The Town · 2010 — 第 2 / 20 章 · 3'35" · B1

FBI Explains the Charlestown Trade, Explained:emanate from

A federal briefing explains that Charlestown's one square mile produces an outsized share of armed robbers. The briefing puts it bluntly: “Heisting banks is a trade in Charlestown.” The police know the drill — close the bridge, look for a local. The sequence then follows the robbers themselves, buying guns and settling debts.

あらすじ

Charlestown, a one-square-mile Boston neighborhood, is built for bank robbery, an FBI briefing explains: the crews know each other's yards and houses, and they abandon a score fast. The police's first move after an armored-car robbery is to close the Charlestown Bridge. The film then cuts to two of the robbers, Doug and Jem, running errands and buying guns.

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注目の表現

emanate fromfamiliar withditch usshit

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このシーンの表現

emanate from

come out of, originate in

The agent tells a colleague that nearly all the armored-car jobs come out of one small district.

The complaint seemed to emanate from a single unhappy customer.

このシーンの他の表現

  • familiar with

    well acquainted with

  • ditch us

    shake us off, leave us behind

  • shit

    trouble, crap

  • Lucky Charms

    cereal brand used as an Irish jab

  • dropped

    killed someone

このシーンのメモ一覧

59 行のセリフに 26 件のメモ

文法 · B1called Charlestown

past participle modifier: Called Charlestown is a past participle phrase modifying the neighborhood, like which is called.

...emanate from a one-square-mile neighborhood called Charlestown.
表現 · B1be familiar with something

well acquainted with

A colleague asks if the agent knows Charlestown, and the answer is a wry yes.

-Familiar with it? -You must be kidding me.
発音must be kidding

The double t in kidding flaps to a d-like sound in fast American speech.

-Familiar with it? -You must be kidding me.
表現 · B2armored-car robbery

an armored truck heist

First thing B.P.D. does when there's an armored-car robbery?
表現 · B1ditch someone

shake us off, leave us behind

The agent says the local robbers know the streets too well to be tailed for long.

They ditch us pretty quick.
表現 · B1be known for something

famous for something

The way villages in old Europe used to be known for certain crafts.
表現 · B1set someone up with something

arrange something for someone

Quinlan will set you up with a detail.
表現 · B2witness specialist

a victim or witness liaison

Meantime, if there's anything your witness specialist can't do for you ....
表現 · A2have nothing to worry about

no reason to be anxious

You got nothing to worry about. We're gonna find these guys.
表現 · A2have a seat

sit down

-Good. Come in and have a seat. -Thanks, Margie, -Can I get you guys anything? -We're tine. Thank you.
表現 · B1do well for oneself

become successful

Really done well for himself.
表現 · B1get good money for something

earn a high price for

He got good money for that place in the town.
発音good money for

Link money and for; for reduces to a weak fer sound.

He got good money for that place in the town.
表現 · A2take someone an amount of time

cost us an hour

It's gonna take us an hour to get over the Portagee Slide.
スラング · B2shit

trouble, crap — Very crude; keep it out of work and polite talk.

This shit with the Florist is getting old, man.
表現 · B1invest in something

put money behind something

I'm investing in a marquee score.
表現 · A2make payments

pay in installments

All right? So we gotta make a few payments.
発音gotta make a

Gotta swallows the to, and the whole phrase runs together.

All right? So we gotta make a few payments.
表現 · A2come from somewhere

originate somewhere

Money don't care where it came from, all right?
文法 · B1Money don't care

nonstandard agreement: Standard grammar wants doesn't here, but don't is a deliberate casual and dialectal choice.

Money don't care where it came from, all right?
表現 · B1a difference between A and B

a distinction separating two things

Look, there's a difference between a dealer and a straight killer, all right?
文法 · A2there's a difference between

there be pattern: There's introduces the existence of something, here a difference between two kinds of people.

Look, there's a difference between a dealer and a straight killer, all right?
スラング · B1straight

outright, pure — Colloquial intensifier; a straight killer means a professional one.

Look, there's a difference between a dealer and a straight killer, all right?
スラング · B2dropped

killed — Street slang for killing; recognize it, do not use it.

So he dropped a few Dominicans. What, are you picky?
スラング · B1G's

thousands of dollars — Street and rap slang; say thousand in formal settings.

-Hundred G's? -That's right.
表現 · A2take it easy

relax, calm down

Take it easy, man. Good to see you.

「FBI Explains the Charlestown Trade」を読み解く

What's really going on

The opening sequences sell Charlestown as a place where crime is inherited, almost respectable — “Heisting banks is a trade in Charlestown,” passed down “the way villages in old Europe used to be known for certain crafts.” The legal side is just as tribal: the briefing notes that closing the bridge is the first move because the suspect is always from Charlestown. The robbers, meanwhile, talk like small businessmen. “Money don't care where it came from” is the crew's whole ethic, and the claim that “there's a difference between a dealer and a straight killer” shows how carefully they rank their own sins. What looks like a crime story is really a study of a neighborhood that has turned armed robbery into a livelihood, and of men who cannot imagine leaving.

Theme

IdentityBeing from Charlestown is treated as a birthright to a trade, where the neighborhood decides what a man does.
MoneyThe crew treat robbery as business, and “Money don't care where it came from” is their whole moral code.

このチャプターで学べること

  • Crime here is described as a local craft, not random violence.
  • The deal with the Florist is quietly turning into a bigger problem.
  • Doug's calm promises hide how reckless his plan already is.
  • Counting cash in slang tells you exactly who these men are.

発音のポイント

  • must be kidding — The double t in kidding flaps to a d-like sound in fast American speech.
  • good money for — Link money and for; for reduces to a weak fer sound.
  • gotta make a — Gotta swallows the to, and the whole phrase runs together.
Heisting banks is a trade in Charlestown.

The film's thesis: in this neighborhood, armed robbery is a local craft passed down like any other trade.

Money don't care where it came from, all right?

The crew's blunt creed, that money is money regardless of its source, so qualms about where it came from are pointless.

Look, there's a difference between a dealer and a straight killer, all right?

A line drawn between selling drugs and killing for its own sake, letting the speaker rank his own crimes as less bad.

You got nothing to worry about. We're gonna find these guys.

The reassuring promise from the law-enforcement side, confident they will catch the crew behind the Charlestown robberies.

Now it's time for the fun part.

A shift from briefing to action: the talking is over and the next robbery is about to begin.

このシーンについての質問

Why do the robbers keep getting away in Charlestown?

They know the neighborhood, use each other's yards and houses, and ditch the police quickly; officers know the first move is to close the Charlestown Bridge.

What does “Heisting banks is a trade in Charlestown” mean?

It means bank robbery is treated as a local craft, handed down in the neighborhood the way old villages were known for a particular trade.

Who is the Florist and why does the crew owe him?

He is a supplier the crew has been paying for guns or product; “this shit with the Florist is getting old” suggests they are tired of the arrangement.

What happens after the FBI briefing?

The film cuts to two robbers, Doug and Jem, visiting a house to pick up a stack of cash and weapons from a dealer, then meeting Fergie, showing their routine between jobs.

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