worse and worse, ironically
Each day is better than the next.There's Something About Mary · 1998 — 第 6 / 24 章 · 2'42" · B1
Ted still cannot forget Mary, and his friend Dom pushes him to stop sulking and actually find her: 'So that's it? You get one bump in the road and give up?' Dom recommends a claims investigator named Healy, who agrees to trace Mary but suspects Ted's motives, warning him about what happens if the woman ends up dead.
Over drinks, Ted tells his friend Dom that his brief romance with Mary was real love. Dom rolls his eyes, tells him not to give up over one setback, and suggests hiring a claims investigator, Healy, who travels to Miami often. Healy agrees to look for Mary, though he first suspects Ted of lying about his reasons.
注目の表現
look someone upa bump in the roadshoot from the hipget the job done
このシーンの表現
a small setback
Ted gave up after one failed call, so Dom calls that tiny setback a bump in the road.
Losing that client was just a bump in the road for us.
track someone down
speak bluntly
produce results
said sarcastically
show up suddenly
45 行のセリフに 24 件のメモ
worse and worse, ironically
Each day is better than the next.romantically attached
In love.object clause: The clause it was brief is what Ted knows, with that dropped.
Look. I know it was brief. but it was definitely love, Dom.relocate as a family
Told you. She moved with her family to Miami.track someone down
Dom cuts off Ted's excuse and tells him to track Mary down instead of daydreaming.
So why don't you look her up?Don't you can collapse toward doncha.
So why don't you look her up?not in the directory
I did once. I called. She wasn't listed.quit trying
So that's it? You get one bump in the road and give up?a hired detective
You know what you should do? Hire a private investigator.nominal clause: The clause what you should do works as the object of know.
You know what you should do? Hire a private investigator.uncomfortably strange
No way. That's way too creepy.every two weeks or so
He shoots down to Miami every couple of weeks. He can help you out.produce results
Dom warns Ted that Healy is hot-tempered, then adds that he gets the job done.
This guy runs a little hot, but he gets the job done.be straight with me
I want you to level with me.Want you to often blurs into wanna in fast speech.
I want you to level with me.crude word for a woman — Offensive slang for a woman; recognize it, do not use it.
Come on. Let's talk. Did you knock this skirt up?a stalking investigation
You expect me to believe this is a straight stalker case? Come on.plain and simple — Casual sense of plain or straightforward, rare in formal writing.
You expect me to believe this is a straight stalker case? Come on.an old pal, here ironic — A dated word for a friend, used here to jab.
Yeah. Real chum.a hard person to deal with
- What...? - You're good, Ted. Real piece of work.show up suddenly
Healy agrees to help but warns that if the woman turns up dead, he will blame Ted.
But if this chick turns up with a toe tag, I'm rolling over on you, big guy.conditional clause: The if-clause sets the worst case before the main threat lands.
But if this chick turns up with a toe tag, I'm rolling over on you, big guy.Rolling over links across the vowel, r bridging the gap.
But if this chick turns up with a toe tag, I'm rolling over on you, big guy.slang for a woman — Dated casual slang; never address a woman with it.
But if this chick turns up with a toe tag, I'm rolling over on you, big guy.The scene is the film's engine: a man who cannot let go, and a friend who mistakes persistence for a plan. Ted's claim that his short romance was genuine — 'I know it was brief. but it was definitely love, Dom' — is both sincere and a little absurd, and Dom answers with the practical nudge that sets the plot in motion: 'why don't you look her up?' When Ted protests that a private detective would seem creepy, the film turns the joke back on him, because the man Dom recommends is exactly the kind of investigator who assumes the worst. Healy reads Ted's dodgy explanation and jumps to the most lurid version: a pregnancy, a blackmail, a hit. 'I want you to level with me,' he says, and Ted's insistence that 'I'm not a stalker' does not convince anyone. The comedy rests on a strange reversal: the innocent man sounds guilty, and the man paid to find the truth promises to sell him out if things go wrong.
Each day is better than the next.Ted's opening lament, a joke that says things are getting worse, setting the tone of a man stuck in the past.
So that's it? You get one bump in the road and give up?Dom's challenge, the push that shames Ted into acting: one setback is not a reason to abandon the search.
But if this chick turns up with a toe tag, I'm rolling over on you, big guy.Healy's condition for taking the case: if the woman turns up dead, he will give Ted up to the police, a warning dressed as a joke.
Look. I know it was brief. but it was definitely love, Dom.Ted's defence of his own feelings: short or not, the relationship mattered, and he refuses to let Dom dismiss it.
Because Ted keeps talking about Mary but never finds her. Dom wants him to act instead of complaining, and he knows a claims investigator at his office who travels to Miami.
Because Ted's story sounds like an excuse. Healy deals with insurance claims and assumes the worst, guessing that Ted got a woman pregnant or is being blackmailed and wants her gone.
Not really. Ted insists he is only looking for a friend, but Healy answers with sarcasm and takes the case anyway, warning Ted that he will be turned in if anything happens.
It means a small setback or obstacle. Dom uses it to say that one failure should not make Ted give up on finding Mary.
To make clear that he will not take the blame if the search goes wrong. He means that if the woman turns up dead, he will tell the police that Ted was responsible.
次のチャプター · 第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
再生中 · 第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other