be expected to
"You aren't supposed to come out of the truck. You got him but who got me?The Town · 2010 — 第 12 / 20 章 · 5'02" · C1
The scene is a series of warnings. First Doug rehearses a robbery script and invents the word “authenticious.” Then a club conversation turns to informers, and finally an FBI agent spells it out: “No deal. No compromise,” mocking Doug's “code of silence.” Each man is telling Doug what he cannot become.
The chapter moves through three confrontations. Doug rehearses the lines he must say during a robbery, coining his own word for sounding real: “authenticious.” At a club, the conversation turns to informers and who can be trusted in the neighbourhood. Then FBI agent Frawley sits him down and delivers the message he has come to give: no deal, no compromise, and a life that will end in prison.
注目の表現
authenticiousa ratlift a printfucking
このシーンの表現
an unwritten rule of not talking
Frawley predicts the unwritten rule against talking will collapse, naming the underworld's own code.
There is a code of silence in that department.
a made-up blend of authentic and delicious
an informer
recover a fingerprint
a vulgar intensifier
a discounted bargain
82 行のセリフに 30 件のメモ
be expected to
"You aren't supposed to come out of the truck. You got him but who got me?The t in aren't drops, and supposed to runs together.
"You aren't supposed to come out of the truck. You got him but who got me?a bit short
it's kind of short.what is wrong with
What is it with you guys in Charlestown?make something seem
I'm trying to make this sound authenticious.a few years remaining
Got a few years left on his bid.got hold of someone here it means they got hold of him, not arrived
I hear they got to the old guy.how it once was
Townie crews ain't what they used to be.predicative clause: The clause what they used to be serves as the predicate, comparing past and present.
Townie crews ain't what they used to be.rise to that level here it means rising to the top, not climbing a place
Maybe you can change all that when you get up there.be raised alongside someone
...who grows up with a group of people, gets to know their secrets...relative clause: The who-clause modifies a guy, describing how he grew up inside that group.
...who grows up with a group of people, gets to know their secrets...an informer — A heavy label in crime and prison talk; don't use it lightly.
You'd call him a rat, right? You know what I call him?a slur for Italians — An ethnic slur for Italians; never use it.
Dino the dago.receive in return
What did they get for it?prison — Street slang for prison; formal talk says prison.
Inside of the fucking can.recover a fingerprint
Frawley lets Doug know the police recovered a fingerprint from the van, turning up the pressure.
You know we lifted a print off the van? Right?just for a box of something
...roll a Star Market over in Malden for a box of quarters.fools — Casual insult for foolish people, milder than idiot.
You fucking dummies shot a guard.queuing up
Now you're like a half-off sale at Big and Tall, Every cop is in line.Link sale at so it sounds almost like say-lat.
Now you're like a half-off sale at Big and Tall, Every cop is in line.if the choice were mine
Now, if it were up to me...subjunctive: The past subjunctive were marks a hypothetical: if the decision were mine.
Now, if it were up to me...The t in isn't drops, and fucking is swallowed quickly.
This isn't fucking townie hopscotch anymore, Doug.a local resident — A mildly dismissive word for a local.
This isn't fucking townie hopscotch anymore, Doug.toss around casually
...various parties will bandy about the possibility of sentence reduction...nominalization: The of-phrase turns the action into a noun phrase modifying possibility.
...various parties will bandy about the possibility of sentence reduction...a mafia code of silence — Mafia jargon for the rule of silence.
...despite your pitiable, misguided, Irish omerta.collapse or yield
--when your code of silence finally gives way...deal illegally in
...to fear of trafficking in cigarettes to prevent sexual enslavement...The chapter runs three versions of the same pressure. Doug rehearses a hostage script and invents a word — “authenticious” — because he wants to sound convincing; the joke hides how much his life depends on performance. The club conversation turns on informers and who gets “put in prison,” a warning delivered as a question. Then Frawley drops the politeness entirely: “No deal. No compromise,” and tells Doug he will die in federal prison. His mockery of Doug's “code of silence” is the sharpest part, because it names the one thing the neighbourhood thinks it still has. Each scene asks the same question: who talks, and what does it cost?
What is it with you guys in Charlestown?A jab while Doug reads his script, turning his poor reading into a joke about Charlestown men.
Townie crews ain't what they used to be.A line about local crews losing their old discipline, spoken as the neighbourhood's underworld is being pushed aside.
You'd call him a rat, right? You know what I call him?The setup for a warning about informers: someone who betrays the people who trusted him is the worst thing you can be.
This isn't fucking townie hopscotch anymore, Doug.Frawley's way of saying the stakes are grown-up now, a federal case rather than a neighbourhood game.
Now you're like a half-off sale at Big and Tall, Every cop is in line.A mocking image of the crew as a bargain everyone wants, with every officer eager to make the arrest.
He has to say specific words during a robbery so the crew sounds like ordinary robbers, and he keeps trying to make the lines sound convincing.
He wants Doug to know there is nothing to negotiate: no cooperation, no reduced sentence, just a promise that he and his friends will die in federal prison.
The neighbourhood's unwritten rule against informing on each other, which Frawley mocks as a doomed 'Irish omerta' that will break under pressure.
Dino is a local figure Doug visits at a club; their exchange is about the neighbourhood, Doug's father in prison, and who can be trusted.
The guard survived, so the crew is now wanted for shooting an officer, which is why Frawley says every cop is lining up to catch them.
次のチャプター · 第 13 章shed a tearDoug Asks Claire to Run Away
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
再生中 · 第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene