I'm reduces to a weak am; the repeated fine gets lighter each time.
Yeah, I'm fine. I'm fine, thank you. I'm fine, yeah.The Town · 2010 — 第 4 / 20 章 · 4'56" · B1
A chance meeting turns tender: Claire is crying over a bad week, and Doug tells her, “You got nothing to be embarrassed for,” then asks her out. “What's the worst that could happen?” he jokes — right before an FBI raid cuts the mood, hinting the date hides more than either admits.
At a laundromat, Doug runs into Claire, who is quietly falling apart after a bad week. He comforts her, offers to buy her a drink, and asks her out — “What's the worst that could happen?” The film then cuts to an FBI raid, and later to their first date, where Doug and Claire trade stories about work, Charlestown and where they grew up.
注目の表現
have a good crymake up forcocksuckerhave an alibi for
このシーンの表現
cry it all out
Claire is caught crying, then laughs it off and admits where she usually cries.
Sometimes you just need to have a good cry.
compensate for
a very crude insult
have proof you were elsewhere
an electrical connection box
judged or shaped by
74 行のセリフに 28 件のメモ
I'm reduces to a weak am; the repeated fine gets lighter each time.
Yeah, I'm fine. I'm fine, thank you. I'm fine, yeah.no reason to feel ashamed
No, you got nothing to be embarrassed for.going through a rough week
I'm just having a bad week.cry it all out
Claire is caught crying, then laughs it off and admits where she usually cries.
I like to have a good cry at the nail salon.treat someone to a drink
Hey, why don't you let me buy you a drink.compensate for
Doug apologizes for a small failure earlier and offers a drink to make amends.
Make up for letting you down with the quarters.disappoint someone
Make up for letting you down with the quarters.turn things around
You know, see if we can turn your week around.the worst possible outcome
What's the worst that could happen?relative clause: That could happen is a relative clause describing the worst possible outcome.
What's the worst that could happen?Link what's and the, and let worst run into that.
What's the worst that could happen?Link off and him, and the t in get softens toward a d.
Fucking cocksucker. Get off him.a very crude insult — Extremely crude; never in any polite setting.
Fucking cocksucker. Get off him.a local, often working class — Said by locals about themselves or by outsiders with a slight sneer.
It's like townie Christmas.proof of being elsewhere
Good news for you is you have an alibi for the Cambridge job.get in before the alarm trips
These guys beat the alarm for the vault.an electrical connection box
Someone explains how the robbers used a boy to climb into an electrical box and beat the alarm.
A kid, he gets into the junction box.clock in or out
I break rocks. Punch a ticket at the end of the day...in the end, ultimately
I break rocks. Punch a ticket at the end of the day...stop for the night
Call it a night.give unpaid time at
I volunteer at the Boys & Girls Club in Charlestown-- -Oh, yeah? -Yeah.an outsider, a yuppie — Local Charlestown slang for an outsider; clearly dismissive.
Yeah, I know. Yeah, well, some of the kids were calling me a toonie,a young urban professional — Often mocking, for a well-off young city professional.
It just means a yuppie. Someone who's not from Charlestown, that's all.judged or shaped by
Doug explains that in Marblehead your worth came down to one thing: owning a boat.
-Oh, really? -Yeah, you were defined by...if or if not
...whether or not your family owned a boat. And, well, my family didn't own a boat.whether clause: Whether or not introduces a clause meaning if or if not, here the standard people judged by.
...whether or not your family owned a boat. And, well, my family didn't own a boat.possessive noun: The -'s shows possession: the boat belongs to his friend, not to him.
Yeah, maybe. it's not my boat, it's my friend's boat.give you an outing
Doug points at the boat and invites Claire out on the water.
...let me take you for a ride sometime.The laundromat scene reads as a gentle meet-cute, but the film keeps shifting the ground under it. Doug comforts a stranger — “You got nothing to be embarrassed for” — then coaxes her into a drink with a joke, “What's the worst that could happen?” The answer lands almost at once: “FBI! Open the door.” Later, on the date, both of them perform versions of themselves. Claire explains her background by whether a family owned a boat, and Doug describes his job as breaking rocks and sliding “down the back of a brontosaurus.” The charm is real, but so is the sense that each is editing what they say, which is what makes the scene tense.
No, you got nothing to be embarrassed for.Doug's quick reassurance, treating Claire's public tears as nothing she needs to apologize for.
I like to have a good cry at the nail salon.A joke about where it is fine to cry, offered to make the tears feel ordinary rather than shameful.
What's the worst that could happen?A throwaway line used to coax Claire into a drink, which the film answers almost at once with an FBI raid.
I break rocks. Punch a ticket at the end of the day...Doug's deliberately dull version of his work, framing his life as manual labor that ends at a time clock.
It just means a yuppie. Someone who's not from Charlestown, that's all.An explanation of the local nickname for outsiders, showing how clearly the neighborhood divides residents from newcomers.
They run into each other at a laundromat, where Claire is upset about a bad week; Doug comforts her, jokes with her, and asks her out for a drink.
Doug says it to talk Claire into the drink, and the film immediately answers with FBI agents yelling at a door, turning the line into blunt irony.
It is a local nickname for a yuppie, someone not from Charlestown; Claire says kids called her that because she was new to the area.
Work and background: Doug says he breaks rocks at a sand and gravel company, and Claire explains she grew up in Marblehead, where status depended on whether your family owned a boat.
次のチャプター · 第 5 章pull a jobDoug Takes Claire Out on His Boat
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
再生中 · 第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene