GoodFellas · 1990 — 第 26 / 28 章 · 4'39" · B2

Lois Insists on Her Lucky Hat, Explained:a pain in the ass

Henry is racing to make a drug delivery before a flight, and his girlfriend Lois is the last person he can afford to slow him down. The surface fight is about a hat; underneath it is control — she refuses to move until she gets what she wants: 'I need my hat. I won't fly without it.'

あらすじ

On the last day before a big drug run, Henry is juggling everything at once: getting cocaine ready for Lois's flight, driving to Sandy's to cut it, cooking dinner, and dodging a helicopter overhead. Then a phone call goes wrong, and at the airport Lois refuses to board until they drive back to Rockaway for her lucky hat.

Couple fightsPhone callsWarningComplainingCoupleB2fastamerican
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注目の表現

go back toget something readya pain in the assmake sure

00:00 / 04:39
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いま
  1. ❝ 独白Henry relives the fatal call6 行練習ページ ↗
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このシーンの表現

a pain in the ass

an annoying person

Right after Sandy's call, Henry complains to whoever is nearby that she is a constant nuisance.

That new app is a pain in the ass to set up.

このシーンの他の表現

  • go back to

    return to a place

  • get something ready

    prepare something

  • make sure

    be certain to do something

  • hang up

    end a phone call

  • son of a bitch

    a strong insult for a man

このシーンのメモ一覧

68 行のセリフに 28 件のメモ

表現 · A1go shopping

go to buy things

Let's go shopping.
文法 · B1it's been following

present perfect continuous: It marks an action running from the past right up to now, still continuing.

I'm not nuts, it's been following me all morning.
スラング · B1nuts

crazy — Casual; keep it out of formal speech.

I'm not nuts, it's been following me all morning.
文法 · B2how paranoid I am

noun clause: The clause is the object of see, and it drips with sarcasm.

I should bring him the helicopter, then we'll see how paranoid I am.
表現 · A1go inside a place

go in

Come on, let's go inside.
スラング · B2a hit

a dose of a drug — Drug slang; recognize it, don't use it.

Yeah. I need a hit.
表現 · B1enough ... for one day

as much as one day should hold

I've seen enough helicopters for one day, thank you.
表現 · A2get something ready

prepare something

Rushing home, Henry thinks through packing the drugs so Lois can carry them on her trip.

I had to get home and get the package ready for Lois to take on her trip.
スラング · B2get on my ass

nag or scold me — Rough slang for being nagged; friends only.

Plus, I knew Sandy would get on my ass.
スラング · B2a pain in the ass

a big annoyance — Vulgar-ish; keep it in casual talk.

It's Sandy. What is this? She's a pain in the ass.
表現 · A2make sure (that) ...

be certain to do something

On the phone Henry orders Lois to leave the house before she makes any call.

Make sure you leave the house when you make the call.
表現 · A2make a call

make the phone call

Make sure you leave the house when you make the call.
スラング · B1bugging me

bothering me — Everyday; use it when someone keeps pestering you.

Jesus, you must think I'm dumb. Why are you bugging me? I know what to do.
スラング · B2hick

a country bumpkin — Insulting; never say it to someone's face.

You little hick, just make sure you do it.
表現 · B1hang up the phone

end a phone call

Furious at the leak, Henry asks himself what Lois did the moment she ended his call.

What does she do after she hangs up with me?
表現 · A2pick up the phone

answer or lift the phone

She picks up the phone and calls from the house.
表現 · B1thanks to someone

because of someone

and they'd even have the time and flight number, thanks to her.
発音thanks to

Link thanks to into one smooth unit, softening the t.

and they'd even have the time and flight number, thanks to her.
表現 · A2as soon as someone does something

immediately when

As soon as I got home, I started cooking.
発音As soon as

Say as soon as as one run, not three separate words.

As soon as I got home, I started cooking.
表現 · B1get back to something

return to a task

I had to drive over to Sandy's, mix the stuff, then get back to the gravy.
表現 · A2come over to a place

come to a place

Do you think you can come over here, fuck me, and leave?
発音come over

Blend come over so the m slides straight into over.

Do you think you can come over here, fuck me, and leave?
表現 · B1someplace better to do something

a better place to go

Come on. You got someplace better to go?
表現 · B1a trip to a place

a journey to a place

So I need a trip to Rockaway because you want your hat?
表現 · A2lucky + noun

a hat believed to bring luck

Lois insists on going home for the hat she calls lucky and refuses to fly without it.

I need it, I got to have it. It's my lucky hat. I never fly without it.
表現 · B1be involved in something

taking part in

Lois, do you understand what we are involved in here?
文法 · B2what we are involved in

noun clause: The clause is the object of understand, with the preposition in left at the end.

Lois, do you understand what we are involved in here?

