dating the victim
Against dating the Vic? Yeah, there's a rule.The Town · 2010 — 第 6 / 20 章 · 5'02" · B1
What starts as a date turns into a confession. Claire tells Doug about the robbery — “the longest walk of my life” — and then admits, “I lied to the FBI.” Doug's advice is practical and guarded: report the tattoo, go into witness protection, or “you could wait.” The scene is where the couple's honesty becomes dangerous.
After the robbery, Claire decides to tell Doug everything. She describes being taken hostage, blindfolded and driven around, then left on a beach and told to walk until she felt the water — a walk she calls the longest of her life. She also reveals the FBI is in touch with her, and that she lied to them about a tattoo she saw.
注目の表現
check in onstep off a cliffwent offshit
このシーンの表現
fall off a steep drop
Claire recalls walking blindfolded, sure the next step would drop into nothing.
Be careful at the edge or you might step off a cliff.
see how someone is doing
suddenly sounded
a crude swear word
knocked a man out cold
has a criminal history
84 行のセリフに 28 件のメモ
dating the victim
Against dating the Vic? Yeah, there's a rule.the victim — Cop jargon for the victim; use victim in writing.
Against dating the Vic? Yeah, there's a rule.causative let: Let someone do something takes a bare infinitive, so open has no to.
What kind of a guy lets you open your own door like that?say something aloud
I have to get something out there...fall off a steep drop
Claire recalls walking blindfolded, sure the next step would drop into nothing.
It was the longest walk of my life. I kept thinking I'd step off a cliff.Link step and off, and run off a together as one weak chunk.
It was the longest walk of my life. I kept thinking I'd step off a cliff.not someone's responsibility
It's not your fault.grieving for a loss
Anyway, the FBI guy told me it would feel like I was in mourning.see how you are doing
Guy comes by, checks in on you, gives you a call? That kind of thing?any useful information
They don't have any suspects? Any clues? Any leads? Anything like that?useful clues — Common in investigations, and informally for job hunts.
They don't have any suspects? Any clues? Any leads? Anything like that?second conditional: A past-tense if-clause with would in the main clause marks an unreal or imagined situation.
I'm sure I'd recognize their voices if I heard them again.more difficult than expected
I don't know, might be harder than you think.Link harder and than, and reduce than you to a weak than-ya.
I don't know, might be harder than you think.beaten up badly
My assistant manager, he was assaulted really badly when the alarm went off.feel guilty about yourself
I feel like a terrible person.a big bust — Cop slang for a large operation or arrest.
Big takedown robbery.knocked a man out cold
Outside the hospital, someone says punks knocked the manager out.
-Fucking punks laid the guy out. -Oh, yeah?petty thugs — Dismissive slang; say thugs in formal talk.
-Fucking punks laid the guy out. -Oh, yeah?might return
Those guys could come back.told a lie to someone
I lied to the FBI.force someone to testify
I'm afraid if I report it they'll make me testify.first conditional: The if-clause uses the present and the main clause uses will for a real future possibility.
I'm afraid if I report it they'll make me testify.has a criminal history
Doug reasons that if the robber has priors, the tattoos will give him away.
If the guy's got a record, and I'm sure he does...arrest or call someone
They'll ring him up the next day.arrest him — Can also mean phone him; context decides.
They'll ring him up the next day.place someone in protection
The FBI will probably want to put you in WITSEC, you know, Witness Security.Link put and you, and blend you in into one sound.
The FBI will probably want to put you in WITSEC, you know, Witness Security.The scene runs on a gap between what Claire says and what Doug can bear to hear. She narrates the robbery as pure trauma — “the longest walk of my life. I kept thinking I'd step off a cliff” — with ordinary, precise details: four men, a safe, a blindfold, a beach. Then she says the one thing that changes the temperature: “I lied to the FBI.” Her confession about the tattoo is offered as trust, but it is also evidence, and Doug's advice stays careful and practical. Report it, accept witness protection, or “you could wait” — and that last option quietly leaves the risk with her. The honesty between them is real, and so is the unease it produces.
What kind of a guy lets you open your own door like that?Doug's playful, self-conscious line about not opening the car door for Claire, a small attempt at charm before the mood turns serious.
It was the longest walk of my life. I kept thinking I'd step off a cliff.Her description of the blindfolded walk to the water, framing the robbery through the fear of the next step rather than the violence.
I'm sure I'd recognize their voices if I heard them again.Claire's confidence that she could identify the robbers by voice, offered as reassurance but planting the idea of a future identification.
I'm afraid if I report it they'll make me testify.Her reason for staying quiet: reporting the tattoo would force her to testify, which is exactly what she wants to avoid.
What do you think I should do?The direct request for advice that turns the scene around, putting the decision in Doug's hands.
She says she has to get it out, or she would spend the night pretending to listen while thinking about something else — she wants honesty in the relationship.
Yes. She told investigators she could not identify the robbers, but she actually saw a tattoo on one man's neck, which she now confesses to Doug.
It is shorthand for Witness Security, the federal witness protection program; Doug warns that if Claire testifies, the FBI may move her somewhere far away under it.
He tells her to report the tattoo, explains that the FBI may put her in witness protection, and finally suggests she could also just wait.
He is warning her that recognizing masked men by voice is less reliable than she believes, though she insists she would know their voices again.
次のチャプター · 第 7 章have a cardDoug Tells Claire She Has a Card
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
再生中 · 第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene