in all of one's life
I can honestly tell you I have never taken another girl here in my entire life.The Town · 2010 — 第 5 / 20 章 · 5'02" · B1
Doug takes Claire out on his boat at night and denies ever bringing anyone else. She asks what he knows about bank robbers, and his answer is a childhood memory of Charlestown: armoured-car men treated like rock stars at the ice-cream shop. Meanwhile the crew argues over whether Claire is a loose end, and Frawley comes back with questions.
At night, Doug takes Claire sailing and tells her he has never brought another woman there. She asks what he knows about bank robbers, and he describes growing up with armoured-car robbers treated like neighbourhood heroes. Meanwhile the crew pressures Doug over the woman's licence, and Frawley meets Claire again.
注目の表現
hung outpull a jobgoddamnedget backdoored
このシーンの表現
carry out a robbery
Rumors always spread about the robberies the local legends had carried out.
They pull a job every few months and then lie low.
spent time together
damned, as an intensifier
be betrayed from behind
beyond what is allowed
invite you on a date
80 行のセリフに 28 件のメモ
in all of one's life
I can honestly tell you I have never taken another girl here in my entire life.I have reduces to I've, with the stress landing on never.
I can honestly tell you I have never taken another girl here in my entire life.how much do you know about
Hey, what do you know about bank robbers?went habitually in the past
...we used to go to Wizard's ice cream.spent time together
Doug recalls that the ice-cream shop was where the armored-car men gathered.
That was where all the big armored-car guys hung out.spent time together — Casual; say spend time in formal settings.
That was where all the big armored-car guys hung out.carry out a robbery
Rumors always spread about the robberies the local legends had carried out.
And you heard rumors about the jobs they pulled.pushed right up against
...with their noses pressed against the glass, you know...a lead that goes nowhere
Nothing. it's a dead end, We're all set.unfinished business
Just loose ends, kid.unfinished business — For unfinished business, also messy relationship leftovers.
Just loose ends, kid.The final d in goddamned often drops before panicked.
Don't be so goddamned panicked, all right, Dig Dug?be betrayed from behind
The man explains his nerves: he just doesn't want to be betrayed from behind.
Just, you know, I don't wanna get backdoored, that's all.betrayed from behind — Street and office slang; say betrayed in formal talk.
Just, you know, I don't wanna get backdoored, that's all.operate the device
They obviously know how to work the box.acquire the skill to do
How does one learn how to do that?generic one: One here means a person in general, more formal than you.
How does one learn how to do that?further questions
Ms. Keesey, it's Agent Frawley. I have follow-up questions about your case.a persistent worry
It's the unfortunate nagging suspicion you get as an FBI agent..relative clause: The clause you get as an FBI agent modifies suspicion without an explicit that.
It's the unfortunate nagging suspicion you get as an FBI agent..beyond what is allowed
The agent jokes that in this neighborhood even a lunch special feels risky.
So I don't think the lunch special is out of bounds.locals, often working class — Used by locals of themselves or with a sneer by outsiders.
You walk into Lewisburg, there's a hundred townies in there.be determined by
It depends on the question.invite you on a date
The agent reasons that he would not be on a date with a suspect.
Would I ask you out if I thought you were a suspect?unreal conditional: The if-clause uses thought and were for an unreal condition paired with would.
Would I ask you out if I thought you were a suspect?Link ask and you into one sound, and let out run into if.
Would I ask you out if I thought you were a suspect?dating a person
Claire keeps it vague, saying she might already be seeing someone.
I might be seeing someone already.we would be lost without
What would we do without Chelsea?The date works because Doug tells the truth in a way that hides the point. He denies bringing other women, then answers Claire's question about bank robbers with a childhood memory — "rock stars in the neighborhood" — never mentioning that he is one. The bar scene makes the stakes explicit: the crew wants the licence problem gone, and one line — "no need to remove her from the equation?" — turns Claire into "loose ends, kid." Doug refuses to become "a triggerman," but he has still lied to her. Frawley's own monologue about the neighbourhood — "They lionize criminals and complain about crime, and I'm the bad guy" — frames the film's circle, and Claire's "I might be seeing someone already" is the first quiet step away.
I can honestly tell you I have never taken another girl here in my entire life.Doug's reassurance is sincere, and it is also one of the few true things he says about himself in the scene.
The big houses they had in Holbrook or Winthrop.Part of the childhood legend Doug grew up with: the robbers' houses outside Charlestown looked like proof that crime paid.
Don't be so goddamned panicked, all right, Dig Dug?One crew member tells Doug to stay calm, dismissing his fear that the others will turn on him.
Would I ask you out if I thought you were a suspect?Frawley uses the date itself as an argument that Claire is not a suspect, a reassurance that is also, technically, not a denial.
What would we do without Chelsea?A dry joke after news of another robbery nearby, treating the city's steady crime as a fact of life.
She is testing him on the second date, and his serious denial is part of what makes the evening feel real to her.
He describes a childhood in Charlestown where armoured-car robbers were neighbourhood celebrities at the ice-cream shop, and he says he just wanted to play hockey.
Whether Claire's licence is a risk: one of them asks if she needs to be 'removed from the equation', and Doug refuses to cross that line.
She is from Charlestown and was the hostage in the robbery, so he keeps wondering whether she is hiding something, even over lunch.
It is a gentle brush-off that keeps her options open, hinting she knows more about the people around her than she says.
次のチャプター · 第 6 章step off a cliffClaire Tells Doug Everything
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
再生中 · 第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene