fix this mess
This is no good. You gotta straighten this thing out.GoodFellas · 1990 — 第 17 / 28 章 · 3'08" · B1
The crew is not interested in whether Henry still loves his wife. They want the marriage to look intact, for business and for reputation, and they say so plainly: "It's the only way. You gotta keep up appearances." What follows is a staged reconciliation, plus a warning about how far the family will go to avoid a divorce.
Henry has moved out after the fight with Karen, and Paulie and Jimmy visit to set him straight. They do not argue about love; they argue about image, telling him the marriage has to look normal and that the only route is to go home. Later, Jimmy pressures a man who owes money by threatening to throw him to the lions, and the man pays at once.
注目の表現
keep up appearancesstraighten outtake it easysmarten up
このシーンの表現
pretend things are fine
Paulie's crew tells Henry to go home, and the real reason is image, not love.
They are only keeping up appearances for the neighbors.
fix a mess
calm down
start acting sensibly
staying married no matter what
be serious about it
59 行のセリフに 23 件のメモ
fix this mess
This is no good. You gotta straighten this thing out.object clause: The clause after know states exactly what they cannot predict.
We got to have calm now. We don't know what the hell she's gonna do.on earth — Adds force or anger; not for polite company.
We got to have calm now. We don't know what the hell she's gonna do.calm down
Paulie tells Henry to calm down and not act rashly about Karen.
She's wild. And you got to take it easy. You got children.the single option
It's the only way. You gotta keep up appearances.pretend things are fine
Paulie's crew tells Henry to go home, and the real reason is image, not love.
It's the only way. You gotta keep up appearances.Link keep and up so it sounds like one word.
It's the only way. You gotta keep up appearances.have to — Everyday speech; too casual for formal writing.
It's the only way. You gotta keep up appearances.visit someone's place
The two of them come over every day, commiserating.object clause: A that-clause carries the whole claim, nested with a what-clause.
Nobody says that you can't do what you wanna do.In fast speech got to often reduces to gotta.
You got to go home, okay? Look at me.start acting sensibly
Paulie ends by telling Henry to grow up and act sensibly, a sharper tone than before.
You gotta go home. Smarten up.going to — Very common in speech; avoid it in formal writing.
I'm gonna tell her you'll go back to her...relative clause: The when-clause describes the exact state the marriage would return to.
and it'll be just the way it was when you were first married...have the skill for it
I know how to talk to her, especially to her.make time for yourself
Have a good time. Take some time for yourself. Relax.take a short break from work
Sit in the sun. Take a couple days off.return
And when you come back, you go back to Karen.Gonna is reduced while pay is stressed for the demand.
You gonna pay? Give us the fucking money!an intensifier, vulgar — Vulgar intensifier; never in formal settings.
You gonna pay? Give us the fucking money!am not — Nonstandard; keep it out of formal speech.
What fucking lions? I ain't going near any lions, Jimmy!what remains of
We got to spend the rest of the weekend at the track.be serious about it
After the threat, Henry admits the collectors are truly serious.
Yeah. They mean business.The scene is about image management inside a world where reputation is collateral. Paulie and Jimmy never mention happiness; they mention appearances, children, and what people would say, which is why the phrase "It's the only way. You gotta keep up appearances" is delivered as practical advice rather than cruelty. Going home is not a reconciliation but a stage set, and Henry agrees because the alternative costs him standing in the crew. The film sharpens the point a moment later with the line about Karen, "She'll kill him, but she won't divorce him," which treats marriage less as love than as a contract you are not allowed to break. The same logic runs the shakedown scene: threats work because everyone believes a man who refuses to pay will be dealt with. In both cases, what matters is not feeling but the appearance of order.
It's the only way. You gotta keep up appearances.The crew's argument for the reconciliation: not love, but the need to look normal to everyone watching.
She'll kill him, but she won't divorce him.A remark on the marriage as an unbreakable arrangement, where divorce is more unthinkable than violence.
We'll throw the bastard to the lions. No!A threat used to scare a debtor into paying, mixing a joke with real menace.
You're not gonna get a divorce. We're not animali.Divorce is declared impossible in this world, framed as a matter of being civilized rather than of feeling.
Because a broken home is bad for business and reputation. Paulie and Jimmy care about how things look, so they push Henry to restore the marriage even if the feelings are gone.
It means to maintain the outward look of a normal life even when the reality is a mess. The crew uses it to tell Henry that the marriage only has to seem fine, not be fine.
Not because he wants to. He agrees because refusing would cost him his place with the crew, so the return is arranged and practical rather than loving.
Jimmy and Tommy take a debtor on a trip and threaten him with talk of lions and a moat until he promises to get the money. The threat alone is enough, which is the point of the sequence.
次のチャプター · 第 18 章the jointHenry Does Easy Time in Prison
第 1 章the answer to all her prayersHenry Wants to Be a Gangster
第 2 章take a beatingYoung Henry Gets Beaten and Recruited
第 3 章rip someone offPaulie's Protection Racket
第 4 章keep your mouth shutHenry's First Pinch and the Two Rules
第 5 章in charge ofThe Idlewild Airport Crew
第 6 章like a clownTommy Asks Henry If He's Funny
第 7 章put a silk hat on a pigMorrie Asks Paulie for Help
第 8 章a big scorePaulie's Restaurant Racket
第 9 章got some nerveKaren Blasts Henry for Standing Her Up
第 10 章drop a dimeJimmy Shakes Down Morrie Over a Loan
第 11 章give me a breakKaren Meets the Mob Wives
第 12 章cut cornersKaren Says Crime Felt Normal
第 13 章out of orderBilly Taunts Tommy at the Welcome Party
第 14 章cornuto contentoSupper at Ma's
第 15 章a big dealTommy Makes Spider Dance and Shoots Him
第 16 章bring myself toKaren Confronts the Mistress
再生中 · 第 17 章keep up appearancesPaulie Tells Henry to Go Home
第 18 章the jointHenry Does Easy Time in Prison
第 19 章put food on the tableKaren Visits Henry in Prison
第 20 章a real scoreHenry Builds the Lufthansa Heist Crew
第 21 章bullsJimmy Rages Over the New Car
第 22 章of a lifetimeJimmy Scolds the Crew After the Heist
第 23 章whackJimmy Decides to Whack Morrie
第 24 章license to stealTommy Gets Made in the Mafia
第 25 章the end of the worldA Helicopter Follows Henry All Day
第 26 章a pain in the assLois Insists on Her Lucky Hat
第 27 章rat someone outHenry Interrogated, Karen Flushes Stash
第 28 章save one's neckJimmy Tests Henry at the Diner