turn up
Someone complains that things were fine until the other man showed up and ruined it.
And it was going along just fine until you showed up.There's Something About Mary · 1998 — 第 24 / 24 章 · 4'24" · B2
The Guys Confront Each Other, Explained：cross the line
The men who have all been chasing Mary end up in the same room, and the accusations fly. Each blames the others for the anonymous letter that exposed them, and one of them admits he could not "in good conscience" hand her over to a stalker. Then a name nobody recognises changes everything.
あらすじ
The men who have been chasing Mary gather in one room and start accusing each other. One says he followed her out of love, another denies writing the anonymous letter, and each insists the other crossed the line. The argument reveals old tricks and betrayals, and ends with a name none of them expected: Woogie.
注目の表現
show upfollow aroundfucked meblow someone out of the water
00:00 / 04:24Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
cross the line
go too far
One man tells the other he crossed the line, the plainest statement of limits in the whole fight.
You crossed the line when you lied to her family.
このシーンの他の表現
- show up
turn up
- follow around
trail someone
- fucked me
betrayed or cheated me
- blow someone out of the water
destroy the competition
- are you shitting me
are you kidding me
このシーンのメモ一覧
68 行のセリフに 35 件のメモ
Until you links together and showed up is clipped short.
And it was going along just fine until you showed up.wow — A crude exclamation of shock; avoid it in polite settings.
Holy shit.quite pleasant
This is a pretty nice place.on earth — A crude intensifier; not for any formal situation.
Sully. What the fuck happened?nothing reckless
- Man. Don't do anything rash now, buddy. - Who the fuck is this guy?pizza delivery guy
That's Norm. He's a pizza boy. He's in love with Mary too.He's a reduces into one weak syllable before the stressed pizza.
That's Norm. He's a pizza boy. He's in love with Mary too.would benefit from
All right. Look. I think everybody could use a drink right now.trail someone
Healy admits he took the job and trailed Mary everywhere, saying it as if it were nothing.
You asked me to follow around your girl and I did.with a clear conscience
And that's when I realized I couldn't in good conscience bring myself to do it.force yourself to do
And that's when I realized I couldn't in good conscience bring myself to do it.predicative clause: That is when points to a moment, and the clause says what he understood right then.
And that's when I realized I couldn't in good conscience bring myself to do it.hand someone over
Turn her over to a violent stalker.cannot accept that
You just can't take the fact that it was my turn.my turn came
You just can't take the fact that it was my turn.appositive clause: The clause after the fact that spells out exactly what he cannot accept.
You just can't take the fact that it was my turn.destroy the competition
Norm accuses the other man of sinking everyone just because he lost Mary, a naval image for total ruin.
Just because you didn't get her. You didn't have to blow us both out of the water.a letter with no name
You're gonna tell me you didn't write her an anonymous letter...the entire arrangement
...telling her about our whole deal together?remove someone
...until we got this fuck out of the fucking picture.go too far
One man tells the other he crossed the line, the plainest statement of limits in the whole fight.
- You crossed the line, man. - Whoa. Whoa. Whoa. Man.a rotten person — A severe insult; recognize it, do not use it.
You probably did it yourself. you piece of shit.said sarcastically
Accused of sending the letter himself, he answers with sarcastic agreement to mock the charge.
Oh, yeah. That makes a lot of sense. Why would I rat myself out?inform on yourself
Oh, yeah. That makes a lot of sense. Why would I rat myself out?work out
Like I'm gonna try to figure out some guy...elliptical speech: The opening Like drops It's, adding a dismissive what, me? tone.
Like I'm gonna try to figure out some guy...don't give yourself airs
- You were following us. - Don't flatter yourself. I was following her.got someone out of the way
How the hell do you think I got rid of the last guy. Brett?a self-righteous good kid
Are you shitting me? Mr. Goody-Two-Shoes?were it not for me
He takes the credit, claiming that without him she would have married that fool.
Because if it wasn't for me, she might have married that schmuck.The t in wasn't often drops, and if it runs together.
Because if it wasn't for me, she might have married that schmuck.a fool — A mild, Yiddish-flavored insult, playful among friends.
Because if it wasn't for me, she might have married that schmuck.leaving now
I'm out of here.concerned about
I was worried about you. I thought that...「The Guys Confront Each Other」を読み解く
What's really going on
The scene is the film's whole web of schemes unravelling at once, and its energy comes from everyone being guilty of something. Ted, Healy, Sully and Norm have all pursued Mary through tricks and lies, and they turn on each other with the same methods they used on her. The accusations are precise and petty — who followed her, who wrote the letter, who betrayed the deal — and the funniest thing is that every charge is true of someone in the room. What lifts the scene above farce is the moment of honesty when one of them explains that he could not, "in good conscience", hand Mary over to a violent man. It is a small moral line drawn in the middle of a mess, and it makes the final revelation land harder: the letter came from someone none of them even suspected, and the name shocks them all.
Theme
DeceptionEvery man in the room has lied to Mary in some way, and the scene lets their schemes collide until the truth is forced out.
BetrayalThe men made deals with one another and broke them, and the accusation of betrayal is the engine of the whole argument.
このチャプターで学べること
- A fight over a letter exposes everyone's motive.
- Confessing the spying earns no forgiveness here.
- Blame bounces around until the real sender appears.
- One unknown name can end an entire shouting match.
発音のポイント
- until you showed up — Until you links together and showed up is clipped short.
- He's a pizza boy — He's a reduces into one weak syllable before the stressed pizza.
- if it wasn't for — The t in wasn't often drops, and if it runs together.
You just can't take the fact that it was my turn.A complaint dressed as fairness: the speaker insists his turn with Mary has come, and resents being blocked by the others.
And that's when I realized I couldn't in good conscience bring myself to do it.The one honest line in the argument: he says his conscience stopped him from handing Mary over to a violent man.
Who the hell is Woogie?The question that ends the fight: after all the accusations, a name appears that nobody in the room recognises.
And it was going along just fine until you showed up.Ted's summary of the whole mess: everything was fine until a rival appeared and the schemes began.
このシーンについての質問
Why are the men arguing?
Because they have all been pursuing Mary and now suspect each other of wrecking their chances. The argument centres on who wrote the anonymous letter that exposed Ted.
What does "cross the line" mean?
It means to go too far and break an agreed limit. One man accuses another of crossing the line by betraying the deal they made about Mary.
Who admits he could not hand Mary over?
One of the men says his conscience would not let him turn her over to a violent stalker. It is the one moment of decency in the scene.
What is the letter about?
It is an anonymous letter that told Mary the truth about Ted and the other men's schemes. Each man denies writing it, and the argument grows out of that denial.
Why does the name Woogie shock everyone?
Because none of them knows who Woogie is. After all their scheming against each other, a hidden player turns out to have been involved all along.
メリーに首ったけ · 全 24 章
すべて見る →
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
再生中 · 第 24 章cross the lineThe Guys Confront Each Otherこの作品の 24 章はここまでです