in the next building
She rents the apartment next door. Her husband died a couple years ago...There's Something About Mary · 1998 — 第 14 / 24 章 · 2'06" · B1
After their date, Healy walks Mary home and finds they share a favourite film: "Harold and Maude is my all-time favorite movie." For a moment he seems too good to be true, and she says so. Then, at the door, he ruins it with a crude request, and the evening ends in embarrassment.
Healy walks Mary home after their date, and the talk turns to travel and old movies. They discover that both of them love Harold and Maude, and Mary is delighted to find someone who feels the same. Just as the evening seems perfect, Healy ends it badly by asking for something crude at the door.
注目の表現
really somethingI wish I couldbounce aroundmovie buff
このシーンの表現
so good it seems unreal
Finding they share the same favourite film, Mary calls him too good to be true.
The offer sounds too good to be true.
impressive or remarkable
I would like to be able to
move from place to place
a film enthusiast
difficult to get through
31 行のセリフに 24 件のメモ
in the next building
She rents the apartment next door. Her husband died a couple years ago...spend time casually
...and I don't think she likes being alone, so. You know. She just hangs out.negation transfer: The negative sits on think, though it really belongs to the clause after it.
...and I don't think she likes being alone, so. You know. She just hangs out.restrict your freedom — Casual and teasing; not for formal use.
- Doesn't cramp your style? - Sadly, no.would like to be able to
You know, sometimes I wish I could be like Magda and not go home.wish clause: After wish, could marks a wish about something not possible now.
You know, sometimes I wish I could be like Magda and not go home.Wish I links into a single sound.
You know, sometimes I wish I could be like Magda and not go home.move from place to place
Healy romanticises travel as bouncing around, which matches the mood of the evening.
Yeah. I'd like to bounce around for a while and do some traveling.right away
- I'd be there in a second. - I'd sell it.begin again
- Yeah? - Yeah. Start fresh in a new place...stop doing something
...give up the architect game.reduce the pace
Slow things down a bit. read more books. See more movies.Read more runs the d into the m.
Slow things down a bit. read more books. See more movies.difficult to get through
Healy claims to be a film fan but complains that today's movies are hard to sit through.
Well, I try to be. But it's tough going with all the crap they make today.relative clause: The clause they make today describes the crap, with that left out.
Well, I try to be. But it's tough going with all the crap they make today.junk, poor stuff — Casual complaint; keep it out of formal talk.
Well, I try to be. But it's tough going with all the crap they make today.the best one ever
Harold and Maude is my all-time favorite movie.stop teasing or criticizing me
Healy braces for teasing about his taste, but Mary answers him in earnest.
- Don't bust my chops. I know it's corny... - Pat. I'm not kidding.cheesy, sentimental — A light jab; fine between friends.
- Don't bust my chops. I know it's corny... - Pat. I'm not kidding.superlative with one of: One of the greatest plus a plural noun ranks it among the very best.
I think Harold and Maude is one of the greatest love stories of our time.so good it seems unreal
Finding they share the same favourite film, Mary calls him too good to be true.
You're too good to be true. Come on. Let's go dance.The t in Let's often drops before go.
You're too good to be true. Come on. Let's go dance.very stupid — A harsh insult; avoid saying it to someone's face.
- No, really. It's moronic. - Just say it.Before I links the r into the following I.
Can I feel your bosoms before I go?The scene is the good date and the bad ending in one, which is the whole trick of the film. For most of it Healy is charming and Mary is happy: they talk about wandering, about old films, and they both name Harold and Maude as a favourite, which feels like finding a soulmate. "You're too good to be true," she says, and the line is the film winking at us, because we know he is not what he seems. Then he spoils it. The crude request at the door is the moment the mask slips, and it lands exactly where the audience has been waiting — not as a shock, but as a confirmation. The comedy and the unease run on the same track, because Healy is both the man she likes and the man capable of that last remark.
You're too good to be true. Come on. Let's go dance.Mary's delighted verdict on the evening: she cannot quite believe how well they fit, and invites him to dance, which is the high point before the fall.
Harold and Maude is my all-time favorite movie.A shared favourite offered as common ground: naming a cult film lets two people feel they understand each other, and here it seals the date.
- Don't bust my chops. I know it's corny... - Pat. I'm not kidding.The reassurance that matters: he expects to be mocked for his taste, and she tells him plainly that she means it.
You know, sometimes I wish I could be like Magda and not go home.A quiet wish for a different life: looking at a neighbour who never goes home, she admits she envies that freedom.
Because he seems thoughtful and shares her taste. They talk about travel and old films, and when he names Harold and Maude she feels she has found someone who understands her.
It is slang for teasing or criticising someone. Healy says it because he expects to be mocked for liking an old film.
Mary's neighbour, who rented the flat next door. She is not Mary's grandmother, she just comes over often because she does not like being alone.
Harold and Maude. Mary calls it the greatest love story of our time, and it becomes the thing that makes their date feel special.
Badly. At the door Healy makes a crude request, and what had been a charming evening turns awkward, which is how the scene leaves Mary.
次のチャプター · 第 15 章cut to the chaseTed Is Interrogated by Detectives
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
再生中 · 第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other