a joking nickname — A teasing nickname among friends; not for strangers.
- Boom. - Sober Jackson.The Town · 2010 — 第 3 / 20 章 · 3'21" · B2
The crew is drinking and trading stories about Doug's father doing time, teasing Doug for staying sober. Krista arrives with a fresh fight to tell — "Do I look like I got in a fight?" — and the mood tilts. The bar is warm, the jokes are crude, and Krista's attention is fixed on Doug.
At a Charlestown bar, Doug's crew drinks, jokes and remembers his father, Big Mac, who is doing time. They tease Doug for staying sober and call him Sober Jackson. Krista arrives with a cut lip and a fight story, brushing off concern with "Do I look like I got in a fight?", then makes her way over to Doug.
注目の表現
Sober Jacksontell the storymotherfuckersgot in a tight
このシーンの表現
got into trouble
Someone asks Krista about a fight, with the tone of a man fishing for gossip.
He got in a tight and needed a lawyer fast.
a teasing nickname for a sober man
recount what happened
a crude word for people
spouting insults or nonsense
would get in the past
54 行のセリフに 27 件のメモ
a joking nickname — A teasing nickname among friends; not for strangers.
- Boom. - Sober Jackson.recount what happened
The table is waiting for a familiar story, and someone urges the teller on.
Go on, tell the story.attempting to do something
Dougy, sit down. I'm trying to tell these motherfuckers about your father.present continuous: The present continuous stresses an action in progress right now, with a hint of impatience.
Dougy, sit down. I'm trying to tell these motherfuckers about your father.a crude word for people — Heavy curse between friends; never in polite company.
Dougy, sit down. I'm trying to tell these motherfuckers about your father.a toast to someone
Yeah, well, here's to Big Mac.serving a prison sentence
Doing his time like a man.Stress the first syllables of Shirley and Temple and rush the rest.
Let me get a Shirley Temple with an extra cherry, please.be served alongside
Do you want some snappers to go with that?a crude swear word — Very crude; keep it out of formal speech and writing.
-What are you doing? -I was just playing, Fuck.got into trouble
Someone asks Krista about a fight, with the tone of a man fishing for gossip.
Heard you got in a tight, Kris.The t in got flaps to a d-like sound before in.
Heard you got in a tight, Kris.yank an earring out
I don't know. Let me see. They pull your hoop out?began the trouble
The Jamaican started it.spouting insults or nonsense
Krista blames a stranger for mouthing off in front of her daughter.
Fucking Somalian started talking shit when I was with my daughter.spouting insults — Common in street arguments; say insult in formal settings.
Fucking Somalian started talking shit when I was with my daughter.accompanying us
Tonya was with us. And Cheryl too.alone
-The other girl was by herself? -Yeah.talk badly about someone — Casual and rude; avoid it with elders.
So they can fucking talk shit? No.long for something
Well, do you miss it?would get in the past
Instead of saying I miss you, the speaker recalls a small old gesture.
The fucking grip I used to get on your armrest.used to for past habits: Used to get marks a past habit that has stopped, not the be used to doing pattern.
The fucking grip I used to get on your armrest.Link grip and I, and reduce used to into a weak yoos-ta.
The fucking grip I used to get on your armrest.right down to the very end
We smoked it to the filter, right?drink a beer
-So have one beer. - Jimmy.won't actually hurt you
Jimmy pushes Doug to drink and shoves his own beer over, half joking.
-One beer ain't gonna kill you, right? -Drink my beer for me real quick.ain't negation: Ain't is a nonstandard contraction standing in for won't in this line.
-One beer ain't gonna kill you, right? -Drink my beer for me real quick.The scene looks like nothing but a night out, and that is the point. The crew's identity is bound up with the neighbourhood: they toast Doug's father for "doing his time like a man" and call themselves the "last crew in Charlestown." Doug's sobriety sets him slightly apart, and the others keep pushing him toward a drink — "One beer ain't gonna kill you, right?" Krista's fight story is really about status: she insists "The Jamaican started it" and that outsiders think "there's no more serious white people in Charlestown." When she finally reaches Doug and says "You know I got a key, Dougy," the warmth of the group has narrowed into something more personal, and the film's pull between loyalty and escape is on display.
Do I look like I got in a fight?Krista deflects concern with a joke, though the cut she carries says otherwise.
The fucking grip I used to get on your armrest.A crude, nostalgic line about a past intimacy and the thrill of a car ride together.
We smoked it to the filter, right?A shared memory of doing something to the very end, a nod to how close the two once were.
Do you want some snappers to go with that?An ordinary bar line about ordering a snack to go with a drink, dropped into the middle of the group's noise.
They think there's no more serious white people in Charlestown.Krista's fight is framed as a defence of Charlestown's reputation: outsiders, she says, no longer take its people seriously.
It is a teasing nickname because Doug has stopped drinking, and the crew keeps calling attention to his sobriety through the night.
Doug's father, whom the crew toasts for 'doing his time like a man'—he is in prison, and his reputation still shapes the group.
It shows the neighbourhood's us-and-them attitude: she says the fight began because outsiders no longer respect Charlestown, and she defends her own reaction.
She comes over to him after the group scene, says she has a key, and calls him 'Dougy', suggesting a closeness she wants to revive.
His sobriety separates him from them, so offering him 'one beer' is a way of pulling him back into the group's habits.
次のチャプター · 第 4 章have a good cryDoug Meets Claire at the Laundromat
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
再生中 · 第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene