There's Something About Mary · 1998 — 第 10 / 24 章 · 3'03" · B2

Ted Still Wants to Find Mary, Explained:have feelings for someone

Ted admits he still has feelings for Mary and wants to contact her. Healy, who wants Mary for himself, pretends to help while inventing new reasons she is not worth it — she is going to Japan, she is enormous, and Ted "blew it." Ted answers that he cannot simply switch his feelings off.

あらすじ

Ted tells Healy that he is still not over Mary and wants to call her. Healy, who is secretly after Mary himself, says he will help, then piles on new insults: she is going to Japan, she is huge, and Ted already had his chance. Ted replies that his feelings do not switch off, and Healy changes the subject by teasing him about his novel.

Confessing feelingsSmall talkConfessingPersuadingFriendsB2mediumamerican
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注目の表現

butt plugjob offerturn it offhave feelings for someone

00:00 / 03:03
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このシーンの表現

have feelings for someone

be attracted to someone

Pressed to explain himself, Ted admits he still has feelings for Mary.

I have feelings for someone else.

このシーンの他の表現

  • butt plug

    a crude sex-toy pun

  • job offer

    an offer of a job

  • turn it off

    shut something down

  • mail-order bride

    a bride arranged by catalog

  • pay by the pound

    charge by weight

このシーンのメモ一覧

50 行のセリフに 27 件のメモ

表現 · A2take a job offer

an offer of a job

Healy explains the Miami move by saying he took a job offer, flat and simple.

I took a job offer.
表現 · B2change one's image

rebranding

- They're changing their image. - Yeah, well, listen.
表現 · A2think about something

considering something

- I've been thinking about what you said. - Good. Good.
表現 · B1look someone up

track someone down

And I still wanna look her up.
スラング · B2Are you nuts

are you crazy — A blunt spoken challenge; not for elders or clients.

Who? Roller pig? Are you nuts?
表現 · C1a real spark plug

an energetic person

I thought you said she was a real spark plug.
スラング · C1heinous

awful, revolting — Teen exaggeration for awful; never said to a face.

No, no, I said butt plug. She's heinous.
表現 · B2all the same

even so

You know what? All the same. I think I wanna call her.
表現 · B1sound crazy

seems insane

I mean. I know it sounds crazy...
表現 · B1make sense to someone

be understandable to

I know this doesn't make sense to you, but I can't just turn it off that fast.
文法 · B1this doesn't make sense to you

object clause: The clause this doesn't make sense to you is what Ted knows.

I know this doesn't make sense to you, but I can't just turn it off that fast.
発音turn it off

Turn it off links into one run, almost turni-toff.

I know this doesn't make sense to you, but I can't just turn it off that fast.
表現 · B1have feelings for someone

be attracted to someone

Pressed to explain himself, Ted admits he still has feelings for Mary.

I guess I still have feelings for her.
表現 · A2as soon as ...

immediately when

I'll get you her number as soon as she gets back from Japan.
表現 · B2a mail-order bride

a bride arranged by catalog

Healy jokes that Mary is heading to Japan as a mail-order bride.

You've heard of mail-order brides, haven't you?
発音heard of

Heard of links across the d, sounding like one word.

You've heard of mail-order brides, haven't you?
スラング · C1She's a whale

a cruel fat joke — A cruel insult about weight; recognize it, do not use it.

What are they, desperate? She's a whale.
表現 · B2pay by the pound

charge by weight

Healy adds that Japan is a sumo culture where they pay by the pound, turning weight into a joke.

Don't forget. It's a sumo culture. They pay by the pound there.
表現 · B2blow it

ruin a chance

Healy reminds Ted that Mary is still single and that Ted blew his only chance.

- Remember. No rock? - You had your window. Ted. You blew it.
表現 · B2have one's window

had a chance

- Remember. No rock? - You had your window. Ted. You blew it.
スラング · B1blew it

ruined a chance — Everyday speech for wasting a chance.

