the previous occasion
Talk to me. When was the last time you took a collar?GoodFellas · 1990 — 第 27 / 28 章 · 3'01" · B2
The scene splits in two: the interrogation where the police get nothing out of Henry, and the moment at home when he learns what Karen did to save him. "They were all over the house," she explains, and the drugs he was counting on are already gone down the drain.
Henry is arrested by narcotics officers and says almost nothing, asking only for his lawyer. What frightens him is not prison but the street: he knows the crew fears he will inform, and he has to make peace with Paulie or he is a dead man. Karen gets him out on bail, but at home he finds that she has flushed the drugs down the toilet during the search.
注目の表現
took a collarget the lawyerrat someone outstraighten out
このシーンの表現
inform on someone
Henry explains that his own crew may kill him because they fear he will inform.
Don't rat me out to the teacher.
get arrested
call the lawyer
fix or sort out
an offensive insult
mocking them for shopping
47 行のセリフに 24 件のメモ
the previous occasion
Talk to me. When was the last time you took a collar?Link talking to so it sounds like talkin-tuh.
Fuckhead, I'm talking to you.keep completely silent
You don't want to say a fucking word, don't. I don't really give a fuck.The t in don't often disappears before really.
You don't want to say a fucking word, don't. I don't really give a fuck.care at all — Vulgar; never in formal speech.
You don't want to say a fucking word, don't. I don't really give a fuck.prove to be
were local cops busting my balls over Lufthansa. They turned out to be narcs.narcotics officers — Cop-show slang; rare in everyday talk.
were local cops busting my balls over Lufthansa. They turned out to be narcs.giving me a hard time — Rough slang; only when complaining among friends.
were local cops busting my balls over Lufthansa. They turned out to be narcs.the guys, the crew — In-group talk for one's crew; outsiders don't use it.
You know the boys. All the pals are here.an idiot — An insult; never use it politely.
Bye bye, dickhead.volunteer to do
I spoke to Jimmy. He offered to give me some money.wish to know
He just wants to know what's happening. He just wants to talk to you.fix or sort out
Henry knows he must settle everything with Paulie; if not, his life is over.
I got to straighten out everything with Paulie or I'm dead.or-clause condition: The or-clause sets the penalty: fail the first part and the second part happens.
I got to straighten out everything with Paulie or I'm dead.just as easy as
They could whack me in here as easy as outside, maybe even easier.as...as comparison: The as...as frame puts two situations on the same level of ease.
They could whack me in here as easy as outside, maybe even easier.Say as easy as in one run, sliding s into the vowel.
They could whack me in here as easy as outside, maybe even easier.help someone escape
People are already walking away from me. I'm dead in here. You got to get me out.would be killed
I remember I had this feeling I would be killed right outside the jail.a hot-tempered person — Everyday and mildly critical; fine among friends.
I knew Paulie was still pissed at me, and he's such a hothead.for a sufficient time to
Now my plan was to stay alive long enough to sell off the dope...everywhere in a place
What was I supposed to do? They were all over the house.promise someone seriously
They would have never found it! They would have, I swear to you!would have + participle: It imagines a past that did not happen, and uses it to argue back.
They would have never found it! They would have, I swear to you!The scene is about how quickly a man can lose both his freedom and his backing at once. The interrogation shows Henry's only real defense, silence, while his narration explains the calculation underneath it: he is less afraid of prison than of what the crew will assume about him. "They're afraid I'll rat them out," he admits, and that fear is mutual, since his own survival depends on convincing Paulie of his silence. Karen's decision to flush the drugs is the practical counterpoint: she acted to protect him from a search, and in doing so destroyed everything he was counting on. Neither choice is wrong or right in the abstract; the film simply shows two people under pressure choosing in opposite directions. His line "This is the bad time" is the honest summary of a man watching his whole structure come apart.
I got to straighten out everything with Paulie or I'm dead.Henry saying he must settle all accounts with his boss, because without that peace he expects to be killed.
They could whack me in here as easy as outside, maybe even easier.Prison is no protection: the crew can have him killed inside just as easily, perhaps more so.
People are already walking away from me. I'm dead in here. You got to get me out.Henry describing being abandoned and begging to be released before he is killed.
This is the bad time.A plain summary of the moment when everything in his life turns against him at once.
Because talking would prove he is an informer, and the crew would kill him for it. Silence is not just legal protection; it is his only way to look loyal to Paulie.
It means to betray your partners by telling the police about them. Henry says the crew is afraid he will rat them out, which is why his silence matters so much to everyone.
Because the police are searching the house and she is afraid they will find the stash. From her side it is a protective act; from Henry's side it destroys the money he was counting on to survive.
Because he is out on bail, broke, and unsure whether the crew trusts him. He has lost the money, the protection, and the silence that kept him alive, all at once.
次のチャプター · 第 28 章save one's neckJimmy Tests Henry at the Diner
第 1 章the answer to all her prayersHenry Wants to Be a Gangster
第 2 章take a beatingYoung Henry Gets Beaten and Recruited
第 3 章rip someone offPaulie's Protection Racket
第 4 章keep your mouth shutHenry's First Pinch and the Two Rules
第 5 章in charge ofThe Idlewild Airport Crew
第 6 章like a clownTommy Asks Henry If He's Funny
第 7 章put a silk hat on a pigMorrie Asks Paulie for Help
第 8 章a big scorePaulie's Restaurant Racket
第 9 章got some nerveKaren Blasts Henry for Standing Her Up
第 10 章drop a dimeJimmy Shakes Down Morrie Over a Loan
第 11 章give me a breakKaren Meets the Mob Wives
第 12 章cut cornersKaren Says Crime Felt Normal
第 13 章out of orderBilly Taunts Tommy at the Welcome Party
第 14 章cornuto contentoSupper at Ma's
第 15 章a big dealTommy Makes Spider Dance and Shoots Him
第 16 章bring myself toKaren Confronts the Mistress
第 17 章keep up appearancesPaulie Tells Henry to Go Home
第 18 章the jointHenry Does Easy Time in Prison
第 19 章put food on the tableKaren Visits Henry in Prison
第 20 章a real scoreHenry Builds the Lufthansa Heist Crew
第 21 章bullsJimmy Rages Over the New Car
第 22 章of a lifetimeJimmy Scolds the Crew After the Heist
第 23 章whackJimmy Decides to Whack Morrie
第 24 章license to stealTommy Gets Made in the Mafia
第 25 章the end of the worldA Helicopter Follows Henry All Day
第 26 章a pain in the assLois Insists on Her Lucky Hat
再生中 · 第 27 章rat someone outHenry Interrogated, Karen Flushes Stash
第 28 章save one's neckJimmy Tests Henry at the Diner