The end of Okay slides straight into go with no pause.
Okay, go.The Town · 2010 — 第 20 / 20 章 · 2'18" · B1
The Feds Take Over the Crime Scene, Explained：stand down
The heist is over and the police move in, but the real fight is between agencies. “Jurisdiction, guys. Walk away,” one side insists; the other calls it “an FBI crime scene.” Meanwhile a suspect is running in a police uniform — “He's dressed as B.P.D.” — and the FBI has to chase the case while arguing over who owns it.
あらすじ
After the robbery, officers sweep the scene and the FBI arrives, but the two agencies immediately clash over who controls it: “Jurisdiction, guys. Walk away.” Then the agents learn the robbers wore police uniforms — one suspect is spotted heading south, “dressed as B.P.D.” — and a pursuit begins through the city.
注目の表現
stand downFedsfuck offcrime scene
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このシーンの表現
stand down
stop and relax the alert
As the scene boils over, someone calls stand down to keep guns from going off.
The general told the troops to stand down.
このシーンの他の表現
- Feds
federal agents
- fuck off
go away, rudely
- crime scene
the place a crime happened
- jurisdiction
the authority to act
- pull up
stop the car
このシーンのメモ一覧
31 行のセリフに 29 件のメモ
go, hurry — A terse field order to keep people moving.
Move, move.put the guns down
-Put your weapons down. - Fuck you. Boston P,D.Put your links into something like pu-cher with a flapped t.
-Put your weapons down. - Fuck you. Boston P,D.an aggressive insult — Very aggressive; never say it politely.
-Put your weapons down. - Fuck you. Boston P,D.passing through
Look out, coming through. Stand down, Stand down.stop and relax the alert
As the scene boils over, someone calls stand down to keep guns from going off.
Look out, coming through. Stand down, Stand down.once you return
See you when you get back.time clause: The when-clause sets the time for meeting, attached straight onto See you.
See you when you get back.move backward
All right, guys, let's back up. Feds got this.it is handled
All right, guys, let's back up. Feds got this.The t in got this often drops, sounding like go-this.
All right, guys, let's back up. Feds got this.federal agents — Casual for federal agents; common in crime talk.
All right, guys, let's back up. Feds got this.go away, rudely
The federal agent tells local police to leave in the crudest way, breaking the truce.
You B.P.D. need to fuck off.the place a crime happened
The federal agent blocks local police, insisting the crime scene is his to control.
What are you doing? it's an FBI crime scene.leave it alone
Jurisdiction, guys. Walk away.the authority to act
Local police and federal agents clash over who has the right to work the scene.
Jurisdiction, guys. Walk away.one's own target
That's my kill.my own target — Law-enforcement slang for the target one claims.
That's my kill.handling a situation
I don't know if we're dealing with...noun clause: The if-clause is the object of know, leaving the answer open.
I don't know if we're dealing with...was attacked
...but security's saying they got hit by cops.wait a moment
Hold up.stop the car
The tail tells the driver to stop right here before stepping out to watch the target.
Pull up here.wait a moment
Officer, can you hold up a minute?moving to the south
Visual on Coughlin, heading south toward Boylston.a place to park cars
Hotel parking lot on Van Ness.wearing a costume of
The radio report says Coughlin is wearing a police uniform, which is how he blends in.
He's dressed as B.P.D.past participle: Dressed works as an adjective here, describing his current disguise.
He's dressed as B.P.D.「The Feds Take Over the Crime Scene」を読み解く
What's really going on
The scene stages the mess that follows a heist: not the robbery itself, but the scramble to own it. BPD and FBI officers trade jurisdiction like a territorial argument, one calling it “an FBI crime scene,” the other answering, “That's my kill.” The criminals, meanwhile, are already dressed as police, so the uniforms meant to protect the scene become the perfect disguise. The detail that matters most arrives quietly: security says the robbers “got hit by cops,” which means the crew has turned the police's own identity into a weapon. The trap is closing, but nobody is sure whose trap it is.
Theme
PowerThe BPD and FBI fight over jurisdiction, each more interested in owning the case than in solving it.
DeceptionThe robbers escape by dressing as police, using the uniform that everyone trusts.
このチャプターで学べること
- The fight over the scene is a fight over status.
- Bureaucratic words carry the real threat here.
- Radio brevity makes the manhunt feel routine.
- A uniform is the whole disguise.
発音のポイント
- Okay, go — The end of Okay slides straight into go with no pause.
- Put your — Put your links into something like pu-cher with a flapped t.
- got this — The t in got this often drops, sounding like go-this.
See you in Florida, kid.A parting line to a younger member of the crew, promising a meeting far away after the job.
All right, guys, let's back up. Feds got this.A local officer telling colleagues to stand back because the federal agents are taking over the scene.
You B.P.D. need to fuck off.A blunt dismissal of the Boston police by the federal side, reducing the rivalry to two words.
...but security's saying they got hit by cops.The key detail: the robbery was carried out by men the security guards took for police officers.
Visual on Coughlin, heading south toward Boylston.A radio report tracking the suspect's movement through the city after the heist.
このシーンについての質問
Why do the police and FBI argue at the scene?
Both want control of the investigation, so they dispute jurisdiction: the FBI calls it a federal crime scene, while the local officers insist it is their case.
How did the robbers escape?
They wore police uniforms, so witnesses and guards took them for Boston police; the FBI learns the robbers were 'hit by cops' who were really the crew.
Who is Coughlin and why is he being tracked?
He is one of the robbers; a radio report spots him heading south toward Boylston in a police uniform, and officers move to follow him.
What does “my kill” mean?
It is police slang claiming credit for a case or target; an officer says it to argue the arrest is his, not the FBI's.
Where are the robbers heading?
The radio reports a suspect heading south toward Boylston and then a hotel parking lot on Van Ness, where officers plan to move in.
ザ・タウン · 全 20 章
すべて見る →
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
再生中 · 第 20 章stand downThe Feds Take Over the Crime Sceneこの作品の 20 章はここまでです