discussing something
Did what? What are you talking about?This Is the End · 2013 — 第 15 / 27 章 · 3'14" · C1
What starts as a complaint about a ruined magazine turns into a full shouting match about who may do what in whose house. One man admits it and offers no apology, and the threats fly both ways. Even the quieter defense — "I was raised in a house of women" — only fuels the argument.
A fight breaks out at the house over a magazine that someone ruined. The culprit confesses without apologizing, which only makes it worse, and the argument escalates into threats traded back and forth. It burns out when they move on to other tasks, then the mood shifts into a nostalgic story about an old favor and a movie.
注目の表現
raised in a house of womenget all worked upbitchbitter irony
このシーンの表現
to get upset or excited
Danny downplays Franco's fury by calling it being all worked up.
Don't get all worked up over a small mistake.
brought up around women
a crude insult for a woman
a painfully ironic twist
to leave a situation
need some help
88 行のセリフに 26 件のメモ
discussing something
Did what? What are you talking about?spread across it
Jizzed all over the pages of this nice magazine, I was nice enough to tell you about.kind enough to
Jizzed all over the pages of this nice magazine, I was nice enough to tell you about.relative clause: The clause after magazine tells you which magazine he means and why he is angry.
Jizzed all over the pages of this nice magazine, I was nice enough to tell you about.I did it
No. It was me, Franco.to eventually do
Why? When I fucking jack off long enough, I end up jizzing, dude.time clause: The when clause sets the condition that leads to the end up result.
Why? When I fucking jack off long enough, I end up jizzing, dude.ejaculating, crudely — Very crude slang; never in polite company.
Why? When I fucking jack off long enough, I end up jizzing, dude.mate, man — A casual address for friends only.
Why? When I fucking jack off long enough, I end up jizzing, dude.why not do it
Real fucking smart answer. Why don't you fucking aim, huh?to pick up a skill
You didn't learn to jizz in a fucking sock or on a fucking tissue. 199466230to strongly doubt
I highly doubt they fucking taught youupset about it
I mean, you're getting all worked up over a fucking porno mag.Link worked up over into one smooth run.
I mean, you're getting all worked up over a fucking porno mag.never considered
And it ain't bad. I never thought to do itisn't, informal — A spoken contraction for is not; avoided in writing.
And it ain't bad. I never thought to do ita painfully ironic twist
Seth notices he must finish the job before he can drink, and names the cruel twist himself.
And the fucking bitter irony is I'm not gonna have my thirst quenched until I finish this.The d before until merges and nearly disappears.
And the fucking bitter irony is I'm not gonna have my thirst quenched until I finish this.to leave for good
It's too late, Seth. I've already walked away too much.modal could: Could still keeps the door open, insisting the chance has not closed.
No, you haven't. You could still come back and just fucking turn around and come back and help me.need some help
Craig offers help with a casual question as the fight winds down.
Need a hand?do you recall when
Seth reaches for a shared memory to patch things up after the shouting.
I don't know why I'm thinking of this, but remember that timeThe of reduces to a weak sound between thinking and this.
I don't know why I'm thinking of this, but remember that timein a single session
Seth recalls the fast-food voucher and how impossible it was to finish in one go.
that you couldn't eat all of that in one sittinghalfway into it
And you sharted midway through the movie.farted with a little accident — A crude joke word for a bathroom accident.
And you sharted midway through the movie.The scene is a small war over a boundary: what one friend did to another's property, and whether an apology is owed. The confession is deliberately unrepentant — the point is not to make peace but to refuse an apology — and so the argument escalates into threats about where and when the offense could be repeated. The comedy is that nobody is actually frightened; they are fighting about manners, about whose house and whose rules. When the shouting runs out, the mood turns with surprising speed: one of them offers 'Need a hand?' and they slide into an old story about a gift certificate and a shared trip to the movies. Even the quieter line in the fight — 'I was raised in a house of women' — is used as fuel, not as an excuse. The turn is the film's pattern: chaos, then an oddly tender memory, as if the friendship can survive almost anything.
I was raised in a house of women.His explanation for his habits: he grew up around women and no brothers, so nobody ever taught him the rules the other man assumes everyone knows.
I mean, you're getting all worked up over a fucking porno mag.The accusation at the heart of the fight: the other man is overreacting to something trivial, and the speaker refuses to treat it as serious.
And the fucking bitter irony is I'm not gonna have my thirst quenched until I finish this.His summary of the situation: to get what he needs, he has to keep doing the very thing that is causing the fight, which is the joke.
It's too late, Seth. I've already walked away too much.The line that ends the chase: one of them refuses to be called back, saying he has already left too many times before.
Because one of them found that his magazine had been ruined, and the man who did it admits it without apologizing. That refusal is what turns a complaint into a full argument.
Boundaries and respect. The argument isn't about the object so much as about whose house and whose rules apply — each side keeps restating what the other is not allowed to do.
It simply runs out of steam. They move on to other chores, and one of them offers, "Need a hand?" — the fight gives way to cooperation.
An old memory: a gift certificate one of them gave the other, and a trip to see a movie that ended in embarrassment. The tone turns unexpectedly warm.
次のチャプター · 第 16 章sick and tired ofFighting Over the Water Ration
第 1 章how the other half livesSeth Picks Jay Up at LAX
第 2 章right on the moneySeth Talks Jay Into the Party
第 3 章in a heartbeatFranco Gives the House Tour
第 4 章walk someone throughMichael Does Cocaine for the First Time
第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch
第 6 章suck upThe Earthquake Hits the Party
第 7 章freaking outThe Survivors Argue About Staying
第 8 章low blood sugarThe Gang Boards Up Franco's House
第 9 章lone wolfEveryone Sleeps in One Room
第 10 章fatalitiesA Stranger Asks to Be Let In
第 11 章hear me outReading Revelations at Franco's
第 12 章the elephant in the roomAddressing the Elephant in the Room
第 13 章make any guaranteesDrawing Matches to Fetch the Water
第 14 章so close but so farSomething Outside the House
再生中 · 第 15 章get all worked upThe Fight Over a Magazine
第 16 章sick and tired ofFighting Over the Water Ration
第 17 章forced my handThe Group Votes Danny Out
第 18 章put you on a pedestalFranco Exposes Jay's Lie
第 19 章Tell you whatDrawing Straws for Another Food Run
第 20 章cover more groundRaiding a Neighbor's House for Food
第 21 章growing apartJonah Chases Jay and Craig
第 22 章pay the piperThe Group Realizes There's a God
第 23 章hold backThe Exorcism of Jonah Hill
第 24 章a real menschCraig Volunteers to Face the Demon
第 25 章talking niceThe Group Learns to Be Nice
第 26 章make a run for itDanny McBride Wants to Eat Them
第 27 章another fine messSeth and Jay Reconcile in the Light