GoodFellas · 1990 — 第 19 / 28 章 · 3'00" · B1

Karen Visits Henry in Prison, Explained:put food on the table

A prison visit becomes a reckoning with how the two of them have been abandoned. Karen lists everyone who let them down, from friends who owe money to the boss who no longer calls, and Henry answers with a colder version of the same thought: "It's only you and me." From there he turns her loyalty into a job.

あらすじ

Karen visits Henry in prison and unloads: nobody is helping them, the people who owe them money have turned them down, and even Paulie has disappeared. Henry agrees that the two of them are on their own, but instead of comforting her he gives her a task, bringing in goods he can sell inside. The visit is both a marriage scene and a business meeting.

Marriage troubleArgumentsComplainingPromisingSpousesB1fastamerican
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注目の表現

catch you laterhave a good weekendstay up all nightget on welfare

00:00 / 03:00
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Karen's prison outburst5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

put food on the table

earn a living for the family

Henry pushes back, asking whether Paulie has ever provided for the family at all.

He works two jobs to put food on the table.

このシーンの他の表現

  • catch you later

    see you later

  • have a good weekend

    enjoy your weekend

  • stay up all night

    not sleep at all

  • get on welfare

    start receiving state aid

  • shit

    stuff, used crudely

このシーンのメモ一覧

46 行のセリフに 21 件のメモ

表現 · A2catch someone later

see you later

All right, I'll catch you guys later. Yeah.
発音catch you

Catch you runs together and can sound like ca-chu.

All right, I'll catch you guys later. Yeah.
表現 · A2have a good + 时间词

enjoy your weekend

As the visit ends, Henry wraps up with a polite weekend wish.

Is there any more? No, that's it. Have a good weekend.
表現 · A2hold hands

link hands

I want you to hold hands. Okay, go right up to the front.
文法 · A2I want you to hold hands

object + infinitive: In want someone to do something, the second person carries the action.

I want you to hold hands. Okay, go right up to the front.
表現 · B1in the register

on the record list

What you talking about? I saw her name in the register.
スラング · B1Jesus Christ

an exclamation of shock — A common exclamation; some people find it offensive.

Jesus Christ. You want her to visit you?
表現 · B1stay up all night

not sleep at all

Henry says it with a sneer, letting Karen wear herself out writing to the parole board.

Let her stay up all night crying and writing letters to the parole board.
表現 · B2sneak something in

smuggle something inside

Good, let her sneak this stuff in for you every week.
発音what you're

What you're can blur into wacha when said quickly.

Let her fight these bastards every week! Look what you're doing! Stop it!
スラング · B2bastards

bastards, a strong insult — A strong insult; keep it out of polite speech.

Let her fight these bastards every week! Look what you're doing! Stop it!
スラング · B2shit

stuff, used crudely — Crude; avoid it at work and in formal talk.

Let her sneak this shit in for you.
表現 · A2owe someone money

be in debt to someone

I asked your friend Remo for the money that he owes you.
表現 · B2get on welfare

start receiving state aid

Karen quotes Remo's cold advice to apply for state aid, exposing both her need and his contempt.

He told me to take my kids down to the police station and get on welfare.
表現 · B1get out

be released

Even Paulie, since he got out, I've never seen him. I never see anybody anymore.
文法 · B1what happens when you go away

predicative clause: The what-clause after That's spells out the result of leaving.

It's only you and me. That's what happens when you go away.
発音when you

When you often blends into when-ya in fast speech.

It's only you and me. That's what happens when you go away.
表現 · B2be on parole

under parole supervision

As long as he's on parole, he doesn't want anybody doing anything.
文法 · B1As long as he's on parole

condition clause: The as long as clause sets the condition for the main statement.

As long as he's on parole, he doesn't want anybody doing anything.
表現 · B1help someone out

give someone a hand

He is not helping us out. Is he putting any food on the table?
表現 · A2be really careful

be very cautious

We've just gotta be really careful while we do it.

