come to this place
You all right? Every time I come up here now it's the red pajamas.The Town · 2010 — 第 11 / 20 章 · 3'04" · B1
Doug visits his father in prison, urging him toward a quieter cell and admitting he plans to 'go dark' for a while. His father's reply is blunt — "Either you got heat or you don't." Then Doug asks the question he came with: why his father never looked for his mother.
Doug visits his father, Stephen, in prison. He urges him to keep a clean record so he can transfer to Norfolk, and says he is planning to disappear for a while. His father reads it as trouble — "Either you got heat or you don't" — and before the visit ends, Doug asks why his father never looked for his mother.
注目の表現
take no shitdeal withgo darkgot heat
このシーンの表現
accepted and let go
The father says he long ago accepted it and tells his son to do the same.
I finally made my peace with what happened.
refuse to be pushed around
handle or cope with
disappear for a while
being pursued by police
ask various people
47 行のセリフに 28 件のメモ
come to this place
You all right? Every time I come up here now it's the red pajamas.get into difficulty
You still getting in trouble, Dad?refuse to be pushed around
The father explains why he still fights in prison: he will not let anyone push him around.
Hey, you know how it is. Can't take no shit.The t in can't drops, and take no runs together.
Hey, you know how it is. Can't take no shit.refuse to be pushed around — Tough street and prison talk; avoid it in polite company.
Hey, you know how it is. Can't take no shit.too grown-up for that
You're getting a little old for that bullshit, aren't you?tag question: The tag aren't you invites agreement and softens the claim.
You're getting a little old for that bullshit, aren't you?nonsense — Coarse; never use it in formal or workplace talk.
You're getting a little old for that bullshit, aren't you?a South Boston local — A Boston local term; outsiders sound off using it.
Fucking Southie kids. They wanna run everything.good conduct
Listen, you put a year together of good behavior and get your points down...imperative as condition: The imperative stands in for an if-clause: if you put a year together, you get moved.
Listen, you put a year together of good behavior and get your points down...disturb someone
No one's gonna bother you there. Nobody tights, you know?handle or cope with
The father refuses Doug's advice, saying some things you simply have to face alone.
Well, some things you gotta deal with yourself, you know?considering doing it
I'm thinking about taking a trip.dropping out of contact — Jargon from spy, news and crime settings.
-Going dark for a minute. -Taking heat?no (casual) — Very casual no; keep it out of writing.
Nah, just making a change.being pursued by police
The father asks point-blank whether the police are after him, using the crew's own word.
Either you got heat or you don't.Link heat or so it sounds almost like hee-der.
Either you got heat or you don't.being pursued by police — Crime slang for police pressure.
Either you got heat or you don't.in the event that
In case I don't see you again.ask various people
Doug presses his father on why he never asked anyone about his mother.
How come you never tried to call nobody or look for her, or ask around?hypothetical if-clause: The past-tense if-clause marks a hypothesis, with might for possibility.
So I told you if you looked around you might End her.keep holding on to it here carry means to keep holding on, not to transport
I didn't think you'd carry it like a fucking disease.In American speech carry it can flap into carry-rit.
I didn't think you'd carry it like a fucking disease.relative clause: A relative clause with that omitted modifies kids: the children they don't want.
...they're fucking around with kids they don't want...the painful fact
That's the hard truth.accepted and let go
The father says he long ago accepted it and tells his son to do the same.
I made my peace with it. You make yours.meet someone once more
...but I'll see you again.The prison visit is where Doug's two lives meet. He talks about a transfer and about going dark, the careful language of a man planning a job, and his father — who has spent his life in the same habits — hears the danger at once: "Either you got heat or you don't." The harder subject is Doug's mother. He asks why his father never looked for her, and gets an answer that is meant to close the question: the father only told the boy to search "just to give you an activity," and "your mother wasn't no different." His "I made my peace with it. You make yours" is both advice and a door shutting. Doug walks out with nothing found, which is the point of the scene: the past is not waiting somewhere to be recovered.
Hey, you know how it is. Can't take no shit.The father's self-description: he cannot let an insult pass, which is why he keeps getting into trouble in prison.
Either you got heat or you don't.His blunt test for Doug's story: if the police are not after him, there is no reason to disappear.
How come you never looked for her?The question Doug has carried for years about his mother, put directly to the one person who could answer.
I didn't think you'd carry it like a fucking disease.The father claims he never expected the boy to hold on to the search, treating Doug's grief as something he should have shrugged off.
I made my peace with it. You make yours.His closing advice: accept the mother's absence and stop searching, the same way he says he has.
He checks on him, suggests a transfer to Norfolk, and finally asks the question he has carried for years about his mother.
Doug mentions taking a trip and going dark, and his father knows that language too well, so he asks whether the police are after him.
He says there was nothing to find: he only told the boy to search to give him something to do, and claims the mother was no different from other women who left.
It is the father's goodbye: they will meet again, either alive in this world or after death, since he expects to die in prison.
He argues that a year of good behaviour would let his father transfer to a quieter prison where no one will bother him.
次のチャプター · 第 12 章a code of silenceThe FBI Offers Doug No Deal
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
再生中 · 第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene