wolf

a person who stays solo

Craig insists he is a lone wolf and cites DMX, though the pose does not survive the next line.

I don't need a group. I'm like DMX, man. I'm a lone wolf.
表現 · B2open up shop

start doing business

You can't stop, drop and open up shop alone.
表現 · B2Judgment Day

the final day of reckoning

Craig insists it was not a quake but Judgment Day, then drags Skynet into it.

It was something else. It was Judgment Day.
表現 · B2go live

start operating

Like Skynet went live. No. Will you please stop saying Skynet?
スラング · B2heathen

an unbeliever, as an insult — A jokey insult with religious flavor, not for strangers.

What? That's crazy. It's just... You fucking heathen.
表現 · B1here's the thing

here is the key point

Okay, here's the thing.
表現 · A2for a second

briefly, just suppose

Let's say for a second there was blue light.
表現 · B1adjective + enough

good enough to qualify

Jay reasons that being left behind means they were not awesome enough for heaven.

That means that we were not awesome enough to go to heaven.
表現 · A2by myself

on my own

Fuck you, Craig. I'm scared. It's scary by myself.
表現 · A2way better

much better

It's way better with more people.
文法 · B1way better

adverb with comparative: Way boosts the comparative better, meaning much better, and belongs to speech.

It's way better with more people.
発音way better

Stress way and lighten better to land the degree.

It's way better with more people.
表現 · B2an open floor plan

one big room with few walls

Seth can hear every word from the other room and blames Franco's open floor plan.

Sorry, Franco has this crazy open floor plan.
表現 · A2grab something

take a blanket

I gonna grab a blanket from you.
表現 · B1pass out

fall asleep or faint

but he came and passed out in the bathtub.
発音want to

Want to reduces to wanna in fast, casual speech.

Should we spoon it? Yeah, you want to?
スラング · B2spoon

curl up against — Intimate or teasing; keep it out of formal talk.

Should we spoon it? Yeah, you want to?
表現 · B2something style

in the gangster-movie way

I'm going Scarface style.
表現 · A2the best way

the ideal method

There we go. Yeah. This is the best way.
スラング · B1fellas

guys, mates — Warm, casual address among friends.

Night, my sweet guys. Good night. Sweet dreams, fellas.

「Everyone Sleeps in One Room」を読み解く

What's really going on

The sleepover is where the film's apocalypse gets personal. Jay won't sleep alone, so he invades Seth's space and then needles the exact wound from earlier: he came here for one friend and is now stuck with people he dislikes. Seth offers the hopeful reading — 'Maybe this horrible, horrible deadly earthquake happened so we could become closer as a group of friends' — and Jay answers with the anti-social version: 'I don't need a group. I'm like DMX, man. I'm a lone wolf.' The argument immediately becomes a bit about whether that's even true, since DMX has a crew. From there the group argues about what the disaster is, landing on the idea that a light sucking people into the sky means they were 'not awesome enough to go to heaven.' The scene's real subject is the same as the fight on the porch: whether these men can stand each other well enough to survive together.

Theme

FriendshipForced together by disaster, the group argues about whether their bonds are real — Jay calls himself a lone wolf rather than admit he needs them.
SurvivalThe night's real bargain is physical: everyone piles into one room because being together, however irritating, feels safer than being alone.

このチャプターで学べること

  • Not awesome enough to frames being left behind as unworthiness.
  • Lone wolf is a pose that the next line dismantles.
  • Spooning jokes hide real fear of sleeping alone.
  • The scene blends apocalypse talk with movie references.

発音のポイント

  • too scary to — Too scary to runs together with a weak to.
  • way better — Stress way and lighten better to land the degree.
  • want to — Want to reduces to wanna in fast, casual speech.
That means that we were not awesome enough to go to heaven.

The group's bleak theology: if a light lifted people skyward, the ones left behind were apparently judged not good enough to be taken.

I don't need a group. I'm like DMX, man. I'm a lone wolf.

Jay's insistence on going it alone, framed as a rapper's credibility — and immediately undercut, since DMX tours with a whole crew.

Maybe this horrible, horrible deadly earthquake happened so we could become closer as a group of friends.

Seth's attempt to find a silver lining: the catastrophe, however awful, might at least make the group closer.

and now I am barricaded in here with a bunch of people that I really hate.

The grievance underneath the jokes: Jay never wanted to be here and now feels trapped with exactly the people he avoids.

このシーンについての質問

Why does Jay move into Seth's space?

He admits he's too scared to sleep alone. It also puts him next to the one person in the house he actually came to see.

What does Jay mean by 'I'm a lone wolf'?

He claims he doesn't need a group and prefers to go it alone. Seth immediately undercuts the boast by pointing out that DMX has a whole crew.

Why does the group talk about 'Judgment Day'?

They're trying to explain the disaster. One theory is biblical Judgment Day, another is Skynet, and the grim punchline is that a light taking people to the sky means they weren't good enough to go.

Why does everyone end up sleeping in one room?

Fear. Being alone is scarier than being crowded together, so they all pile into the same spot — and by the end they agree it feels safer with more people.

ディス・イズ・ジ・エンド 俺たちハリウッドスターの最凶最期の日 · 全 27 章

すべて見る →
次のチャプター · 第 10 章fatalitiesA Stranger Asks to Be Let In
第 1 章how the other half livesSeth Picks Jay Up at LAX第 2 章right on the moneySeth Talks Jay Into the Party第 3 章in a heartbeatFranco Gives the House Tour第 4 章walk someone throughMichael Does Cocaine for the First Time第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch第 6 章suck upThe Earthquake Hits the Party第 7 章freaking outThe Survivors Argue About Staying第 8 章low blood sugarThe Gang Boards Up Franco's House再生中 · 第 9 章lone wolfEveryone Sleeps in One Room第 10 章fatalitiesA Stranger Asks to Be Let In第 11 章hear me outReading Revelations at Franco's第 12 章the elephant in the roomAddressing the Elephant in the Room第 13 章make any guaranteesDrawing Matches to Fetch the Water第 14 章so close but so farSomething Outside the House第 15 章get all worked upThe Fight Over a Magazine第 16 章sick and tired ofFighting Over the Water Ration第 17 章forced my handThe Group Votes Danny Out第 18 章put you on a pedestalFranco Exposes Jay's Lie第 19 章Tell you whatDrawing Straws for Another Food Run第 20 章cover more groundRaiding a Neighbor's House for Food第 21 章growing apartJonah Chases Jay and Craig第 22 章pay the piperThe Group Realizes There's a God第 23 章hold backThe Exorcism of Jonah Hill第 24 章a real menschCraig Volunteers to Face the Demon第 25 章talking niceThe Group Learns to Be Nice第 26 章make a run for itDanny McBride Wants to Eat Them第 27 章another fine messSeth and Jay Reconcile in the Light
第 9 / 27 章 · 残り約 55 分