subject clause: Whoever works as the subject and means anyone who draws it.
Whoever gets the burnt match has to go to one of Franco'sThis Is the End · 2013 — 第 19 / 27 章 · 2'17" · B1
Low on food and water, the group draws matches again to pick someone to raid a neighbor's house — and this time everyone refuses. "I'm bowing out. I'm declining to go," one says, until the room turns on him for acting superior.
The group has no food or water left, so they draw matches again to choose who will raid a neighbor's house. One refuses — 'I'm bowing out. I'm declining to go' — and the others turn on him for always calling them assholes. Jay finally volunteers, and someone goes with him, joking that Jay's arms are too skinny to carry much.
注目の表現
go firstVery mature of youscrewedfeeling lucky
このシーンの表現
here's what we'll do
As the argument stalls, Tell you what opens a fake proposal.
Tell you what, let's split the bill.
start first
so mature of you, sarcastically
in deep trouble
sensing good luck
the same thing happens again
42 行のセリフに 31 件のメモ
subject clause: Whoever works as the subject and means anyone who draws it.
Whoever gets the burnt match has to go to one of Franco'sobligation with have to: Has to marks an obligation set by the game, not a choice.
Whoever gets the burnt match has to go to one of Franco'sfetch us some
neighbors houses, get us some food and some water.be careful
Watch out, watch out.start first
As the draw begins, someone offers to go first.
I'll go first. SETH: Thank you.so mature of you, sarcastically
Someone sarcastically praises another for acting grown-up.
Very mature of you. Thank you.in trouble — Blunt for screwed up; use trouble in formal talk.
What's that?slept badly
Yeah. Just bad sleep. Crazy dream.elliptical sentence: The subject and verb are dropped, leaving only the point.
Yeah. Just bad sleep. Crazy dream.sensing good luck
Before the draw, someone asks another if he is feeling lucky.
Craigers, you feeling lucky?the same thing happens again
Right before the second draw, someone asks whether history repeats itself.
Will history repeat itself?reflexive object: The reflexive itself points back to history and is fixed in the phrase.
Will history repeat itself?Itself reduces and the stress sits on the second syllable of repeat.
Will history repeat itself?withdrawing gracefully
When his name comes up, Jay declares he is bowing out.
I'm bowing out. I'm declining to go.refuse to go
I'm bowing out. I'm declining to go.Let the ng in bowing slide straight into out.
I'm bowing out. I'm declining to go.explain step by step
Fed up with the back-and-forth, someone offers to break it down.
Let me break it down for you.Soften the k in break and link it down.
Let me break it down for you.damn well going — Swearing for emphasis in a refusal.
I'm not fucking going.here's what we'll do
As the argument stalls, Tell you what opens a fake proposal.
Tell you what, why don't you fucking go, Mr. Self Righteous.how about you do it
Tell you what, why don't you fucking go, Mr. Self Righteous.The t in don't often drops, so why don't runs together.
Tell you what, why don't you fucking go, Mr. Self Righteous.sanctimonious — Sarcastic label for a moralizer.
Tell you what, why don't you fucking go, Mr. Self Righteous.jerks — Crude insult; informal only.
You're constantly saying what assholes we are, how good you are.come along with you
I'll go with you, Jay.our agreement
Is it because of our pact upstairs?because of plus noun: Because of takes a noun; for a clause you would need because.
Is it because of our pact upstairs?scrawny — Joking intensifier; keep it casual.
Nah, cause you got them skinny ass arms.Stress feed and hamster; glide through the article.
You couldn't carry enough to feed a hamster.go get the cash
After the roles are set, someone cheers them on to get that money.
Let's get that money.grab the cash — Street-style cheer; not for formal use.
Let's get that money.The chapter is about a group that has run out of goodwill along with water. Nobody wants to leave the house, so the fair-looking ritual — drawing matches — is invoked again, and this time it produces a fight instead of a result. The man who refuses doesn't just say no; he wraps it in stiff, formal language: 'I'm bowing out. I'm declining to go.' The room answers with everything it has been holding: 'Tell you what, why don't you fucking go, Mr. Self Righteous. You're constantly saying what assholes we are, how good you are.' He keeps insisting he has the right to refuse — 'Because I have' — until Jay offers to go instead. Even the help is a joke: the volunteer going with him says he's only doing it because Jay's arms are 'skinny ass' and 'you couldn't carry enough to feed a hamster.' The chapter shows a group where survival is inseparable from who insulted whom.
I'm bowing out. I'm declining to go.His refusal in the most formal wording available: he's not just saying no, he's withdrawing from the whole obligation.
Tell you what, why don't you fucking go, Mr. Self Righteous.The turning point of the fight: the man who keeps calling them bad people should be the one to take the risk, and the sarcastic 'Mr. Self Righteous' makes it personal.
You couldn't carry enough to feed a hamster.The reason given for going along: Jay is so slight that whatever he brings back would barely count as food.
Nah, cause you got them skinny ass arms.The blunt explanation for tagging along: it's not loyalty or a pact, it's that Jay's thin arms will need the help.
Leaving the house means facing whatever is outside, and after the quake nobody wants to risk it. So instead of volunteering, they argue about whose turn it is.
Because he keeps telling them they're assholes while acting superior himself. They throw it back: if he's so good, he should be the one going for water — 'Mr. Self Righteous.'
Jay volunteers, and one of the others joins him. The explanation is a joke about Jay's 'skinny ass arms' — he couldn't carry enough food to matter on his own.
It means withdrawing from something, refusing to take part. The man doesn't just say no; he announces 'I'm bowing out,' which sounds formal and deliberate, and 'I'm declining to go.'
They head out with a plan — 'Yo. Out and to the left' — and the last line is someone reacting with 'Oh my God,' suggesting the trip out is anything but safe.
次のチャプター · 第 20 章cover more groundRaiding a Neighbor's House for Food
第 1 章how the other half livesSeth Picks Jay Up at LAX
第 2 章right on the moneySeth Talks Jay Into the Party
第 3 章in a heartbeatFranco Gives the House Tour
第 4 章walk someone throughMichael Does Cocaine for the First Time
第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch
第 6 章suck upThe Earthquake Hits the Party
第 7 章freaking outThe Survivors Argue About Staying
第 8 章low blood sugarThe Gang Boards Up Franco's House
第 9 章lone wolfEveryone Sleeps in One Room
第 10 章fatalitiesA Stranger Asks to Be Let In
第 11 章hear me outReading Revelations at Franco's
第 12 章the elephant in the roomAddressing the Elephant in the Room
第 13 章make any guaranteesDrawing Matches to Fetch the Water
第 14 章so close but so farSomething Outside the House
第 15 章get all worked upThe Fight Over a Magazine
第 16 章sick and tired ofFighting Over the Water Ration
第 17 章forced my handThe Group Votes Danny Out
第 18 章put you on a pedestalFranco Exposes Jay's Lie
再生中 · 第 19 章Tell you whatDrawing Straws for Another Food Run
第 20 章cover more groundRaiding a Neighbor's House for Food
第 21 章growing apartJonah Chases Jay and Craig
第 22 章pay the piperThe Group Realizes There's a God
第 23 章hold backThe Exorcism of Jonah Hill
第 24 章a real menschCraig Volunteers to Face the Demon
第 25 章talking niceThe Group Learns to Be Nice
第 26 章make a run for itDanny McBride Wants to Eat Them
第 27 章another fine messSeth and Jay Reconcile in the Light