The Town · 2010 — 第 11 / 20 章 · 3'04" · B1

Doug Visits His Father in Prison, Explained:made my peace with

Doug visits his father in prison, urging him toward a quieter cell and admitting he plans to 'go dark' for a while. His father's reply is blunt — "Either you got heat or you don't." Then Doug asks the question he came with: why his father never looked for his mother.

あらすじ

Doug visits his father, Stephen, in prison. He urges him to keep a clean record so he can transfer to Norfolk, and says he is planning to disappear for a while. His father reads it as trouble — "Either you got heat or you don't" — and before the visit ends, Doug asks why his father never looked for his mother.

Parents & kidsGoodbyes & funeralsConfrontingExplainingParent & childB1mediumamerican
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注目の表現

take no shitdeal withgo darkgot heat

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このシーンの表現

made my peace with

accepted and let go

The father says he long ago accepted it and tells his son to do the same.

I finally made my peace with what happened.

このシーンの他の表現

  • take no shit

    refuse to be pushed around

  • deal with

    handle or cope with

  • go dark

    disappear for a while

  • got heat

    being pursued by police

  • ask around

    ask various people

このシーンのメモ一覧

47 行のセリフに 28 件のメモ

表現 · A2come up here

come to this place

You all right? Every time I come up here now it's the red pajamas.
表現 · A2get in trouble

get into difficulty

You still getting in trouble, Dad?
表現 · C1take no shit from someone

refuse to be pushed around

The father explains why he still fights in prison: he will not let anyone push him around.

Hey, you know how it is. Can't take no shit.
発音Can't take no

The t in can't drops, and take no runs together.

Hey, you know how it is. Can't take no shit.
スラング · C1take no shit

refuse to be pushed around — Tough street and prison talk; avoid it in polite company.

Hey, you know how it is. Can't take no shit.
表現 · B1a little old for something

too grown-up for that

You're getting a little old for that bullshit, aren't you?
文法 · B1aren't you

tag question: The tag aren't you invites agreement and softens the claim.

You're getting a little old for that bullshit, aren't you?
スラング · B2bullshit

nonsense — Coarse; never use it in formal or workplace talk.

You're getting a little old for that bullshit, aren't you?
スラング · B2Southie

a South Boston local — A Boston local term; outsiders sound off using it.

Fucking Southie kids. They wanna run everything.
表現 · B1good behavior

good conduct

Listen, you put a year together of good behavior and get your points down...
文法 · B1you put a year together

imperative as condition: The imperative stands in for an if-clause: if you put a year together, you get moved.

Listen, you put a year together of good behavior and get your points down...
表現 · A2bother someone

disturb someone

No one's gonna bother you there. Nobody tights, you know?
表現 · A2deal with something

handle or cope with

The father refuses Doug's advice, saying some things you simply have to face alone.

Well, some things you gotta deal with yourself, you know?
表現 · A2think about doing something

considering doing it

I'm thinking about taking a trip.
スラング · C1Going dark

dropping out of contact — Jargon from spy, news and crime settings.

-Going dark for a minute. -Taking heat?
スラング · A2Nah

no (casual) — Very casual no; keep it out of writing.

Nah, just making a change.
表現 · C1have heat

being pursued by police

The father asks point-blank whether the police are after him, using the crew's own word.

Either you got heat or you don't.
発音got heat or

Link heat or so it sounds almost like hee-der.

Either you got heat or you don't.
スラング · C1got heat

being pursued by police — Crime slang for police pressure.

Either you got heat or you don't.
表現 · B1in case ...

in the event that

In case I don't see you again.
表現 · B1ask around

ask various people

Doug presses his father on why he never asked anyone about his mother.

How come you never tried to call nobody or look for her, or ask around?
文法 · B2if you looked around

hypothetical if-clause: The past-tense if-clause marks a hypothesis, with might for possibility.

So I told you if you looked around you might End her.
表現 · B2carry something

keep holding on to it here carry means to keep holding on, not to transport

I didn't think you'd carry it like a fucking disease.
発音carry it like

In American speech carry it can flap into carry-rit.

I didn't think you'd carry it like a fucking disease.
文法 · B2kids they don't want

relative clause: A relative clause with that omitted modifies kids: the children they don't want.

...they're fucking around with kids they don't want...
表現 · B2the hard truth

the painful fact

That's the hard truth.
表現 · B2make peace with something

accepted and let go

The father says he long ago accepted it and tells his son to do the same.

I made my peace with it. You make yours.
表現 · A2see someone again

meet someone once more

...but I'll see you again.

「Doug Visits His Father in Prison」を読み解く

What's really going on

The prison visit is where Doug's two lives meet. He talks about a transfer and about going dark, the careful language of a man planning a job, and his father — who has spent his life in the same habits — hears the danger at once: "Either you got heat or you don't." The harder subject is Doug's mother. He asks why his father never looked for her, and gets an answer that is meant to close the question: the father only told the boy to search "just to give you an activity," and "your mother wasn't no different." His "I made my peace with it. You make yours" is both advice and a door shutting. Doug walks out with nothing found, which is the point of the scene: the past is not waiting somewhere to be recovered.

Theme

Family conflictDoug and his father clash over the mother who left, with the father refusing to soften the story.
MemoryDoug has spent years looking for a mother the scene says was never really findable, and he is told to let it go.

このチャプターで学べること

  • The father hears the truth in what Doug does not say.
  • Prison talk keeps the two men from speaking plainly.
  • Doug's question about his mother is the real visit.
  • Acceptance here sounds less like peace than surrender.

発音のポイント

  • Can't take no — The t in can't drops, and take no runs together.
  • got heat or — Link heat or so it sounds almost like hee-der.
  • carry it like — In American speech carry it can flap into carry-rit.
Hey, you know how it is. Can't take no shit.

The father's self-description: he cannot let an insult pass, which is why he keeps getting into trouble in prison.

Either you got heat or you don't.

His blunt test for Doug's story: if the police are not after him, there is no reason to disappear.

How come you never looked for her?

The question Doug has carried for years about his mother, put directly to the one person who could answer.

I didn't think you'd carry it like a fucking disease.

The father claims he never expected the boy to hold on to the search, treating Doug's grief as something he should have shrugged off.

I made my peace with it. You make yours.

His closing advice: accept the mother's absence and stop searching, the same way he says he has.

このシーンについての質問

Why does Doug visit his father?

He checks on him, suggests a transfer to Norfolk, and finally asks the question he has carried for years about his mother.

Why does the father suspect Doug is in trouble?

Doug mentions taking a trip and going dark, and his father knows that language too well, so he asks whether the police are after him.

Why did the father never look for Doug's mother?

He says there was nothing to find: he only told the boy to search to give him something to do, and claims the mother was no different from other women who left.

What does 'This side or the other' mean?

It is the father's goodbye: they will meet again, either alive in this world or after death, since he expects to die in prison.

Why does Doug want his father moved to Norfolk?

He argues that a year of good behaviour would let his father transfer to a quieter prison where no one will bother him.

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