that place yonder
You see that girl over there?There's Something About Mary · 1998 — 第 2 / 24 章 · 3'44" · B1
Young Ted walks Mary and her brother Warren home and survives a street fight along the way. Once Warren is inside, Ted stumbles toward the real question — not a group outing but the two of them at the prom. He finally lands it: "Well, is that a yes or a no?" and Mary says sure.
Ted walks Mary and her brother Warren back home and gets caught in a fight Warren starts over a misunderstood word. He takes it in stride and even gives Warren a piggyback ride. When Warren goes inside, Ted asks Mary to the prom — just the two of them — and after some fumbling she says yes.
注目の表現
son of a bitchnot all therewatch his mouthyou and me
このシーンの表現
not quite sane
Someone challenges Ted, and a bystander explains he is not all there to calm things down.
He's not all there today, so be patient with him.
a strong insult for a man
be careful what one says
the two of us
a clear answer either way
the sober driver
57 行のセリフに 32 件のメモ
that place yonder
You see that girl over there?a different word for it
She's got another name for it.what on earth
- What the hell did you just say, buddy? - Wiener?Stretch and stress hell to hear the anger.
- What the hell did you just say, buddy? - Wiener?on earth — Spoken emphasis; too rough for formal talk.
- What the hell did you just say, buddy? - Wiener?Kick your runs together, with ass stressed.
You fucking son of a bitch. I'm gonna fucking kick your ass.a strong insult — A heavy insult; never use it in polite speech.
You fucking son of a bitch. I'm gonna fucking kick your ass.calm down
- Come on, get up, fat boy. Let's go. - Hey, Smokey, take it easy.stop bothering me
Get out of my face. Come on. You want the first punch?what is wrong with you
What's the matter with you? Stop it.on your own
What are you doing leaving the yard? You're not supposed to leave by yourself.be supposed to: Be supposed to states what is expected; not negates it.
What are you doing leaving the yard? You're not supposed to leave by yourself.Supposed to often collapses into sposta.
What are you doing leaving the yard? You're not supposed to leave by yourself.fail to notice
- Warren. - I didn't realize. You know?should
- You ought to tell him to watch his mouth. - Jerk.ought to: Ought to gives advice much like should.
- You ought to tell him to watch his mouth. - Jerk.an unpleasant person — A mild insult; can be half joking between friends.
- You ought to tell him to watch his mouth. - Jerk.find it hard to believe
I couldn't believe it. She knew my name.The t in didn't often drops before know.
Some of my best friends didn't know my name.the most undervalued
I think that Joe Montana is, like. the most underrated quarterback.a top draft choice
I mean. He should've been a first-round draft pick.past modal: Should've been points to what should have happened but did not.
I mean. He should've been a first-round draft pick.a ride on someone's back
- Piggyback ride. Piggyback. - Warren, stop it. Leave Ted alone.it's fine
No, it's okay. I got a little disc thing, but it's all right. Here we go.a command to a horse — A play command for a horse or a child at play.
Giddyup. Warren. There we go.escort us back
- Thanks for walking us back. - Yeah, no problem.attend the school dance
- I'm just gonna... I'm gonna... - So are you going to the prom?stupid — Casual put-down; avoid it when being polite.
- I think proms are dumb. - I thought maybe we could go together.the sober driver
Ted offers to come as the designated driver, half joking, since he would not drink.
Yeah. If you want a designated driver...go as a pair
Like. We could go together. The two of us.going to — Everyday shorthand; avoid it in writing.
I'm gonna take Warren back inside. I'll see you at school.see you later
- Bye. - Cool. Catch you back at school.The scene is the film's gentlest stretch, and its point is how much Ted is willing to endure for a girl he has just met. He is knocked around in a fight sparked by a word he could not have understood, then cheerfully lets Warren ride on his back, and none of it shakes his nerve. What he cannot do easily is speak plainly: he circles the invitation, offers to be a designated driver, and has to be pushed before he says what he means. His answer to Mary's silence — "Well, is that a yes or a no?" — is the whole character in one line: awkward, direct, and brave enough to risk a refusal. The film lets the sweetness sit next to the humiliation, because for Ted they are the same thing.
No, no. I mean you and me.Ted corrects a misunderstanding about the invitation: not a crowd of friends but just the two of them, which is the closest he gets to saying he likes her.
Well, is that a yes or a no?His blunt request for a decision, which turns a vague maybe into the answer he is afraid of hearing.
I couldn't believe it. She knew my name.The measure of Ted's shyness: being remembered by name is enough to astonish him, which tells us how invisible he usually feels.
Some of my best friends didn't know my name.A joke that lands as self-deprecation: comparing Mary's attention to his own friends, who did not even know his name.
Because Warren says something that sounds insulting to a stranger, and the man reacts badly. Ted is not looking for trouble but ends up in the middle of it.
It means someone is not mentally sharp, a little slow. It is used here to explain why Warren behaves oddly and to excuse him.
Because he cannot bring himself to say he wants a date. He hides behind a practical offer, until Mary makes him explain that he means just the two of them.
He asks her to the prom, just the two of them. When she hesitates, he presses her with a direct question, and she finally agrees.
Because he is used to being overlooked. He says even some of his best friends did not know his name, so her remembering it means a great deal to him.
次のチャプター · 第 3 章busting chopsTed Meets Mary's Family
第 1 章hold someone to thatTed Asks Mary to the Prom
再生中 · 第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other