There's Something About Mary · 1998 — 第 2 / 24 章 · 3'44" · B1

Ted Asks Mary to the Prom, Explained:not all there

Young Ted walks Mary and her brother Warren home and survives a street fight along the way. Once Warren is inside, Ted stumbles toward the real question — not a group outing but the two of them at the prom. He finally lands it: "Well, is that a yes or a no?" and Mary says sure.

あらすじ

Ted walks Mary and her brother Warren back home and gets caught in a fight Warren starts over a misunderstood word. He takes it in stride and even gives Warren a piggyback ride. When Warren goes inside, Ted asks Mary to the prom — just the two of them — and after some fumbling she says yes.

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注目の表現

son of a bitchnot all therewatch his mouthyou and me

00:00 / 03:44
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このシーンの表現

not all there

not quite sane

Someone challenges Ted, and a bystander explains he is not all there to calm things down.

He's not all there today, so be patient with him.

このシーンの他の表現

  • son of a bitch

    a strong insult for a man

  • watch his mouth

    be careful what one says

  • you and me

    the two of us

  • a yes or a no

    a clear answer either way

  • designated driver

    the sober driver

このシーンのメモ一覧

57 行のセリフに 32 件のメモ

表現 · A1over there

that place yonder

You see that girl over there?
表現 · B1another name for something

a different word for it

She's got another name for it.
表現 · B1what the hell ...

what on earth

- What the hell did you just say, buddy? - Wiener?
発音What the hell

Stretch and stress hell to hear the anger.

- What the hell did you just say, buddy? - Wiener?
スラング · B2the hell

on earth — Spoken emphasis; too rough for formal talk.

- What the hell did you just say, buddy? - Wiener?
発音kick your ass

Kick your runs together, with ass stressed.

You fucking son of a bitch. I'm gonna fucking kick your ass.
スラング · B2son of a bitch

a strong insult — A heavy insult; never use it in polite speech.

You fucking son of a bitch. I'm gonna fucking kick your ass.
表現 · A2take it easy

calm down

- Come on, get up, fat boy. Let's go. - Hey, Smokey, take it easy.
表現 · B1get out of someone's face

stop bothering me

Get out of my face. Come on. You want the first punch?
表現 · A2what's the matter with someone

what is wrong with you

What's the matter with you? Stop it.
表現 · A2do something by oneself

on your own

What are you doing leaving the yard? You're not supposed to leave by yourself.
文法 · B1You're not supposed to

be supposed to: Be supposed to states what is expected; not negates it.

What are you doing leaving the yard? You're not supposed to leave by yourself.
発音supposed to

Supposed to often collapses into sposta.

What are you doing leaving the yard? You're not supposed to leave by yourself.
表現 · B1not realize something

fail to notice

- Warren. - I didn't realize. You know?
表現 · B1ought to do something

should

- You ought to tell him to watch his mouth. - Jerk.
文法 · B1You ought to tell him

ought to: Ought to gives advice much like should.

- You ought to tell him to watch his mouth. - Jerk.
スラング · B1Jerk

an unpleasant person — A mild insult; can be half joking between friends.

- You ought to tell him to watch his mouth. - Jerk.
表現 · A2can't believe something

find it hard to believe

I couldn't believe it. She knew my name.
発音didn't know

The t in didn't often drops before know.

Some of my best friends didn't know my name.
表現 · B1the most underrated ...

the most undervalued

I think that Joe Montana is, like. the most underrated quarterback.
表現 · B1a first-round draft pick

a top draft choice

I mean. He should've been a first-round draft pick.
文法 · B1should've been

past modal: Should've been points to what should have happened but did not.

I mean. He should've been a first-round draft pick.
表現 · A2give someone a piggyback ride

a ride on someone's back

- Piggyback ride. Piggyback. - Warren, stop it. Leave Ted alone.
表現 · A2it's all right

it's fine

No, it's okay. I got a little disc thing, but it's all right. Here we go.
スラング · B1Giddyup

a command to a horse — A play command for a horse or a child at play.

Giddyup. Warren. There we go.
表現 · A2walk someone back

escort us back

- Thanks for walking us back. - Yeah, no problem.
表現 · A2go to the prom

attend the school dance

- I'm just gonna... I'm gonna... - So are you going to the prom?
スラング · B1dumb

stupid — Casual put-down; avoid it when being polite.

- I think proms are dumb. - I thought maybe we could go together.
表現 · B1be someone's designated driver

the sober driver

Ted offers to come as the designated driver, half joking, since he would not drink.

Yeah. If you want a designated driver...
表現 · A2go together

go as a pair

Like. We could go together. The two of us.
スラング · A2gonna

going to — Everyday shorthand; avoid it in writing.

I'm gonna take Warren back inside. I'll see you at school.
表現 · A2catch you later

see you later

- Bye. - Cool. Catch you back at school.

「Ted Asks Mary to the Prom」を読み解く

What's really going on

The scene is the film's gentlest stretch, and its point is how much Ted is willing to endure for a girl he has just met. He is knocked around in a fight sparked by a word he could not have understood, then cheerfully lets Warren ride on his back, and none of it shakes his nerve. What he cannot do easily is speak plainly: he circles the invitation, offers to be a designated driver, and has to be pushed before he says what he means. His answer to Mary's silence — "Well, is that a yes or a no?" — is the whole character in one line: awkward, direct, and brave enough to risk a refusal. The film lets the sweetness sit next to the humiliation, because for Ted they are the same thing.

Theme

Coming of ageA teenager endures a fight and a humiliating walk home, then finds the nerve to ask a girl to the prom for the first time.
CourageTed's bravery is not fighting but speaking: he risks a clear refusal by asking whether the answer is yes or no.

このチャプターで学べること

  • A misheard joke turns into a fight in seconds.
  • Being kind to Warren is how Ted wins Mary's trust.
  • Ted finally drops the group plan and asks her alone.
  • Vague answers need a direct follow-up.

発音のポイント

  • What the hell — Stretch and stress hell to hear the anger.
  • kick your ass — Kick your runs together, with ass stressed.
  • supposed to — Supposed to often collapses into sposta.
  • didn't know — The t in didn't often drops before know.
No, no. I mean you and me.

Ted corrects a misunderstanding about the invitation: not a crowd of friends but just the two of them, which is the closest he gets to saying he likes her.

Well, is that a yes or a no?

His blunt request for a decision, which turns a vague maybe into the answer he is afraid of hearing.

I couldn't believe it. She knew my name.

The measure of Ted's shyness: being remembered by name is enough to astonish him, which tells us how invisible he usually feels.

Some of my best friends didn't know my name.

A joke that lands as self-deprecation: comparing Mary's attention to his own friends, who did not even know his name.

このシーンについての質問

Why does Ted get into a fight?

Because Warren says something that sounds insulting to a stranger, and the man reacts badly. Ted is not looking for trouble but ends up in the middle of it.

What does "not all there" mean?

It means someone is not mentally sharp, a little slow. It is used here to explain why Warren behaves oddly and to excuse him.

Why does Ted offer to be a designated driver?

Because he cannot bring himself to say he wants a date. He hides behind a practical offer, until Mary makes him explain that he means just the two of them.

What does Ted ask Mary at the end of the scene?

He asks her to the prom, just the two of them. When she hesitates, he presses her with a direct question, and she finally agrees.

Why does Ted care that Mary knows his name?

Because he is used to being overlooked. He says even some of his best friends did not know his name, so her remembering it means a great deal to him.

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