How are you links up, with are reduced to a light er.
- Tucker. - Hello. How are you?There's Something About Mary · 1998 — 第 19 / 24 章 · 2'06" · B2
Tucker comes to Mary's house with news about Healy, and it is bad: "Mary, the man's a killer." He has documents from a friend in the Boston police, listing crimes and worse. Mary panics, and Tucker calms her, telling her to keep her distance without making the man angry.
Tucker visits Mary and says he has more news about Healy. Through a friend in the Boston police he has obtained a file showing a history of crime, and he tells Mary plainly that the man is a killer. Mary is frightened; Tucker tells her to stay calm, keep her distance, and avoid provoking him.
注目の表現
thirst quencherpass outrogeringsocial visit
このシーンの表現
got together romantically
When Mary praises Tucker, he wonders aloud why she and Ted never got together.
They hooked up at a party years ago.
a drink that quenches thirst
faint or fall asleep
a crude word for sex
a friendly call, not business
the main points
34 行のセリフに 25 件のメモ
How are you links up, with are reduced to a light er.
- Tucker. - Hello. How are you?well, look who arrived
- Look who's here. - There she is.a drink that quenches thirst
Tucker walks in with a drink, using a playful phrase to warm the room before the bad news.
I brought you a little thirst quencher, Mag.how sweet of you
- Oh. Are you sweet. - No, I'm not.crude slang for sex — Vulgar British slang; never use it in polite talk.
...and I can give Mary a good rogering.must leave now
- You want me to pour you one? - Thanks, but I have to be going.a friendly call, not business
Tucker announces this is not a social call, steering the chat toward serious business.
- Unfortunately. This is not a social visit. - Really? What's up?told the whole truth
He confessed everything. He told me he's not an architect.late on schedule
You were right. But right now. I'm actually running behind...sum up the main points
He faxed me this this morning. I'll just give you the highlights.The repeated this is split by stress, not by a pause.
He faxed me this this morning. I'll just give you the highlights.a brief period doing
After a short stint as a petty thief...believed to have done
...he was suspected of homicides in the states of Utah and Washington.and more of the same
...there wasn't enough evidence to hold him. And so on and so forth.Gonna compresses going to into a single word.
What am I gonna do? I'm supposed to meet this guy in an hour.got together romantically
When Mary praises Tucker, he wonders aloud why she and Ted never got together.
Why you two never hooked up is beyond me.subject clause: The why-clause is the subject, and is beyond me carries the judgment.
Why you two never hooked up is beyond me.make someone conceited
As Mary keeps thanking him, Tucker waves it off and jokes that praise will go to his head.
Yes. Well. Don't get all gooey on me. Now. You're gonna give me a big head.overly sentimental — Playful for someone being too sentimental.
Yes. Well. Don't get all gooey on me. Now. You're gonna give me a big head.to the greatest extent
...is you have to distance yourself as much as possible...reflexive pronoun: The reflexive shows the action falls back on the speaker's own self.
...is you have to distance yourself as much as possible...annoy someone badly
...without pissing this psycho off.prepositional phrase: Without plus a gerund frames the whole clause as a condition to avoid.
...without pissing this psycho off.a crazy person — A heavy label for someone unstable; not for patients.
...without pissing this psycho off.annoying — Swear-tinged for annoying someone; avoid it formally.
...without pissing this psycho off.The scene turns the film's comedy sharply serious, and its power comes from the fact that Tucker has no reason to lie. He arrives with a file and a warning, and the line that changes everything is short: "Mary, the man's a killer." Until now the story has been about embarrassment and deception; here it becomes about danger. What makes the scene work is the shift in Tucker, who has been comic throughout, into someone calm and protective. He does not panic and he does not moralise; he tells Mary to keep her distance and not to provoke the man, which is practical advice rather than heroics. Her reply, that she is lucky to have him as a friend, is the film's way of admitting that the people around Mary are the only thing standing between her and real harm.
Mary, the man's a killer.The line that changes the story's tone: after a film of embarrassments, Tucker states plainly that Mary is dealing with a murderer.
Why you two never hooked up is beyond me.A wistful aside in the middle of danger: Tucker thinks Mary and Ted should have ended up together, which quietly plants the ending.
I'm so lucky to have you as a friend.Mary's gratitude in one line: she says exactly what the visit means to her, which is why Tucker immediately waves it off.
Yes. Well. Don't get all gooey on me. Now. You're gonna give me a big head.Tucker's embarrassed deflection: praised too warmly, he jokes that the compliment will go to his head and changes the subject.
Because he has learned more about Healy. A friend in the Boston police sent him a file, and he wants to warn Mary before she meets Healy again.
He tells her that Healy is a killer. The file lists crimes, suspected murders and a lack of evidence, so the warning is not a joke.
It is slang for two people getting together romantically. Tucker uses it to say he cannot understand why Mary and Ted never became a couple.
Because he is protecting her. He brings the truth, stays calm, and tells her how to stay safe, which she says makes her lucky to have him as a friend.
He tells her to keep her distance from Healy but not to provoke him. The point is to stay safe until the situation can be dealt with.
次のチャプター · 第 20 章come cleanHealy Confronts the Fake Detective
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
再生中 · 第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other