The Town · 2010 — 第 15 / 20 章 · 5'04" · B2

Doug Tells Fergie He's Leaving, Explained:with all due respect

Doug tells Fergie he is finished and wants out. Fergie answers with what he has done for Doug — nine years in prison for a shooting — and with a threat of his own. Then he brings up Doug's mother, and Doug's girlfriend, making clear the line he will cross to keep Doug working.

あらすじ

Doug visits Fergie to say he is done with the crew. Fergie reminds him of the nine years he served after a shooting, and warns him he cannot simply walk away. When Doug insists he is leaving, Fergie reveals the truth about Doug's mother and then threatens his girlfriend, Claire.

Talking to the bossThreatsThreateningSaying noBoss & employeeB2fastamerican
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注目の表現

shoot me in the backwith all due respectsmooth things overcut it

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このシーンの表現

with all due respect

a polite way to disagree

Doug opens politely, then flatly refuses to keep arguing about the job.

With all due respect, I don't think that plan will work.

このシーンの他の表現

  • shoot me in the back

    betray someone from behind

  • smooth things over

    make a conflict less tense

  • cut it

    not be good enough

  • play the horses

    bet on horse races

  • doped up

    stupefied by drugs

このシーンのメモ一覧

83 行のセリフに 24 件のメモ

発音should've ran

The v in should've nearly disappears, sounding like shoulda.

I mean, the fucking guy should've ran track. You know what I'm saying?
スラング · B2Did nine years

served nine years in prison — Prison slang for time served; casual and grim.

Did nine years for it.
表現 · B1walk away from something

leave a situation for good

...but you're not walking away.
表現 · B2take someone in

give someone a home

Your family took me in when my father went away.
表現 · B2shoot someone in the back

betray someone from behind

Doug says he is leaving; Jem answers that he can only go by shooting him in the back.

But you're gonna have to shoot me in the back.
発音gonna have to

Gonna have to runs together as one smooth block.

But you're gonna have to shoot me in the back.
表現 · B2with all due respect

a polite way to disagree

Doug opens politely, then flatly refuses to keep arguing about the job.

Look, with all due respect, I didn't come here for a debate.
表現 · B1work something out

solve or settle something

So, you know, work it out however you can. I ....
表現 · C1go against one's better judgment

despite knowing it is unwise

It goes against my better judgment...
表現 · B2smooth something over

make a conflict less tense

Fergie offers cash and calls it respect, trying to bury the fight he just caused.

...but just out of respect, smooth things over...
表現 · B1not cut it

not be good enough

Fergie slides over a payoff, and Doug answers that it is nowhere near enough.

Not gonna cut it.
スラング · A2gonna

going to — Everyday spoken form; too casual for formal writing.

Not gonna cut it.
表現 · C1run numbers

run an illegal lottery here numbers means an illegal street lottery

You guys run numbers and pump dope.
スラング · B2pump dope

sell drugs — Street slang for dealing drugs; not for polite talk.

You guys run numbers and pump dope.
表現 · B2one's glory years

a past time of greatness

You're an old guy who don't know his glory years are behind him.
文法 · B2who don't know his glory years are behind him

relative clause: The who-clause describes the old guy, and inside it sits another clause about his glory years.

You're an old guy who don't know his glory years are behind him.
スラング · A2ain't

am not — Nonstandard speech; keep it out of formal writing.

I ain't fucking working for you. Got it?
表現 · B2play the horses

bet on horse races

Fergie asks Doug about betting on horses before launching into his story about gelding.

You play the horses?
発音play the

The reduces to a soft thə before a consonant.

You play the horses?
表現 · B2be doped up

stupefied by drugs

Fergie describes drugging Doug's mother with chilling calm, as if it were routine.

She doped up good and proper.
表現 · B2not have the heart to do something

be unable to bear doing it

Your daddy didn't have the heart to tell his son...
文法 · B1If there's a heaven

if-clause: The if-clause sets a condition, and the main clause delivers the verdict under it.

If there's a heaven, son, she ain't in it.
表現 · B2funeral arrangements

plans for a funeral

I don't want to send her funeral arrangement to your house...
表現 · B1explain oneself

make one's case clear

All right, you need to give me a chance to explain myself first. Okay?

「Doug Tells Fergie He's Leaving」を読み解く

What's really going on

The scene is about the price of walking out. Fergie's whole argument is debt: he went to prison to protect Doug, so Doug owes him his work — "you're not walking away." Doug answers with gratitude and a boundary — "I'm grateful for everything you done for me... But I'm leaving" — and does not flinch when Fergie asks, "Gonna shoot me?" Instead he offers the only line he has: "you're gonna have to shoot me in the back." Fergie's reply is to reach for the two things that hold Doug in place, his dead mother and his new girlfriend, with the cold line "If there's a heaven, son, she ain't in it." The scene ends with Doug at Claire's door, shut out by "Get out." — the escape he promised now costing him both his old family and the new one.

Theme

DutyFergie holds Doug to a debt of loyalty, turning years of friendship and prison into an obligation Doug cannot leave.
BetrayalTo keep Doug, Fergie uses the truth about his mother and a threat against Claire, treating any exit as betrayal.

このチャプターで学べること

  • Polite openers often carry the sharpest refusals.
  • Fergie sells the past as fairness while threatening the present.
  • Old favors are used here as a debt that can never be paid.
  • The threat lands on Claire before she even speaks.

発音のポイント

  • should've ran — The v in should've nearly disappears, sounding like shoulda.
  • gonna have to — Gonna have to runs together as one smooth block.
  • play the — The reduces to a soft thə before a consonant.
I don't know who was more fucking surprised he wasn't dead, him or me.

Fergie's account of a shooting that went wrong, told almost as a story rather than a confession.

I'm grateful for everything you done for me.

Doug acknowledges what Fergie and his family did for him, framing his exit as respect rather than a break.

But you're gonna have to shoot me in the back.

Doug's answer to the threat of violence: he will not be stopped, but he refuses to turn on Fergie first.

The only guy in Charlestown with a gun?

A cutting question meant to deflate Fergie's authority by mocking how he sees himself.

If there's a heaven, son, she ain't in it.

Fergie's cruel verdict on Doug's mother, the worst thing he can say and a way of closing the subject.

このシーンについての質問

Why does Doug want out of the crew?

He no longer wants the life, and his plan to leave with Claire means he has to break from Fergie and the others.

Why does Fergie think Doug owes him?

He reminds Doug that he went to prison for nine years after a shooting for him, so he sees Doug's leaving as ingratitude.

Why does Fergie talk about Doug's mother?

He uses the truth about her death — that she killed herself while hooked on drugs — to wound Doug and to end Doug's years of searching.

Why does Fergie mention Claire?

He threatens her to keep Doug in line, saying he does not want to send her funeral arrangement 'but I will if I have to'.

Why does Claire tell Doug to get out?

She has learned who he really is, and when he asks who talked, she says simply, 'The FBI, Doug.'

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