worthless person — A heavy insult; never use it in polite speech.
That hurts, right? Fucking piece of shit.The Town · 2010 — 第 8 / 20 章 · 5'03" · B2
The scene opens with fists: a dealer is beaten and warned, “But just remember, I seen yours too.” Then it turns to questions — an agent listing a suspect's no-show job and sick days, and later a quiet talk about parents and childhoods. Violence and confession sit side by side, each asking what people are willing to say.
The scene moves through three beats. First, a dealer is beaten and warned to stay off the block: “Deal gone south for you.” Then an FBI agent lays out how a suspect kept a no-show job and took recorded sick days on robbery dates. At the end, a quieter conversation turns to parents — one of whom left when the speaker was six.
注目の表現
go southpiece of shitchillno-show job
このシーンの表現
fail or go wrong
Jem pins the dealer down and tells him flatly that the deal has failed.
Our weekend plans went south when the car broke down.
a worthless person (insult)
calm down
a paid job you never attend
managed to leave or escape
made me stop sleeping
68 行のセリフに 28 件のメモ
worthless person — A heavy insult; never use it in polite speech.
That hurts, right? Fucking piece of shit.isn't — Nonstandard; keep it out of writing.
- What the fuck? - That's a bitch, ain't it?fail or go wrong
Jem pins the dealer down and tells him flatly that the deal has failed.
Deal gone south for you motherfuckers.a strong insult — Highly offensive; avoid it entirely.
Deal gone south for you motherfuckers.elliptical modal: The subject is dropped; it means you shouldn't be up here.
Shouldn't be up here fucking selling dope, I guess.drugs — Street slang for drugs; news says drugs.
Shouldn't be up here fucking selling dope, I guess.do something to someone
That's my brother. What'd you do to him?Link what you're into something like watcha when practicing.
I don't know what you're talking about.calm down — Fine among friends; can inflame a stranger.
Hey, chill, chill, chill, man. Chill. Chill, man.report to the police
Go tell the cops, all right?police — Street slang; say police in formal settings.
Go tell the cops, all right?keep it in mind
But just remember, I seen yours too.a paid job you never attend
Frawley explains that the robbers hold paid jobs they never show up for, giving them cover.
Most of these guys got no-show jobs. Take down a truck...rob or seize here it means to rob an armored truck
Most of these guys got no-show jobs. Take down a truck...appear or attend
You don't show up, it's a recorded sick day.a day off for illness
You don't show up, it's a recorded sick day.zero conditional: Present simple stands in for an if-clause: whenever you don't show up.
You don't show up, it's a recorded sick day.The t in don't often drops; link show up smoothly.
You don't show up, it's a recorded sick day.continue to live
So do your parents still live in Charlestown?managed to leave or escape
Asked about family, Doug says his father finally got out of Charlestown, a note of distance and pride.
No, my father finally made it out to the suburbs, What about your mother?In American speech made it can flap into may-dit.
No, my father finally made it out to the suburbs, What about your mother?I really don't know
I couldn't tell you. She left when I was 6.in the beginning
At first I didn't know what it was.What it is often reduced, almost like wha-dit.
At first I didn't know what it was.became stuck
Sounded like an animal that got trapped.no other option
I think he just didn't know what else to do.wh- infinitive: The wh-infinitive what else to do is the object of know.
I think he just didn't know what else to do.present continuous for future: The present continuous marks a future fact that is already settled.
He said, "Your mother left. She's not coming back."The chapter pairs two kinds of pressure. The beating is pure intimidation: the men make sure the dealer sees their faces and then say, “But just remember, I seen yours too,” turning a threat into a trade — silence for silence. The FBI briefing is the mirror image, all paperwork: a no-show job, a forged timecard, sick days that line up with robberies. Both scenes are about what evidence can be made to say, whether it is a face or a record. Only the last beat drops the performance, when the talk turns to parents and a mother who left. “I never heard a man cry before,” the speaker remembers, and the scene finally says something plainly instead of threatening it.
I can't be up there killing people, man.A protest that this beating could have gone further, drawing a line between intimidation and killing.
But just remember, I seen yours too.A threat disguised as a warning: since the victim has seen his attacker, the attacker has seen him too, so going to the police is useless.
I never heard a man cry before.The childhood memory that anchors the closing speech, the moment a boy first saw an adult break down.
He said, "Your mother left. She's not coming back."The plain sentence that ends the boy's world, delivered by a father with no way to soften it.
I think he just didn't know what else to do.An adult's attempt to understand his father's helplessness on the night his mother left.
It is about territory and intimidation: they warn him not to sell dope on the block and make clear they will come back if he does.
It means the victim has seen the attacker's face, but the attacker has seen his too, so reporting him to the police would be risky.
A job where someone is paid but never actually works. Agents use one suspect's no-show job and recorded sick days to tie him to several robberies.
She left when he was six. He remembers waking to the sound of his father crying and being told plainly, 'Your mother left. She's not coming back.'
Because a public company records absences, agents can match a suspect's sick days to the dates of armed robberies, unlike the forged timecards at smaller outfits.
次のチャプター · 第 9 章come to terms withThe Night Doug's Mother Left
第 1 章two strikes against youThe Crew Learns the Hostage's Address
第 2 章emanate fromFBI Explains the Charlestown Trade
第 3 章got in a tightKrista Shows Up at the Bar
第 4 章have a good cryDoug Meets Claire at the Laundromat
第 5 章pull a jobDoug Takes Claire Out on His Boat
第 6 章step off a cliffClaire Tells Doug Everything
第 7 章have a cardDoug Tells Claire She Has a Card
再生中 · 第 8 章go southThe Crew Roughs Up a Dealer
第 9 章come to terms withThe Night Doug's Mother Left
第 10 章jammed upJem Meets Claire and Gets Suspicious
第 11 章made my peace withDoug Visits His Father in Prison
第 12 章a code of silenceThe FBI Offers Doug No Deal
第 13 章shed a tearDoug Asks Claire to Run Away
第 14 章rear-viewDoug and Jem Fight Over Leaving
第 15 章with all due respectDoug Tells Fergie He's Leaving
第 16 章taking heatDoug Answers Claire's Questions
第 17 章chase the rabbitFrawley Pressures Krista at the Bar
第 18 章a little birdKrista Tries to Leave with Doug
第 19 章distress callFake Cops Take Over the Depot
第 20 章stand downThe Feds Take Over the Crime Scene