not anymore
Oh, she's no longer working here.The Town · 2010 — 第 13 / 20 章 · 5'02" · B1
Doug Asks Claire to Run Away, Explained：shed a tear
Claire has quit the bank, and Doug seizes the moment: "Why don't you do it with me?" He talks about driving south to a town named after a food, and she listens. Then she mentions the news — one of the men who harassed her was shot — and the mood changes as Doug defends what happened.
あらすじ
Claire tells Doug she quit her job at the bank. He suggests they leave together, drive to a town named after a food, and start over, mentioning some savings of his own. Then Claire brings up a newspaper story: one of the men who harassed her has been shot, and Doug's response is cold.
注目の表現
hawk ita cushiongo aftershed a tear
00:00 / 05:02Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
shed a tear
cry or feel sorry
Doug says he will not feel sorry for what happened to them, dressing his coldness in a polite phrase.
He didn't shed a tear at the funeral.
このシーンの他の表現
- hawk it
pawn or sell it
- a cushion
some savings to fall back on
- go after
pursue or attack
- a burner cell
an untraceable prepaid phone
- tie into
connect to
このシーンのメモ一覧
76 行のセリフに 30 件のメモ
obtain a search warrant
Just get the warrant. Land, cell, e-mail, fax, Skype. The whole fucking thing.pawn or sell it
Claire refuses the expensive gift, and Doug snaps that she can pawn it for all he cares.
Yeah, but I can't accept that from you. I can't take that, Why not? You can hawk it. I'm not taking it back.pawn or sell — Casual for selling or pawning; formal talk says sell.
Yeah, but I can't accept that from you. I can't take that, Why not? You can hawk it. I'm not taking it back.some savings to fall back on
Claire says she has a little savings to fall back on after quitting, calm and steady.
I have a little cushion.rise from bed
...people get up every day, they do the same thing.transform one's life
They tell themself they're gonna change their life one day and they never do.substitution with do: The verb do stands in for change their life, avoiding repetition.
They tell themself they're gonna change their life one day and they never do.Don't you often blurs into don-cha in fast speech.
Why don't you do it with me?save or store
I got a little sofa put away.give it a try
Give it a shot.Link give it a so it sounds like gi-vi-ta.
Give it a shot.concessive clause: The wherever-clause stands alone here, meaning anywhere you choose.
Wherever you want. I don't know.choose it from a map
Just pick it on a map.have you done it before
You ever read that paper The Town?the consequence of doing it
I guess that's what you get for being out on the street dealing drugs.relative clause: The who-clause modifies the kid, identifying the one who terrorized her.
I feel bad the kid who was terrorizing you ran into the wrong guys?be concerned for someone
You know, I care about you. I don't wanna see you get hurt.pursue or attack
Doug states it like a rule: violence may happen, but women are off limits.
You don't go after women.Link go after so it sounds almost like go-wafter.
You don't go after women.what goes around comes around — Casual talk of payback; rare in formal writing.
You know? That's karma.cry or feel sorry
Doug says he will not feel sorry for what happened to them, dressing his coldness in a polite phrase.
And I'm not gonna shed a tear over it.Frawley's nickname — A clipped surname between colleagues; use the full name formally.
Frawl.an untraceable phone — Crime and spy jargon for an untraceable phone.
Phone conversation between Claire Keesey and a burner cell about an hour ago.delayed by something
Sorry, I got held up.delayed — Everyday speech; more natural than delayed.
Sorry, I got held up.quit one's job
Hadn't realized you'd left your job at the bank.ellipsis and past perfect: The subject I is dropped, and the past perfect marks what had not been known until then.
Hadn't realized you'd left your job at the bank.connect to
Frawley says the crew has been connected to the bank job and other robberies, a police phrase.
Part of a crew that we tied into the bankjob at North End...no fewer than
...and at least three other armored car robberies.「Doug Asks Claire to Run Away」を読み解く
What's really going on
The scene sets a way out beside the thing that keeps Doug tied to the neighbourhood. He wants to change his life, and he wants Claire to come — "Why don't you do it with me?" — but the same man who offers the dream also defends a shooting without a blink: "You don't go after women," and "I'm not gonna shed a tear over it." Claire tries to meet him with ethics — "I don't think karma works like that" — and he answers with street logic. The FBI thread sharpens the choice: Frawley recognises Doug's voice on Claire's burner phone and arrives with a list of names, so the escape Doug describes is already closing. The gift Doug refuses to accept and Claire's quit job both point the same way: she is changing her life, just not in the direction he wants.
Theme
RedemptionDoug talks about leaving and changing his life, the one chance the film lets him imagine for himself.
GuiltWhen Claire learns her harasser was shot, Doug defends it without remorse, exposing the world he cannot leave behind.
このチャプターで学べること
- Doug's offer to leave hides how trapped he feels.
- Karma is his way of avoiding any guilt.
- Claire's goodbye gift becomes a test of trust.
- The recording turns a private call into evidence.
発音のポイント
- don't you — Don't you often blurs into don-cha in fast speech.
- Give it a — Link give it a so it sounds like gi-vi-ta.
- go after — Link go after so it sounds almost like go-wafter.
They tell themself they're gonna change their life one day and they never do.Doug's speech about drifting through life, the excuse he uses to justify making a sudden break now.
Why don't you do it with me?Doug's straightforward invitation to Claire to leave with him and start over somewhere new.
I don't think karma works like that.Claire's quiet objection to Doug's eye-for-an-eye talk, the moral line she holds to.
He hurt you, someone hurt him. Too bad. That's the way it goes.Doug's plain justification for the violence: an eye for an eye, with no apology for how it ended.
And I'm not gonna shed a tear over it.His blunt refusal to feel anything for the man who was shot, a line that distances him from Claire's view.
このシーンについての質問
Why did Claire quit her job?
The robbery and the aftermath left her unable to keep working at the bank, and she tells Doug she quit as part of changing her life.
Why does Doug want to leave town?
He is tired of the neighbourhood and the life that comes with it, and he wants to start over with Claire somewhere else.
Why does Doug defend the shooting?
He argues the man who harassed Claire was dealing drugs and that 'you don't go after women', so he feels no sympathy for what happened.
What is Claire's reaction to Doug's talk of karma?
She disagrees — 'I don't think karma works like that' — and the exchange shows a gap in how the two see right and wrong.
How does the FBI catch up with Doug?
Frawley listens to a call between Claire and a burner phone, recognises the voice, and comes to Claire with a list of the crew's names.
ザ・タウン · 全 20 章
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次のチャプター · 第 14 章rear-viewDoug and Jem Fight Over Leaving
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
再生中 · 第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene第 13 / 20 章 · 残り約 25 分