「Karen Visits Henry in Prison」を読み解く

What's really going on

The scene makes plain what all the earlier loyalty was worth. Karen arrives with a list of abandonments — a friend who refused to repay a debt and told her to go get on welfare, a boss who stopped showing up — and the film lets her say the quiet part: "Nobody's helping me. I'm all alone." Henry does not disagree; he simply reframes it as a rule, "It's only you and me. That's what happens when you go away." The comfort he offers is also a recruitment pitch, since he needs her to keep smuggling goods in so he can sell them on the inside. The marriage survives here not because of love but because each of them has become the other's only remaining asset, and the tenderness and the use are impossible to separate.

Theme

LonelinessThe two of them are left with no allies, and their closeness grows out of isolation rather than affection.
MarriageThe visit is a marriage kept alive by practical need, as Henry turns Karen's loyalty into a role in his scheme.

このチャプターで学べること

  • The visit turns a marriage into a negotiation.
  • Henry's comfort is really a request for more smuggling.
  • Karen names the friends who vanished once he went in.
  • Parole makes Paulie a reason to stay quiet, not a helper.

発音のポイント

  • catch you — Catch you runs together and can sound like ca-chu.
  • what you're — What you're can blur into wacha when said quickly.
  • when you — When you often blends into when-ya in fast speech.
It's only you and me. That's what happens when you go away.

Henry telling Karen that prison has stripped away every other ally, leaving only the two of them.

He told me to take my kids down to the police station and get on welfare.

Karen reporting a debtor's refusal to pay, which reduced her to being told to seek state help.

Nobody's helping me. I'm all alone.

Karen's summary of her situation: every friend and protector has disappeared when she needed them.

He is not helping us out. Is he putting any food on the table?

Henry dismissing Paulie's value by asking whether he contributes anything to the household at all.

このシーンについての質問

Why does Karen feel abandoned?

Because the people who owed them money or owed them loyalty have all stepped away while Henry is in prison. A friend refused to repay a debt, and Paulie, once their protector, no longer visits.

What does "put food on the table" mean here?

It means to provide for the household, to be the one who brings in money. Henry uses it to measure Paulie's worth: if he is not feeding the family, he is useless to them.

What is Henry asking Karen to do?

To keep smuggling goods into the prison so he can sell them inside with the help of another inmate. He frames it as their only way to survive together.

Is Henry comforting Karen or using her?

Both. He agrees that they are alone together, which is genuine, and then turns that loyalty into a job. The scene keeps the affection and the exploitation side by side.

グッドフェローズ · 全 28 章

すべて見る →
次のチャプター · 第 20 章a real scoreHenry Builds the Lufthansa Heist Crew
第 1 章the answer to all her prayersHenry Wants to Be a Gangster第 2 章take a beatingYoung Henry Gets Beaten and Recruited第 3 章rip someone offPaulie's Protection Racket第 4 章keep your mouth shutHenry's First Pinch and the Two Rules第 5 章in charge ofThe Idlewild Airport Crew第 6 章like a clownTommy Asks Henry If He's Funny第 7 章put a silk hat on a pigMorrie Asks Paulie for Help第 8 章a big scorePaulie's Restaurant Racket第 9 章got some nerveKaren Blasts Henry for Standing Her Up第 10 章drop a dimeJimmy Shakes Down Morrie Over a Loan第 11 章give me a breakKaren Meets the Mob Wives第 12 章cut cornersKaren Says Crime Felt Normal第 13 章out of orderBilly Taunts Tommy at the Welcome Party第 14 章cornuto contentoSupper at Ma's第 15 章a big dealTommy Makes Spider Dance and Shoots Him第 16 章bring myself toKaren Confronts the Mistress第 17 章keep up appearancesPaulie Tells Henry to Go Home第 18 章the jointHenry Does Easy Time in Prison再生中 · 第 19 章put food on the tableKaren Visits Henry in Prison第 20 章a real scoreHenry Builds the Lufthansa Heist Crew第 21 章bullsJimmy Rages Over the New Car第 22 章of a lifetimeJimmy Scolds the Crew After the Heist第 23 章whackJimmy Decides to Whack Morrie第 24 章license to stealTommy Gets Made in the Mafia第 25 章the end of the worldA Helicopter Follows Henry All Day第 26 章a pain in the assLois Insists on Her Lucky Hat第 27 章rat someone outHenry Interrogated, Karen Flushes Stash第 28 章save one's neckJimmy Tests Henry at the Diner
第 19 / 28 章 · 残り約 31 分