even now
To this day my father will tell you he helped me make them posters, but he didn't.The Town · 2010 — 第 9 / 20 章 · 4'42" · B2
The Night Doug's Mother Left, Explained：come to terms with
One confession runs into another. Doug describes the night his mother left — the posters he made, the father who stayed in the kitchen — and says he has “come to terms” with it. Meanwhile an FBI briefing profiles the crew, and Claire answers with her own family story, a brother who died young.
あらすじ
Doug finishes the story of his family: his mother, Doris, left when he was six and never came back, and he spent that time asking neighbours if they had seen her while his father drank in the kitchen. He says he has come to terms with it. An FBI briefing then profiles the crew, and later Claire talks about feeling estranged from her friends and her brother's death.
注目の表現
come to terms withboosthook up withwash out
00:00 / 04:42Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
come to terms with
accept something difficult
Finishing his mother's story, Doug says he learned to accept that where she went no longer matters.
She slowly came to terms with the news.
このシーンの他の表現
- boost
steal (a car)
- hook up with
start a relationship with
- wash out
fail and drop out
- fucking
a vulgar intensifier
- estranged
distant and disconnected
このシーンのメモ一覧
71 行のセリフに 28 件のメモ
object clause: The clause after tell you reports what he claims, working as the object.
To this day my father will tell you he helped me make them posters, but he didn't.The t in didn't often drops; link but he smoothly.
To this day my father will tell you he helped me make them posters, but he didn't.a crate of beer
Sat in the kitchen, drank a case of beer while I went out on School Street...question people one by one
...asking people if they'd seen my mother.accept something difficult
Finishing his mother's story, Doug says he learned to accept that where she went no longer matters.
Then I came to terms with the fact that doesn't really matter, you know?appositive clause: The that-clause spells out the fact itself, an appositive rather than a relative clause.
Then I came to terms with the fact that doesn't really matter, you know?The tag you know is reduced to a faint murmur at the end.
Then I came to terms with the fact that doesn't really matter, you know?a valid cause for doing it
Wherever she went, she had a good reason to leave here.no car he could not steal
Mr. Magloan never met a car he couldn't boost.steal a car — Street and police slang; say steal in formal talk.
Mr. Magloan never met a car he couldn't boost.settle a case by pleading
Pled it out. When the judge asked him why he did it, he said, "I didn't like the kid."pleaded the case out — Legal jargon for settling by a guilty plea.
Pled it out. When the judge asked him why he did it, he said, "I didn't like the kid."share one address
Lives in the same house, dated Coughlin's sister...smuggles for — Criminal jargon for carrying contraband for someone.
...who most likely mules for the Florist, who used to employ MacRay's father.an overlap chart
You need a fucking Venn diagram for these people.jump the teller counter
MacRay did eight months for going over the counter at a BayBank...the surprising part is
Got drafted, went to camp, and here's the shocker: Started making trouble, fighting with guys.a big surprise — Often ironic in speech, meaning not surprising at all.
Got drafted, went to camp, and here's the shocker: Started making trouble, fighting with guys.negative question: A negative question seeks confirmation and sounds mildly surprised.
-Don't they pay you to tight in hockey? -No, not the guys on your own team.start a relationship with
Claire repeats what her friends say: she moved to Charlestown and got together with a local.
You moved to Charlestown, hooked up with a rock-breaking townie.got together with — Casual and ambiguous; avoid it in formal settings.
You moved to Charlestown, hooked up with a rock-breaking townie.a local (often dismissive) — A mildly dismissive word for a local resident.
You moved to Charlestown, hooked up with a rock-breaking townie.a post-breakup romance
They just think it's a rebound.distant from someone
I feel estranged from them somehow.gerund with its subject: Someone dying is a gerund phrase with its own subject, the object of think of.
So now on really sunny days I always think of someone dying.long for someone
Then you'll miss me while I'm gone.Link while I'm so it sounds almost like whi-lime.
Then you'll miss me while I'm gone.「The Night Doug's Mother Left」を読み解く
What's really going on
The chapter sets two kinds of biography side by side. Doug tells his story as someone who has made peace with it — “Wherever she went, she had a good reason to leave here” — turning his mother's abandonment into something almost generous. The FBI, by contrast, reads the same neighbourhood as a network: fathers in prison, a friend who “never met a car he couldn't boost,” a best friend who is really “the architect.” Both ways of telling the past are about making it fit a story, one forgiving and one prosecutorial. Then the talk turns to another loss, a brother who died young on a sunny day, and the scene quietly shows how much of these lives is spent narrating grief to each other.
Theme
MemoryThe night his mother left is retold as a story he has remade, until the loss stops hurting as much.
Death & griefA mother who never came back and a brother who died young show loss shaping everyone in the scene.
このチャプターで学べること
- Doug's forgiveness of his father is the quiet center of the scene.
- Frawley's briefing turns family history into evidence.
- Claire's joke about friends hides her own loneliness.
- A sunny day becomes a private memorial for Doug.
発音のポイント
- but he didn't — The t in didn't often drops; link but he smoothly.
- you know — The tag you know is reduced to a faint murmur at the end.
- while I'm gone — Link while I'm so it sounds almost like whi-lime.
To this day my father will tell you he helped me make them posters, but he didn't.A wry detail about the family story: the father remembers helping with the search, though he really stayed behind drinking.
Wherever she went, she had a good reason to leave here.A forgiving explanation for the mother's departure, allowing that leaving this place made sense.
Mr. Magloan never met a car he couldn't boost.The briefing's backhanded compliment for the car thief, framing grand theft auto as a natural talent.
You need a fucking Venn diagram for these people.A joke about how tangled the crew's family and criminal ties are, needing a diagram to sort out.
So now on really sunny days I always think of someone dying.A line that links a sunny day to a childhood death, showing how grief attaches itself to small things.
このシーンについての質問
Why did Doug's mother leave?
The film never says. Doug only reflects that wherever she went, she had a good reason to leave the neighbourhood, and that she did not want to be his mother anymore.
Who is the suspected architect of the robberies?
The FBI briefing names Doug MacRay as the planner, describing him as Coughlin's best friend and the mind behind the crew's careful robberies.
What happened to the brother who died young?
He died of lymphoma on a sunny day, which is why the speaker now associates bright weather with someone dying.
What does “a rebound” mean in the scene?
A new relationship started soon after the end of an old one, often to distract from the breakup. Claire's friends think Doug is just a rebound for her.
Why does the FBI need a Venn diagram?
Because the crew's connections overlap so much — shared houses, family links and old employers — that only a diagram could show how everything fits together.
ザ・タウン · 全 20 章
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次のチャプター · 第 10 章jammed upJem Meets Claire and Gets Suspicious
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
第 8 章go southThe Crew Roughs Up a Dealer
再生中 · 第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene第 9 / 20 章 · 残り約 43 分