“I am a fellow of the strangest mind in the world.”
He crowns himself the strangest man alive, and the boast lands as charm, not vanity.
Informal
Chapter 3 of 25 · 3'36"
Sir Andrew lists his talents — masks, revels, dancing — and Toby eggs him on: "I delight in masks and revel, sometimes all together." Then the Duke turns his private grief into a mission, telling Viola he has "unclasped" the book of his secret soul and sending her to woo Olivia.
Sir Andrew Boasts About His Dance Skills
❝ Monologue · 4 lines Orsino's charge to Cesario
He moves from confession to command in one breath, sending love out like a siege order.
Sir Andrew Aguecheek insists he is a man of strange moods who loves masks and revels, and claims he can dance a galliard and 'cut a caper.' Sir Toby mocks him for hiding these gifts instead of showing them off. In the next scene, Duke Orsino tells Cesario he has opened his secret soul and orders the servant to go woo Olivia, refusing to accept an empty-handed return.
The scene works as a study in performance. Sir Andrew's entire personality is a list of tricks — masks, revels, a galliard, a caper — and Toby's teasing turns it into a small audition: "Is this a world to hide virtues in?" Everyone here is playing a part, and Sir Andrew is bad at it. Then the play cuts to Orsino, who is the opposite: all feeling and no disguise. He describes telling Cesario everything as opening a book — "the book even of my secret soul" — and gives the young servant a mission that will only deepen the tangle, since Cesario is really Viola, a woman he will fall in love with. His instruction to 'leap all civil bounds' shows how far he will push someone else to get what he wants.
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“I am a fellow of the strangest mind in the world.”
He crowns himself the strangest man alive, and the boast lands as charm, not vanity.
Informal
“Thou knowest no less but all I have unclasped to thee, the book even of my secret soul.”
He turns confession into a book unclasped, so trust becomes something you can read.
literary
“And leap all civil bounds rather than make unprofitted returns.”
Better to overstep every rule of manners than to come back with nothing done.
literary
“I delight in masks and revel, sometimes all together.”
A list of pleasures plus sometimes all together: the party animal in one sentence.
Informal
“Is this a world to hide virtues in?”
A rhetorical question that shames hiding: the challenge doubles as encouragement.
literary
Thou knowest no less but all I have unclasped to thee, the book even of my secret soul. Therefore, good youth, address thy gait unto her. Be not denied access. Stand at her doors and tell them there thy fixed foot shall grow till thou have audience.
Up next · 04wear not motley in my brainThe scene: Feste Proves Olivia a FoolHe hopes to win Olivia and keeps spending money in the meantime. Toby flatters him and eggs him on, and Andrew is too foolish to see he is being used.
He says he loves masks and revels and can dance a galliard, cut a caper, and hold his own at the 'kickshawses.' Toby then makes him show off his dancing.
It means to make a playful skipping jump. It is also a pun: a caper is a pickled flower bud served with mutton, which Andrew plays on.
He sends Cesario to Olivia's house to press his suit and deliver his love. He tells the young servant to stand at her door and refuse to leave until she is seen.
He is impatient in love and tells Cesario to 'leap all civil bounds' rather than return without success, putting his desire above good manners.