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This Is the End · 2013 — 第 21 / 27 章 · 4'08" · B1

Jonah Chases Jay and Craig, Explained：growing apart

On the road, Jay and Craig argue about going back: Craig wants to rejoin the group, but Jay says those people were never his friends. "We've been growing apart for years," he admits about Seth, and staying with him was a last attempt to fix it. Then the possessed Jonah charges them, and the talk becomes a chase.

あらすじ

Out on the road, Jay and Craig debate whether to return to Franco's house. Craig wants to get back to the group; Jay admits he and Seth have been growing apart for years and that this trip was a last attempt to save the friendship. Their talk is cut short when the possessed Jonah attacks, vomiting on them and chasing them into a hiding spot.

Comforting a friendArgumentsConfessingWarningFriendsB1mediumamerican
IMDb ↗

注目の表現

shitin theorywork outvomit on

00:00 / 04:08
Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生

このシーンの表現

shit

a crude exclamation

A crude shout of alarm as the group realises they are being chased.

Shit, I left the keys inside.

このシーンの他の表現

  • in theory

    in principle

  • work out

    to end well

  • vomit on

    to throw up onto

  • getting crazy

    turning wild

  • gotta hide

    have to hide

このシーンのメモ一覧

78 行のセリフに 30 件のメモ

表現 · A2take something back

to carry something back

Man, let's take this back to Franco's, get the fuck out of here.
発音get the fuck

Each word in the curse is stressed, then the line snaps shut.

Man, let's take this back to Franco's, get the fuck out of here.
表現 · A2talking about something

speaking of

What are you talking about?
発音What are you

What are you weakens and blends into one rapid sound.

What are you talking about?
表現 · B1in theory

in principle

Jay floats a lazy hypothetical and half mocks himself.

In theory we could just fuckin stay here.
スラング · B1friggin

a softened form of freaking — A lighter stand-in for a stronger swear, casual only.

in a friggin tent under a dick.
表現 · B1run after someone

to chase

Oh shit, they're running after us.
表現 · B2build a life

to settle down together

I'm just saying we could build a life here together, Craig. I'd be really good to you 1994662.
表現 · B2scared as hell

extremely frightened

All I know is I'm scared as hell.
表現 · A2get back to someone

to return to

and I just want to get back to our friends.
表現 · B1grow apart

to drift apart

We've been growing apart for years.
文法 · B2been growing apart

perfect continuous: The perfect continuous shows a drift that started before and still continues.

We've been growing apart for years.
表現 · B1work out

to end well

Jay says he stayed to fix the friendship but it clearly failed.

And I stayed with him this time to try and salvage it, but clearly that didn't work out.
文法 · B1to try and salvage it

infinitive of purpose: The infinitive explains the purpose of staying: an attempt to save the friendship.

And I stayed with him this time to try and salvage it, but clearly that didn't work out.
表現 · B1all we have got

all that is left

those assholes are all we got.
スラング · B1assholes

jerks, crudely — A crude word for unpleasant people, never face to face politely.

those assholes are all we got.
表現 · A2smell like something

to have the smell of

What? It smells like puke.
表現 · B1vomit on someone

to throw up onto

Jonah throws up over the group and Jay demands an answer.

Why did you vomit on us?
文法 · A2Stop eating

stop plus gerund: Stop plus a gerund means quit that action; stop eating him means quit it now.

Stop eating him. [HISSES]
表現 · A1watch out

look out

Watch out. He's super strong.
表現 · A2pass someone something

to hand something over

I'll pass you something.
表現 · B1get crazy

turning wild

As everything spirals, someone sums up the madness in a phrase.

We're getting crazy.
スラング · B1God damn you

a curse of frustration — An angry curse shouted in frustration, never formal.

Jesus, open. God damn you, open.
表現 · A2gotta + verb

have to hide

With something closing in, the only option left is to hide.

We gotta hide. We gotta hide. I know.
発音gotta hide

Gotta swallows the to and runs straight into the verb.

We gotta hide. We gotta hide. I know.
スラング · A2gotta

have got to, informally — A spoken contraction of have got to; keep it out of writing.

We gotta hide. We gotta hide. I know.
表現 · A2so scared

very frightened

I'm so scared, James.
表現 · A2breathe through something

to breathe via

Hiding in the dark, they even argue about how to breathe.

Don't breathe through your mouth. Okay.
文法 · B2where else to breathe from

wh- plus infinitive: Where else plus an infinitive means he has no other place to breathe from.

Now you're doing loud nose breathing. Am I? I don't know where else to breathe from.
発音breathe from

Link breathe and from so the two words share one breath.

Now you're doing loud nose breathing. Am I? I don't know where else to breathe from.

「Jonah Chases Jay and Craig」を読み解く

What's really going on

Buried inside the horror is a small, sad talk about friendship. Jay says what he has been avoiding: he and Seth are not close anymore — "We've been growing apart for years" — and this visit was an attempt to salvage something that may already be gone. Craig pushes back with the practical case, 'those assholes are all we got,' which is less about affection than survival. Then the monster arrives and the scene switches registers entirely: vomit, a chase, and two men hiding in the dark, arguing about who is breathing too loudly. The comedy and the dread share the same engine — these people cannot be alone and cannot quite stand each other — and the hiding scene makes it literal: they are trapped together, and the only threat more immediate than the monster is each other's breathing.

Theme

FriendshipJay admits he and Seth have drifted apart, and even the plain talk about saving the friendship is interrupted by danger.
SurvivalWith a possessed friend hunting them, the two survivors hide in the dark and argue about breathing quietly enough to stay alive.

このチャプターで学べること

  • Friends can drift apart for years.
  • Fear makes people argue about breathing.
  • Gotta hide is panic in two words.
  • Not my friends cuts deeper than an insult.

発音のポイント

  • get the fuck — Each word in the curse is stressed, then the line snaps shut.
  • What are you — What are you weakens and blends into one rapid sound.
  • gotta hide — Gotta swallows the to and runs straight into the verb.
  • breathe from — Link breathe and from so the two words share one breath.
In theory we could just fuckin stay here.

The tentative suggestion that they never return: staying put is possible on paper, though neither of them really believes it.

All I know is I'm scared as hell.

The honest baseline of the scene: whatever they decide, the speaker's main feeling is plain fear.

Yeah, but they're not my friends.

The hard truth Jay keeps circling: the group he is being asked to rejoin has never felt like his.

We've been growing apart for years.

The admission at the center of the scene: he and Seth have been quietly drifting apart for years, which is why this visit matters.

those assholes are all we got.

Craig's practical answer to loneliness: these difficult people are still the only ones they have left.

Now you're doing loud nose breathing. Am I? I don't know where else to breathe from.

The hiding-scene joke: even silence becomes a competition, and the last line names the absurdity of not knowing where else to breathe from.

このシーンについての質問

Why do Jay and Craig go outside?

They head out to gather supplies. Once they have what they can carry, Craig wants to take it back to Franco's house, but Jay is reluctant to return.

Why doesn't Jay want to go back?

He says the others were never really his friends and admits he and Seth have been growing apart for years, so returning means rejoining people he doesn't feel close to.

What happens to them outside?

The possessed Jonah attacks them — vomiting on them and chasing them — so they run and hide, whispering and arguing about who is breathing too loudly.

What does Craig say about the group?

He argues that the others are all they have, which is less about liking them than about survival. It's the practical case for going back.

ディス・イズ・ジ・エンド 俺たちハリウッドスターの最凶最期の日 · 全 27 章

すべて見る →
次のチャプター · 第 22 章pay the piperThe Group Realizes There's a God
第 1 章how the other half livesSeth Picks Jay Up at LAX第 2 章right on the moneySeth Talks Jay Into the Party第 3 章in a heartbeatFranco Gives the House Tour第 4 章walk someone throughMichael Does Cocaine for the First Time第 5 章a thin veneer of kindnessSeth and Jay Fight on the Porch第 6 章suck upThe Earthquake Hits the Party第 7 章freaking outThe Survivors Argue About Staying第 8 章low blood sugarThe Gang Boards Up Franco's House第 9 章lone wolfEveryone Sleeps in One Room第 10 章fatalitiesA Stranger Asks to Be Let In第 11 章hear me outReading Revelations at Franco's第 12 章the elephant in the roomAddressing the Elephant in the Room第 13 章make any guaranteesDrawing Matches to Fetch the Water第 14 章so close but so farSomething Outside the House第 15 章get all worked upThe Fight Over a Magazine第 16 章sick and tired ofFighting Over the Water Ration第 17 章forced my handThe Group Votes Danny Out第 18 章put you on a pedestalFranco Exposes Jay's Lie第 19 章Tell you whatDrawing Straws for Another Food Run第 20 章cover more groundRaiding a Neighbor's House for Food再生中 · 第 21 章growing apartJonah Chases Jay and Craig第 22 章pay the piperThe Group Realizes There's a God第 23 章hold backThe Exorcism of Jonah Hill第 24 章a real menschCraig Volunteers to Face the Demon第 25 章talking niceThe Group Learns to Be Nice第 26 章make a run for itDanny McBride Wants to Eat Them第 27 章another fine messSeth and Jay Reconcile in the Light
第 21 / 27 章 · 残り約 17 分