Atlas Shrugged: Part I · 2011 — 第 9 / 16 章 · 2'13" · B2

Lillian Trades the Bracelet, Explained:take it off your hands

After the party, Lillian cannot stand the bracelet made from her husband's new metal, and Dagny trades a necklace for it. Then Lillian follows Hank to his room and the evening ends as a fight: "The next time you decide to throw a party, can you stick to your own crowd?" Her answer, that he has no friends, says everything.

あらすじ

After the party, Lillian says she would throw the Rearden Metal bracelet into the fire if it would burn. Dagny offers to take it off her hands, and they trade it for a necklace. Then Lillian goes to Hank's room, exhausted and cutting, and the two argue about the guests and about how few friends he has.

Marriage troubleArgumentsComplainingBargainingSpousesB2fastamericanClean
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注目の表現

if it would burntake it off your handshaving a negotiationhunk of metal

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このシーンの表現

take it off your hands

take it from you

Seeing Dagny dislikes the bracelet, Lillian offers to take it off her hands, dressing a want as aid.

If it's a burden, I can take it off your hands.

このシーンの他の表現

  • if it would burn

    sarcastic: I'd burn it

  • having a negotiation

    in a negotiation

  • hunk of metal

    a lump of metal

  • took a lot out of me

    drained me

  • stick to your own crowd

    keep to your own people

このシーンのメモ一覧

33 行のセリフに 24 件のメモ

表現 · B1really do + 动词

truly do love

And I really do love that bracelet.
表現 · B2throw something into the fire

burn it

I would throw it into the fire if it would burn.
文法 · B2if it would burn

unreal condition: The would-clause imagines something untrue, hinting it will never actually burn.

I would throw it into the fire if it would burn.
発音throw it into

Throw it into runs together with no break.

I would throw it into the fire if it would burn.
表現 · C1take something off someone's hands

take it from you

Seeing Dagny dislikes the bracelet, Lillian offers to take it off her hands, dressing a want as aid.

Perhaps, I can take it off your hands?
表現 · B1plan on doing something

intending to give

Are you serious? I was planning on giving it to the maid for her birthday.
スラング · B2For God's sake

for heaven's sake — Shows irritation; use please in formal talk.

- Dagny is just being kind. - For God's sake, Henry, be quiet.
表現 · B2have a negotiation

in a negotiation

When Hank tries to interrupt, Lillian says she and Dagny are having a negotiation, shutting him out.

Dagny and I are having a negotiation, it seems.
表現 · B1a simple trade

an easy swap

You were saying? A simple trade.
発音you didn't

The t in didn't often drops, sounding like did-n.

No, you didn't. Yes, I did.
表現 · B1we both know why

we both understand

And we both know why.
表現 · C1a hunk of something

a lump of metal

It's nothing. it's just a useless hunk of metal.
スラング · B1hunk

a lump — Informal word for a clumsy large piece.

It's nothing. it's just a useless hunk of metal.
スラング · B2Nice try

not so fast — A teasing put-down when a trick fails.

Nice try.
表現 · B2take a lot out of someone

drained me

After the party Lillian tells Hank it drained her, tired and faintly reproachful.

That party took a lot out of me, Henry.
表現 · B1come in here for something

enter for a purpose

Don't worry. I didn't come in here for sex.
表現 · C1stick to one's own crowd

keep to your own people

Lillian tells Hank to invite only his own crowd next time, polite on the surface and cutting underneath.

The next time you decide to throw a party, can you stick to your own crowd?
文法 · B2The next time you decide

time clause: The next time introduces a time clause, and the main clause turns it into a request.

The next time you decide to throw a party, can you stick to your own crowd?
表現 · B2don't bother doing something

take the trouble to

Don't bother inviting people you think are my friends.
表現 · A2not have any + 名词

have no friends at all

But, Henry, you don't have any friends.
文法 · C1one of Taggart's most important

appositive: The phrase after the comma is an appositive, adding how important the line is.

Some sections of this rail line, one of Taggart's most important...
表現 · C1fall into disrepair

become neglected

...have fallen into disrepair over the last decades.
表現 · B2a major construction project

a big building project

...in a major railroad construction project in the country.
発音in a

In a weakens into a single blur, in-uh.

...in a major railroad construction project in the country.

「Lillian Trades the Bracelet」を読み解く

What's really going on

The bracelet is the marriage in miniature. Hank made it as a gift from the metal that is his life's work, and Lillian cannot wait to be rid of it: 'I would throw it into the fire if it would burn.' That she gives it away to Dagny, of all people, is a small cruelty, because Dagny understands exactly what the metal is worth. The bedroom scene then turns the contempt outward. Lillian claims the party 'took a lot out of me' and says she did not come for sex; Hank says he should have stuck to his own crowd; and her reply, 'you don't have any friends,' is the one that draws blood. Neither is wrong about the other, which is why the scene is so cold. The chapter closes on the rails being laid with Rearden Steel, cutting from their private war to the work that actually matters.

Theme

MarriageThe bracelet trade and the bedroom fight show a marriage built on contempt, where even a gift becomes a weapon.
MoneyA bracelet made of a revolutionary metal is dismissed as a 'useless hunk of metal' and swapped for jewellery.

このチャプターで学べること

  • Lillian turns wanting something into doing a favor.
  • Dagny agrees to the swap without showing feeling.
  • The Reardens trade wounds as quietly as objects.
  • Disrepair quietly explains why the line needs work.

発音のポイント

  • throw it into — Throw it into runs together with no break.
  • you didn't — The t in didn't often drops, sounding like did-n.
  • in a — In a weakens into a single blur, in-uh.
I would throw it into the fire if it would burn.

Lillian's contempt for the bracelet made from her husband's metal: she would destroy it if she could.

It's nothing. it's just a useless hunk of metal.

Her attempt to belittle the gift, dismissing the metal that means everything to Hank as worthless scrap.

Don't worry. I didn't come in here for sex.

A cold line that sets the tone of the bedroom scene: she is here to fight, not to be close.

The next time you decide to throw a party, can you stick to your own crowd?

Hank's request that she stop mixing his world with guests he cannot stand.

But, Henry, you don't have any friends.

Lillian's parting shot, cutting to the heart of his isolation.

このシーンについての質問

Why does Lillian want to get rid of the bracelet?

It reminds her of Hank and his work, and she resents both. She says she would throw it into the fire if it could burn, and she gladly trades it away to Dagny.

What does "take it off your hands" mean?

It means to take something unwanted from someone, usually as a favour. Dagny offers to take the bracelet off Lillian's hands and trades a necklace for it.

Why does Lillian go to Hank's room?

Not for affection. She is tired from the party and picks a fight about the guests and his lack of friends, making clear the marriage is a cold arrangement.

Why does Lillian say Hank has no friends?

She is picking a fight after the party and wants to wound him: he dislikes socialising, has no real circle, and only cares about his work. It is the sharpest thing she says all night.

What is happening with the Rearden Metal rails at the end?

A report explains that Rearden Steel is being used on a major Taggart railroad line for the first time, marking the metal's arrival on a national project.

Atlas Shrugged: Part I · 全 16 章

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