GoodFellas · 1990 — 第 11 / 28 章 · 4'17" · B2

Karen Meets the Mob Wives, Explained:give me a break

Karen's family nags her about Henry staying out all night, until she sits down with the mob wives and sees what 'different' really means. One line frames the whole chapter: "We weren't married to nine to five guys." By the end, none of it even seems like crime.

あらすじ

Karen is scolded by her family for putting up with Henry, then meets the wives at a hostess party, where the talk turns to prison, guns and revenge. Later she asks Henry what would happen if he went to jail, and he answers with the chapter's thesis: nobody goes to jail unless they want to. Karen slowly stops seeing any of it as crime.

PartiesFamily dinnersComplainingConfrontingSpousesB2fastamerican
IMDb ↗

注目の表現

grown upkeep out of itnine to fivegive me a break

00:00 / 04:17
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Sizing up the wives5 行練習ページ ↗
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このシーンの表現

give me a break

come on, that's nonsense

Someone excuses Jeannie's drinking as depression, and Karen brushes the excuse aside: she is just drunk.

Give me a break, you were late because you overslept.

このシーンの他の表現

  • grown up

    an adult

  • keep out of it

    don't get involved

  • nine to five

    a regular office job

  • make someone out to be

    portray someone as

  • the can

    jail, prison

このシーンのメモ一覧

71 行のセリフに 23 件のメモ

表現 · A2What kind of person ...?

who would do that

He's with his friends. What kind of person doesn't call?
発音kind of

Kind of often collapses to kinda in fast speech.

He's with his friends. What kind of person doesn't call?
表現 · A2every + number + unit

constantly

He's a grown up. He doesn't have to call every five minutes.
表現 · B1get someone something

obtain something for someone

If he was such a grown up why doesn't he get you two an apartment?
文法 · B1If he was such a grown up

mixed conditional: A past-tense if meets a present-tense main clause, blending an imagined past with a present complaint.

If he was such a grown up why doesn't he get you two an apartment?
文法 · B1I know he doesn't come home

object clause: A full clause after I know states what she is sure of, making the accusation firmer.

You're here a month and sometimes I know he doesn't come home at all.
表現 · B1stay out all night

be out the whole night

Your father never stayed out all night without calling.
表現 · B1leave someone out of something

don't drag someone into it

Leave him out of this. He's suffered enough.
発音worried to

The d in worried links into to, so it sounds like one run.

We were worried to death. A married man does not stay out like this.
表現 · B2hostess party

a party hosted by a woman

was when Mickey had a hostess party.
スラング · A2where you from

where are you from — Casual speech drops the verb; put it back in formal talk.

Karen, where you from? Lawrence.
表現 · A2stop picking at something

quit picking at

Angie, stop picking at that thing.
スラング · B2bastard

a despicable man — A harsh insult; fine among friends, never at work.

If I don't, he'll kill the miserable bastard, then Vinnie will be there for life.
表現 · B1give me a break

come on, that's nonsense

Someone excuses Jeannie's drinking as depression, and Karen brushes the excuse aside: she is just drunk.

Give me a break. She's drunk.
表現 · B2make someone out to be something

portray someone as

As soon as something happens, you make them out to be saints.
文法 · B1As soon as something happens

time clause: As soon as marks how instantly the excuse-making follows any incident.

As soon as something happens, you make them out to be saints.
表現 · A2live like that

live that way

I don't know if I could live like that.
表現 · B1God forbid

let's hope not

God forbid, what would happen if you had to go to prison?
スラング · B1the can

jail — Old street slang for jail; say jail in formal talk.

Mickey said that Jeannie's husband Do you know why Jeannie's husband went to the can?
表現 · B1unless someone wants to

unless they choose to

Let me tell you something. Nobody goes to jail unless they want to.
表現 · A2fall asleep

go to sleep

Because they fall asleep in the getaway car, Karen.
発音asleep in the

Asleep runs into in, and the is reduced.

Because they fall asleep in the getaway car, Karen.
表現 · A2after a while

after some time

After a while, it got to be all normal.

「Karen Meets the Mob Wives」を読み解く

What's really going on

The chapter moves from one kind of pressure to another. First Karen's relatives pile on Henry for not calling, asking "What kind of person are you?", as if her marriage were a verdict on her. Then she meets the wives, and the perspective flips: they talk about jail, guns and settling scores the way other people talk about weather. One of them says the line that defines the group, "We weren't married to nine to five guys." Karen starts to see the mob as a world, not a set of crimes, and the men's own logic is just as self-assured: "Nobody goes to jail unless they want to." The ending lands quietly — "After a while, it got to be all normal" — and that normalization is the real point. The women aren't shocked by crime; they adapt to it, and Karen is adapting too.

Theme

MarriageKaren's family judges her marriage, while the mob wives show her a different, harder version of it.
CorruptionCrime slowly becomes ordinary: jail, guns and revenge turn into small talk, and nothing feels like crime.

このチャプターで学べること

  • Gossip here does the work of a courtroom.
  • The wives measure each other by money and nerve.
  • Jail is table talk, never a fear, at this table.
  • Karen watches the wives more than she joins them.

発音のポイント

  • kind of — Kind of often collapses to kinda in fast speech.
  • worried to — The d in worried links into to, so it sounds like one run.
  • asleep in the — Asleep runs into in, and the is reduced.
Let me tell you something. Nobody goes to jail unless they want to.

Henry's smug rule of thumb, meant to reassure Karen that he controls his own risk and will never be caught.

We were worried to death. A married man does not stay out like this.

Karen's family voices the conventional rule Henry keeps breaking, framing his absence as a failure of marriage.

We weren't married to nine to five guys.

The wives' claim to a different life: their men don't keep office hours, and they accept the cost of that choice.

What kind of person are you? What is the matter with you?

An angry family verdict on Henry's disappearing act, quoted back as the standard he fails to meet.

このシーンについての質問

Why is Karen's family so angry at Henry?

He stays out all night without calling. To them a married man should come home and check in, so his behavior looks like proof that he is the wrong kind of person.

What happens at Mickey's hostess party?

Karen meets the other mob wives, who talk casually about prison, guns, revenge and each other. It is where she first feels how different her marriage is from a normal one.

Why does Henry say nobody goes to jail unless they want to?

It is his boast that crime is a controlled business. In his view, people get caught only when they slip up or half want it, so he believes he is too organized to be caught.

Why did Jeannie's husband go to prison, according to Mickey?

Mickey claims it was because of Jeannie, that her husband wanted to get away from her. The wives repeat it as gossip, not as a serious explanation.

What does 'after a while, it got to be all normal' mean?

Karen has stopped seeing the mob life as shocking. Arrests, violence and crime have become routine to her, which is the quiet point of the chapter.

グッドフェローズ · 全 28 章

すべて見る →
次のチャプター · 第 12 章cut cornersKaren Says Crime Felt Normal
第 1 章the answer to all her prayersHenry Wants to Be a Gangster第 2 章take a beatingYoung Henry Gets Beaten and Recruited第 3 章rip someone offPaulie's Protection Racket第 4 章keep your mouth shutHenry's First Pinch and the Two Rules第 5 章in charge ofThe Idlewild Airport Crew第 6 章like a clownTommy Asks Henry If He's Funny第 7 章put a silk hat on a pigMorrie Asks Paulie for Help第 8 章a big scorePaulie's Restaurant Racket第 9 章got some nerveKaren Blasts Henry for Standing Her Up第 10 章drop a dimeJimmy Shakes Down Morrie Over a Loan再生中 · 第 11 章give me a breakKaren Meets the Mob Wives第 12 章cut cornersKaren Says Crime Felt Normal第 13 章out of orderBilly Taunts Tommy at the Welcome Party第 14 章cornuto contentoSupper at Ma's第 15 章a big dealTommy Makes Spider Dance and Shoots Him第 16 章bring myself toKaren Confronts the Mistress第 17 章keep up appearancesPaulie Tells Henry to Go Home第 18 章the jointHenry Does Easy Time in Prison第 19 章put food on the tableKaren Visits Henry in Prison第 20 章a real scoreHenry Builds the Lufthansa Heist Crew第 21 章bullsJimmy Rages Over the New Car第 22 章of a lifetimeJimmy Scolds the Crew After the Heist第 23 章whackJimmy Decides to Whack Morrie第 24 章license to stealTommy Gets Made in the Mafia第 25 章the end of the worldA Helicopter Follows Henry All Day第 26 章a pain in the assLois Insists on Her Lucky Hat第 27 章rat someone outHenry Interrogated, Karen Flushes Stash第 28 章save one's neckJimmy Tests Henry at the Diner
第 11 / 28 章 · 残り約 59 分