The t in didn't often drops before solicit.
- I'm Detective Stabler. This is Krevoy. - Look, I didn't solicit any sex, okay?There's Something About Mary · 1998 — 第 15 / 24 章 · 2'16" · B2
Ted is questioned by two detectives who think he was soliciting. He insists it is all a mistake, then panics and admits everything anyway: "Yeah. Guilty as charged." He explains he was only bored, admits it was not his first time, and finally asks the detectives to get to the point.
Two detectives question Ted about a hitchhiker found in his car. Ted protests that it is a misunderstanding, but he keeps talking, admits to picking up hitchhikers, and even says he was bored. Asked whether this was his first time, he answers no. He wants the detectives to get to the point, and the interview turns ugly.
注目の表現
solicitjust my luckguilty as chargedcut to the chase
このシーンの表現
get to the main point
Ted cannot stand the circling and asks the detectives to get to the point.
Let's cut to the chase: how much will it cost?
ask for sex for money
that is typical of my bad luck
yes, I did it
someone who talks too much
not the first occasion
35 行のセリフに 29 件のメモ
The t in didn't often drops before solicit.
- I'm Detective Stabler. This is Krevoy. - Look, I didn't solicit any sex, okay?a big mix-up
This is a huge misunderstanding.leave in order to do
I was going out to pee. I'm walking in the bushes...the real subject of this
That's what this is about? The hitchhiker?that is typical of my bad luck
When he hears the hitchhiker is the issue, Ted sighs that this is just his luck.
Oh, great. Just my luck.sarcastic, meaning the opposite — Dry sarcasm; keep it casual.
Oh, great. Just my luck.confess to it
So you admit it?a duty to carry out
Look. I know that you guys have got a job to do. All right?noun clause: The that-clause is the object of know, naming what he understands.
Look. I know that you guys have got a job to do. All right?The t in got a flaps toward a d sound.
Look. I know that you guys have got a job to do. All right?the act is against the law
You know, the guy even told me. The hitchhiker told me it was illegal, so...fail to hear or get it
No, I didn't catch it.get to the main point
Ted cannot stand the circling and asks the detectives to get to the point.
Can we cut to the chase? I mean, am I. Like, in a lot of trouble here. or...?modal question: Can we plus a verb turns a suggestion into a polite question.
Can we cut to the chase? I mean, am I. Like, in a lot of trouble here. or...?The t in cut to flaps into the next word.
Can we cut to the chase? I mean, am I. Like, in a lot of trouble here. or...?the reason for doing it
First. Tell us why you did it.end up being
Guy turns out to be a blabbermouth.someone who talks too much — Mildly insulting; better said behind someone's back.
Guy turns out to be a blabbermouth.stop talking
Just would not shut up. I mean, just...not the first occasion
The detective suggests this is not his first time, steering a casual remark toward a serious charge.
Ted, this wasn't your first time. Was it?tag question: A negative statement with a positive tag pushes for confirmation.
Ted, this wasn't your first time. Was it?what number are we discussing
- How many are we talking here? - Hitchhikers? My whole life?present continuous question: Are we talking adds an informal, ongoing sense to the question of number.
- How many are we talking here? - Hitchhikers? My whole life?Where I links up, and from is reduced.
Hey, I know this is the Bible belt, but where I come from...not very important
...this is not that big a deal.be executed in the electric chair — Heavy slang; not to be thrown around.
You're gonna fry.calm down
Hey. Hey. Take it easy. Cut it out. What the hell are you doing? Take it easy.an emphatic intensifier — Rough spoken emphasis; not for formal settings.
Hey. Hey. Take it easy. Cut it out. What the hell are you doing? Take it easy.a worthless troublemaker — An insult; only in a heated moment.
- You all right? - Punk.The scene is a comedy of a man who cannot stop making things worse. Ted is innocent of the charge that brought him in, and he says so at once: "This is a huge misunderstanding." But he cannot leave it there. He talks about the hitchhiker, says he was bored, and agrees with the detectives' summary of the crime, which is what turns a mistake into a confession. The film gets its laugh from the gap between what Ted means and what his words do, and then sharpens it with a sudden turn to violence, when one detective loses his temper. The joke is that Ted is guilty of something — just not the thing he is being accused of, and his worst enemy in the room is his own need to explain.
Can we cut to the chase? I mean, am I. Like, in a lot of trouble here. or...?Ted's plea for a straight answer: he is nervous, rambling, and just wants to know how much trouble he is actually in.
Hey, I know this is the Bible belt, but where I come from...An attempt at cool that backfires: he compares this place to where he comes from, which only makes him sound worse to the men questioning him.
This is a huge misunderstanding.The defence he cannot stick to: he says it is all a mistake, then keeps talking until he has effectively confessed.
And I'm really sorry. I did it. I admit it.The line that sinks him: apologising and admitting the act turns a misunderstanding into a confession the police can use.
He thinks he was brought in for something else. He did not realise the police found the hitchhiker in his car, so he keeps explaining the wrong situation.
It is a formal-sounding way of saying yes, I did it. Ted uses it lightly, not realising how seriously the detectives will take him.
Because he panics and cannot stop talking. He thinks he is explaining, but every detail he gives makes the charge against him look more serious.
One of the detectives loses his temper and attacks Ted. The questioning breaks down into shouting, and Ted is left with a bleeding nose.
Because he compares the local attitudes with where he comes from. It is meant to calm things down, but it insults the detectives and makes his position worse.
次のチャプター · 第 16 章funny vibeTucker Warns Mary About Healy
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
再生中 · 第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other