- Remember. No rock? - You had your window. Ted. You blew it.
表現 · B1be in therapy

seeing a therapist

Healy points out that Ted is in therapy over losing the greatest girl ever.

I mean. You're in therapy thinking you blew it with the greatest girl ever...
文法 · B2thinking you blew it

participle phrase: The participle thinking adds what Ted keeps doing while in therapy.

I mean. You're in therapy thinking you blew it with the greatest girl ever...
表現 · B1it turns out that ...

it happens that

...and it turns out that getting your dick stuck in your zipper...
文法 · B2getting your dick stuck in your zipper

gerund subject: The gerund phrase getting stuck is the subject of the clause.

...and it turns out that getting your dick stuck in your zipper...
表現 · A2get up at a time

rise at a time

Healy excuses himself with an early wake-up to help his boss's brother move.

I gotta get up at 6 a.m. and help my boss's brother move into his apartment.
発音get up at

The t in get up at flaps, linking the three words.

I gotta get up at 6 a.m. and help my boss's brother move into his apartment.

「Ted Still Wants to Find Mary」を読み解く

What's really going on

The scene shows Healy's deception growing more desperate as Ted's sincerity refuses to fade. Ted has heard every awful detail and still wants to find Mary, because what he feels is not based on her looks or her situation — it is simply loyalty to a memory. "I know this doesn't make sense to you, but I can't just turn it off that fast," he says, and that line is the film's whole idea of love: it is stubborn, irrational, and not something a person can switch off. Healy, meanwhile, keeps inventing: Japan, a mail-order marriage, her weight, all of it designed to protect his own plan. The comedy is that the worse Healy makes Mary sound, the more determined Ted becomes, which quietly sets up the reunion to come.

Theme

DeceptionHealy keeps inventing worse and worse stories about Mary, and the scene lets us watch a lie being maintained for selfish reasons.
RomanceTed's refusal to give up on Mary is presented as genuine devotion, standing against every practical argument Healy can invent.

このチャプターで学べること

  • Insults can be a way of pushing a friend to move on.
  • Feelings do not obey a switch, however stupid they look.
  • A pun can erase a compliment in a single word.
  • The joke about weight says more about Healy than Mary.

発音のポイント

  • turn it off — Turn it off links into one run, almost turni-toff.
  • heard of — Heard of links across the d, sounding like one word.
  • get up at — The t in get up at flaps, linking the three words.
I know this doesn't make sense to you, but I can't just turn it off that fast.

Ted's explanation of his own devotion: feelings are not a switch, and he cannot stop caring about Mary just because the facts have changed.

Okay? I mean, come on. You're liberated. I feel liberated.

Healy's cynical spin: he tells Ted to treat the loss as freedom, using the language of therapy to disguise his own desire for Mary.

Ted, you gotta finish that novel so you can quit that stupid magazine.

A friendly nudge at the end: Healy urges Ted to finish his novel and leave the magazine, the one piece of advice in the scene that is not self-serving.

I guess I still have feelings for her.

The simple confession that drives everything: despite all he has heard, Ted admits he is still attached to Mary.

このシーンについての質問

Why does Ted still want to find Mary?

Because he never stopped caring about her. Nothing Healy says about her appearance or situation changes how Ted feels, and he cannot simply turn those feelings off.

Why does Healy keep lying about Mary?

Because he wants Mary for himself. Every detail he invents is meant to discourage Ted, so that Healy can pursue her without competition.

What does "blew it" mean?

It means to ruin or lose an opportunity. Healy tells Ted that he already had his chance with Mary and wasted it.

What does Healy claim is happening to Mary?

He says she is going to Japan as a mail-order bride, and adds cruel jokes about her weight. None of it is true, but it is meant to make her seem unavailable.

What does Ted plan to do at the end of the scene?

He says he still wants to call Mary and even help her. He also has to get up early to help his boss's brother move, and Healy tells him to finish his novel.

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