crude intensifier — A raw intensifier for shock, never in polite company.
Jesus Christ, they are all fucking dead.This Is the End · 2013 — 第 7 / 27 章 · 2'52" · B1
In the wake of the quake, the survivors can't agree on anything: whether to leave, whether to believe the TV, and who is even at fault. Someone insists, "I don't want to die at James Franco's house," while another jokes that actors will be rescued first — and that they're all soft actors pretending to be tough.
After the earthquake, the group regroups inside Franco's damaged house. Phones are dead, the internet is out, and the news tells everyone to stay in their homes. Seth wants to leave, others refuse, and they decide to wait for rescue — joking that celebrities will be saved first and that they are all soft actors.
注目の表現
lower your voicefreaking outstay in your homesvictim
このシーンの表現
losing your calm
As Jay shouts, Seth tells him he is freaking out, half annoyed and half worried.
She was freaking out about the missed flight.
speak more quietly
remain indoors at home
someone who suffered harm
cover with boards for safety
66 行のセリフに 21 件のメモ
crude intensifier — A raw intensifier for shock, never in polite company.
Jesus Christ, they are all fucking dead.speak more quietly
Jay is spiraling, so Seth asks him to lower his voice before it draws everyone.
You know what, James, can you lower your voice?losing your calm
As Jay shouts, Seth tells him he is freaking out, half annoyed and half worried.
You're freaking out, Jay.The g in freaking often drops, so it sounds like freakin'.
You're freaking out, Jay.rush outside
Everyone just runs out the door.look at the news
Let's watch the TV. Let's check the news.cool, awesome — Casual praise for something impressive; informal only.
Oh, that's dope. JAMES: Yeah, cool, huh?your home
I think we should probably go back to your place, eh? What are you talking about, man?speaking of something
I think we should probably go back to your place, eh? What are you talking about, man?modal with adverb: Should probably softens the suggestion, leaving room for the other person to push back.
I think we should probably go back to your place, eh? What are you talking about, man?absolutely not
No, no way. I'm not leaving here.remain indoors at home
When the group argues about leaving, someone quotes the broadcast telling people to stay home.
The TV said stay here. It said stay in your homes.reported speech: Reported commands keep the imperative form, so the instruction stays direct.
The TV said stay here. It said stay in your homes.a massive quake
A huge earthquake happens. Who do they rescue first?present continuous for future: The present continuous here states a firm decision about what will not happen.
We can't leave. I'm not leaving, okay? I'm a victim.The t in can't is often dropped; use context to catch the negative.
We can't leave. I'm not leaving, okay? I'm a victim.for one's entire life
I've had a victim's mentality my whole life. People can smell it on me. 19946utterly soft — A crude, jokey simile only among close friends.
Yeah. We soft as baby shit.keep oneself safe
We got to protect ourselves. We don't know how long we gonna be in here. Okay, chill.Gonna runs together; the following be is barely stressed.
We got to protect ourselves. We don't know how long we gonna be in here. Okay, chill.the rescuers, the friendly side
The good guys are here. We're fine. It's gonna be fine.The scene turns an apocalypse into a comedy of helplessness. Their phones are dead, the internet is down, and the only guidance is a TV telling them to 'stay in your homes' — which nobody can really follow or verify. As the truth sinks in, the room's instinct is denial and self-mockery at once: they insist they won't leave, and then admit the reason. 'We are actors. We pretend to be hard, man,' one says, and another agrees they are soft. What they're really negotiating is status, even now: the fantasy that fame will save them — 'Actors' get rescued first — sits next to the fear of dying in a rich friend's house. When someone proposes boarding the place up, the comedy keeps rolling, because the real threat is that they have no idea what's going on outside. The joke is that their survival plan is mostly denial.
I don't want to die at James Franco's house.The survivors' dread, made specific: the joke is that dying is bad, but dying in a celebrity friend's house is somehow worse.
The point is is that we're all gonna get out of this first.The fantasy that keeps them hopeful: whatever happens, they assume their fame will put them at the front of the rescue line.
We are actors. We pretend to be hard, man.The self-aware punchline: they only play tough people on screen, and in a real crisis they have no idea what to do.
A huge earthquake happens. Who do they rescue first?The question that drives the scene's dark joke: even a disaster is assumed to follow celebrity rules.
The TV tells everyone to stay in their homes, and they assume they'll be rescued faster if they wait. Jay, for his part, says he refuses to die in James Franco's house.
The emergency broadcast they catch on TV, telling people not to go outside. It becomes their only plan, even though nobody can confirm what is actually happening.
They admit that as actors they only pretend to be tough. It starts as a joke about being helpless and turns into a real confession of how unprepared they are.
It's gallows humor built on ego: they assume a disaster follows the same status rules as Hollywood, so famous people get saved before anyone else.
次のチャプター · 第 8 章low blood sugarThe Gang Boards Up Franco's House
第 1 章how the other half livesSeth Picks Jay Up at LAX
第 2 章right on the moneySeth Talks Jay Into the Party
第 3 章in a heartbeatFranco Gives the House Tour
第 4 章walk someone throughMichael Does Cocaine for the First Time
第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch
第 6 章suck upThe Earthquake Hits the Party
再生中 · 第 7 章freaking outThe Survivors Argue About Staying
第 8 章low blood sugarThe Gang Boards Up Franco's House
第 9 章lone wolfEveryone Sleeps in One Room
第 10 章fatalitiesA Stranger Asks to Be Let In
第 11 章hear me outReading Revelations at Franco's
第 12 章the elephant in the roomAddressing the Elephant in the Room
第 13 章make any guaranteesDrawing Matches to Fetch the Water
第 14 章so close but so farSomething Outside the House
第 15 章get all worked upThe Fight Over a Magazine
第 16 章sick and tired ofFighting Over the Water Ration
第 17 章forced my handThe Group Votes Danny Out
第 18 章put you on a pedestalFranco Exposes Jay's Lie
第 19 章Tell you whatDrawing Straws for Another Food Run
第 20 章cover more groundRaiding a Neighbor's House for Food
第 21 章growing apartJonah Chases Jay and Craig
第 22 章pay the piperThe Group Realizes There's a God
第 23 章hold backThe Exorcism of Jonah Hill
第 24 章a real menschCraig Volunteers to Face the Demon
第 25 章talking niceThe Group Learns to Be Nice
第 26 章make a run for itDanny McBride Wants to Eat Them
第 27 章another fine messSeth and Jay Reconcile in the Light