This Is the End · 2013 — 第 7 / 27 章 · 2'52" · B1

The Survivors Argue About Staying, Explained:freaking out

In the wake of the quake, the survivors can't agree on anything: whether to leave, whether to believe the TV, and who is even at fault. Someone insists, "I don't want to die at James Franco's house," while another jokes that actors will be rescued first — and that they're all soft actors pretending to be tough.

あらすじ

After the earthquake, the group regroups inside Franco's damaged house. Phones are dead, the internet is out, and the news tells everyone to stay in their homes. Seth wants to leave, others refuse, and they decide to wait for rescue — joking that celebrities will be saved first and that they are all soft actors.

ArgumentsComforting a friendSuggestingComfortingFriendsB1fastamerican
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注目の表現

lower your voicefreaking outstay in your homesvictim

00:00 / 02:52
Space 再生 · ← → セリフ移動 · R リピート
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  1. ❝ 独白Jay's victim speech5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

freaking out

losing your calm

As Jay shouts, Seth tells him he is freaking out, half annoyed and half worried.

She was freaking out about the missed flight.

このシーンの他の表現

  • lower your voice

    speak more quietly

  • stay in your homes

    remain indoors at home

  • victim

    someone who suffered harm

  • board up

    cover with boards for safety

このシーンのメモ一覧

66 行のセリフに 21 件のメモ

スラング · B2fucking

crude intensifier — A raw intensifier for shock, never in polite company.

Jesus Christ, they are all fucking dead.
表現 · A2lower your voice

speak more quietly

Jay is spiraling, so Seth asks him to lower his voice before it draws everyone.

You know what, James, can you lower your voice?
表現 · B1freak out

losing your calm

As Jay shouts, Seth tells him he is freaking out, half annoyed and half worried.

You're freaking out, Jay.
発音freaking out

The g in freaking often drops, so it sounds like freakin'.

You're freaking out, Jay.
表現 · A2run out the door

rush outside

Everyone just runs out the door.
表現 · A2check the news

look at the news

Let's watch the TV. Let's check the news.
スラング · B1dope

cool, awesome — Casual praise for something impressive; informal only.

Oh, that's dope. JAMES: Yeah, cool, huh?
表現 · A2someone's place

your home

I think we should probably go back to your place, eh? What are you talking about, man?
表現 · B1talking about something

speaking of something

I think we should probably go back to your place, eh? What are you talking about, man?
文法 · B1we should probably go back

modal with adverb: Should probably softens the suggestion, leaving room for the other person to push back.

I think we should probably go back to your place, eh? What are you talking about, man?
表現 · A2no way

absolutely not

No, no way. I'm not leaving here.
表現 · B1stay in your homes

remain indoors at home

When the group argues about leaving, someone quotes the broadcast telling people to stay home.

The TV said stay here. It said stay in your homes.
文法 · B1It said stay in your homes

reported speech: Reported commands keep the imperative form, so the instruction stays direct.

The TV said stay here. It said stay in your homes.
表現 · A2a huge earthquake

a massive quake

A huge earthquake happens. Who do they rescue first?
文法 · B1I'm not leaving

present continuous for future: The present continuous here states a firm decision about what will not happen.

We can't leave. I'm not leaving, okay? I'm a victim.
発音can't leave

The t in can't is often dropped; use context to catch the negative.

We can't leave. I'm not leaving, okay? I'm a victim.
表現 · B1someone's whole life

for one's entire life

I've had a victim's mentality my whole life. People can smell it on me. 19946
スラング · B2soft as baby shit

utterly soft — A crude, jokey simile only among close friends.

Yeah. We soft as baby shit.
表現 · B1protect oneself

keep oneself safe

We got to protect ourselves. We don't know how long we gonna be in here. Okay, chill.
発音gonna be

Gonna runs together; the following be is barely stressed.

We got to protect ourselves. We don't know how long we gonna be in here. Okay, chill.
表現 · B1the good guys

the rescuers, the friendly side

The good guys are here. We're fine. It's gonna be fine.

