officially report a theft
Boosted a city work van. Which still hasn't been reported stolen.The Town · 2010 — 第 1 / 20 章 · 5'03" · B1
The Crew Learns the Hostage's Address, Explained：two strikes against you
Frawley walks his team through a robbery with no loose ends, then questions Claire, the hostage, about what she can testify to. Meanwhile the crew realises the woman they let go lives four blocks from their bar. "She didn't see anything" is doing more work than anyone wants to admit.
あらすじ
After a bank robbery, FBI agent Adam Frawley briefs his team on how clean the job was, then interviews Claire Keesey, the assistant manager who was taken hostage, about what she can identify. In between, the robbers discover her driver's licence is in their possession and that she lives only four blocks from their neighbourhood bar.
注目の表現
open sesameunder duressspeak of the devilbitch
00:00 / 05:03Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
two strikes against you
two prior offenses counting against you
A warning that prior offenses make the next charge ruinous.
With two strikes against you, one more mistake could end your career.
このシーンの他の表現
- open sesame
a magic command that opens a door
- under duress
forced or coerced
- speak of the devil
talk of the devil
- bitch
a slur for a woman
- take care of
handle or deal with
このシーンのメモ一覧
88 行のセリフに 25 件のメモ
wait until something happens
Our guys waited for the time lock to expire...forced or coerced
A crew member asks whether the vault opening was really forced.
Under duress?equal in strength to
Only as strong as the guy with the key.as ... as comparison: As ... as compares two things at the same level, with a plain adjective between.
Only as strong as the guy with the key.It's a is swallowed; the stress falls on pro.
Well, it's a pro job.professional — Casual praise for professional work.
Well, it's a pro job.set a vehicle alight
Anybody see who lit this van on fire?during the journey
Stopped on the way to light a couple house tires...a contemptible person — A heavy insult; not for work or polite talk.
-You gonna talk to this fucking asshole? -For one thing--an intensifier, very crude — Very crude; keep it out of any polite setting.
Speak of the fucking devil.a slur for a woman — A gendered slur; never use it on anyone.
- See the address on that? -Bitch lives four blocks away.discover the facts
I'm gonna stalk her like a fucking A car, we'll find out.an FBI investigator
Ms. Keesey. Special Agent Adam Frawley, Violent Crimes and Robbery.Stress the first syllables of Special and Agent and pause slightly between them.
Ms. Keesey. Special Agent Adam Frawley, Violent Crimes and Robbery.an initial account to police
I see you've given a preliminary statement.at any moment
And did you try to escape at any point?past simple question: Did fronts a past-simple question; the main verb stays in base form.
And did you try to escape at any point?release someone
-Yeah. They just let me go. - Thanks.leftover after-effects
The agent tells the shaken hostage that trauma often leaves after-effects.
...there are very often residual effects.handle or deal with
Someone presses Jem on how he will deal with the loose end.
Are you gonna take care of it?Link picked up for so the words run together into one chunk.
You get picked up for intimidating a witness.reconsider before acting
...I think he's gonna think twice about hitting that alarm, isn't he?beaten up — Street slang for getting beaten; be careful where you use it.
He's lucky he just got tuned up.object clause: Where they are is a noun clause in statement order, not a direct question.
...I know where they are.「The Crew Learns the Hostage's Address」を読み解く
What's really going on
The scene lays out two clocks at once. Frawley's briefing shows the FBI is not dealing with amateurs — the van was boosted and torched, the DNA bleached, the fibres destroyed — and his interview with Claire, whose calm answers give him little, ends with the boast "This is the FBI. We're not completely inept." The crew's clock is louder: they realise the hostage lives four blocks from the bar, and the reassurance "She didn't see anything" is not enough. "Well, maybe not scared enough" is the line that turns the rest of the film: Doug decides to "take care of" the witness, first by watching her, then otherwise. Claire is asked about escape but not about what was taken from her; the licence mattering more than the person is the film's whole idea.
Theme
JusticeFrawley works a case the crew treats as routine, and Doug plans to silence the only witness instead of facing the law.
IdentityThe crew's neighbourhood loyalty and their trade are treated as a way of life, and Claire is only a licence to them.
このチャプターで学べること
- A safe is only as strong as the man with the key.
- The crew's jokes hide how scared they are of one witness.
- Frawley keeps his voice flat to make the threat land.
- Claire's silence says more than her answers do.
発音のポイント
- it's a pro — It's a is swallowed; the stress falls on pro.
- Special Agent — Stress the first syllables of Special and Agent and pause slightly between them.
- picked up for — Link picked up for so the words run together into one chunk.
It's all the love I get makes the homecoming feel so warm.Dino's line is pure sarcasm: the 'warm welcome' he gets is really the hostility of a small, tight neighbourhood.
Only as strong as the guy with the key.Frawley's point about the ten-foot safe: security is only as good as the person who can be pressured to open it.
You're the reason we're having this conversation.A harsh line blaming the other person for the trouble the crew is now in.
You got two strikes against you already. They're gonna bury you under the jail.A warning that the person is already facing serious charges and that one more mistake will mean a very long sentence.
This is the FBI. We're not completely inept.Frawley's dry boast that the Bureau will catch the robbers, despite how careful they were.
このシーンについての質問
Why does Frawley mention the ten-foot safe?
To make the point that the robbery succeeded through the human weakness of the manager, not by breaking the safe itself.
Why does the crew care that Claire lives nearby?
She was the hostage who could identify them, and if she lives four blocks from their bar they would see her constantly, so Doug decides to handle her.
Why does Frawley ask Claire if she tried to escape?
He is testing how the kidnapping will look to a jury, and her calm answer—she didn't run because they had guns—gives him a sense of what she can say in court.
What does the crew mean by taking care of Claire?
It is a threat, not errand-running: Doug means to watch her, scare her if needed, and keep her from talking to the FBI.
What do the final statistics about Boston robberies suggest?
That Charlestown produces an unusual number of bank robbers, framing the crew's trade as a local way of life rather than an exception.
ザ・タウン · 全 20 章
すべて見る →
次のチャプター · 第 2 章emanate fromFBI Explains the Charlestown Trade
再生中 · 第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene第 1 / 20 章 · 残り約 79 分