「Lois Insists on Her Lucky Hat」を読み解く

What's really going on

The scene is the whole machine of Henry's life running at once. He narrates the day like a checklist — package, quinine, sauce, flight — and every item pulls him in a different direction. The real danger is not the helicopter but the people: Lois makes a call from the house when she was told not to, and Henry knows exactly what that means. 'If anybody was listening, they'd know everything.' And when she demands the hat, the irony is that her small whim is the thing that finally wrecks the plan. Henry asks, 'Lois, do you understand what we are involved in here?' and she answers that she just wants her hat — proof of how little she cares about the risk he is carrying.

Theme

MoneyEverything Henry does that day is aimed at one thing: keeping the drug operation moving, even at the cost of his freedom.
DeceptionHenry runs several lives at once — home, Lois, Sandy — and the scene shows the lies and calls needed to keep them apart.

このチャプターで学べること

  • One careless call can undo a whole day of caution.
  • Henry narrates chaos as if it were routine.
  • Lois's lucky hat matters more to her than the risk.
  • Profanity here marks panic, not toughness.

発音のポイント

  • thanks to — Link thanks to into one smooth unit, softening the t.
  • As soon as — Say as soon as as one run, not three separate words.
  • come over — Blend come over so the m slides straight into over.
I need it, I got to have it. It's my lucky hat. I never fly without it.

Lois's superstitious attachment to the hat is unshakable; she treats it as a condition of flying, no matter the danger around them.

Lois, do you understand what we are involved in here?

Henry's frustrated appeal: he wants Lois to grasp the criminal stakes, but she refuses to see beyond her own wants.

I had to drive over to Sandy's, mix the stuff, then get back to the gravy.

One line sums up the day's chaos — dealing cocaine and cooking dinner are just two more errands on the same list.

All day long the guy's been watching helicopters and tomato sauce.

Henry's brother spent the day at the stove while a surveillance helicopter circled; the image captures how absurdly juggled that day was.

このシーンについての質問

Why does Lois insist on getting her lucky hat?

She is superstitious and says she never flies without it. She treats the detour to Rockaway as non-negotiable, even though it delays the drug run.

What goes wrong with the phone call?

Lois is told to make her call from an outside line, but she calls from the house instead. Henry fears that if anyone is listening, they now know a package is leaving and exactly when.

What does 'a pain in the ass' mean here?

It is slang for someone or something very annoying. Henry uses it for Sandy, and later tells Lois she can be 'such a pain,' meaning she is being a hassle.

Why is a helicopter following Henry?

It signals that law enforcement is already watching him. The helicopter hangs over his last day before the arrest, tying the drug operation directly to the coming bust.

Is Henry cheating on Karen in this scene?

Yes. Lois is his mistress, and the scene moves between her, Sandy, and his home life, showing how many separate lives he is trying to keep going at once.

グッドフェローズ · 全 28 章

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次のチャプター · 第 27 章rat someone outHenry Interrogated, Karen Flushes Stash
第 1 章the answer to all her prayersHenry Wants to Be a Gangster第 2 章take a beatingYoung Henry Gets Beaten and Recruited第 3 章rip someone offPaulie's Protection Racket第 4 章keep your mouth shutHenry's First Pinch and the Two Rules第 5 章in charge ofThe Idlewild Airport Crew第 6 章like a clownTommy Asks Henry If He's Funny第 7 章put a silk hat on a pigMorrie Asks Paulie for Help第 8 章a big scorePaulie's Restaurant Racket第 9 章got some nerveKaren Blasts Henry for Standing Her Up第 10 章drop a dimeJimmy Shakes Down Morrie Over a Loan第 11 章give me a breakKaren Meets the Mob Wives第 12 章cut cornersKaren Says Crime Felt Normal第 13 章out of orderBilly Taunts Tommy at the Welcome Party第 14 章cornuto contentoSupper at Ma's第 15 章a big dealTommy Makes Spider Dance and Shoots Him第 16 章bring myself toKaren Confronts the Mistress第 17 章keep up appearancesPaulie Tells Henry to Go Home第 18 章the jointHenry Does Easy Time in Prison第 19 章put food on the tableKaren Visits Henry in Prison第 20 章a real scoreHenry Builds the Lufthansa Heist Crew第 21 章bullsJimmy Rages Over the New Car第 22 章of a lifetimeJimmy Scolds the Crew After the Heist第 23 章whackJimmy Decides to Whack Morrie第 24 章license to stealTommy Gets Made in the Mafia第 25 章the end of the worldA Helicopter Follows Henry All Day再生中 · 第 26 章a pain in the assLois Insists on Her Lucky Hat第 27 章rat someone outHenry Interrogated, Karen Flushes Stash第 28 章save one's neckJimmy Tests Henry at the Diner
第 26 / 28 章 · 残り約 7 分