「The Survivors Argue About Staying」を読み解く

What's really going on

The scene turns an apocalypse into a comedy of helplessness. Their phones are dead, the internet is down, and the only guidance is a TV telling them to 'stay in your homes' — which nobody can really follow or verify. As the truth sinks in, the room's instinct is denial and self-mockery at once: they insist they won't leave, and then admit the reason. 'We are actors. We pretend to be hard, man,' one says, and another agrees they are soft. What they're really negotiating is status, even now: the fantasy that fame will save them — 'Actors' get rescued first — sits next to the fear of dying in a rich friend's house. When someone proposes boarding the place up, the comedy keeps rolling, because the real threat is that they have no idea what's going on outside. The joke is that their survival plan is mostly denial.

Theme

SurvivalWith phones dead and no plan, the group falls back on TV instructions, denial, and a fantasy that fame will get them rescued.
IdentityThey define themselves as soft actors who pretend to be tough, which is both a joke and a genuine admission of helplessness.

このチャプターで学べること

  • Freak out names a loss of calm, from fear or excitement.
  • Stay in your homes is official sheltering language.
  • The doubled is in 'the point is is' shows real speech.
  • Jay's fear keeps turning into punchlines he cannot stop.

発音のポイント

  • freaking out — The g in freaking often drops, so it sounds like freakin'.
  • can't leave — The t in can't is often dropped; use context to catch the negative.
  • gonna be — Gonna runs together; the following be is barely stressed.
I don't want to die at James Franco's house.

The survivors' dread, made specific: the joke is that dying is bad, but dying in a celebrity friend's house is somehow worse.

The point is is that we're all gonna get out of this first.

The fantasy that keeps them hopeful: whatever happens, they assume their fame will put them at the front of the rescue line.

We are actors. We pretend to be hard, man.

The self-aware punchline: they only play tough people on screen, and in a real crisis they have no idea what to do.

A huge earthquake happens. Who do they rescue first?

The question that drives the scene's dark joke: even a disaster is assumed to follow celebrity rules.

このシーンについての質問

Why don't they just leave Franco's house?

The TV tells everyone to stay in their homes, and they assume they'll be rescued faster if they wait. Jay, for his part, says he refuses to die in James Franco's house.

What does 'stay in your homes' refer to?

The emergency broadcast they catch on TV, telling people not to go outside. It becomes their only plan, even though nobody can confirm what is actually happening.

What do they mean by 'we are all soft'?

They admit that as actors they only pretend to be tough. It starts as a joke about being helpless and turns into a real confession of how unprepared they are.

Why do they think celebrities will be rescued first?

It's gallows humor built on ego: they assume a disaster follows the same status rules as Hollywood, so famous people get saved before anyone else.

ディス・イズ・ジ・エンド 俺たちハリウッドスターの最凶最期の日 · 全 27 章

すべて見る →
次のチャプター · 第 8 章low blood sugarThe Gang Boards Up Franco's House
第 1 章how the other half livesSeth Picks Jay Up at LAX第 2 章right on the moneySeth Talks Jay Into the Party第 3 章in a heartbeatFranco Gives the House Tour第 4 章walk someone throughMichael Does Cocaine for the First Time第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch第 6 章suck upThe Earthquake Hits the Party再生中 · 第 7 章freaking outThe Survivors Argue About Staying第 8 章low blood sugarThe Gang Boards Up Franco's House第 9 章lone wolfEveryone Sleeps in One Room第 10 章fatalitiesA Stranger Asks to Be Let In第 11 章hear me outReading Revelations at Franco's第 12 章the elephant in the roomAddressing the Elephant in the Room第 13 章make any guaranteesDrawing Matches to Fetch the Water第 14 章so close but so farSomething Outside the House第 15 章get all worked upThe Fight Over a Magazine第 16 章sick and tired ofFighting Over the Water Ration第 17 章forced my handThe Group Votes Danny Out第 18 章put you on a pedestalFranco Exposes Jay's Lie第 19 章Tell you whatDrawing Straws for Another Food Run第 20 章cover more groundRaiding a Neighbor's House for Food第 21 章growing apartJonah Chases Jay and Craig第 22 章pay the piperThe Group Realizes There's a God第 23 章hold backThe Exorcism of Jonah Hill第 24 章a real menschCraig Volunteers to Face the Demon第 25 章talking niceThe Group Learns to Be Nice第 26 章make a run for itDanny McBride Wants to Eat Them第 27 章another fine messSeth and Jay Reconcile in the Light
第 7 / 27 章 · 残り約 62 分