an offer of a job
Healy explains the Miami move by saying he took a job offer, flat and simple.
I took a job offer.There's Something About Mary · 1998 — 第 10 / 24 章 · 3'03" · B2
Ted admits he still has feelings for Mary and wants to contact her. Healy, who wants Mary for himself, pretends to help while inventing new reasons she is not worth it — she is going to Japan, she is enormous, and Ted "blew it." Ted answers that he cannot simply switch his feelings off.
Ted tells Healy that he is still not over Mary and wants to call her. Healy, who is secretly after Mary himself, says he will help, then piles on new insults: she is going to Japan, she is huge, and Ted already had his chance. Ted replies that his feelings do not switch off, and Healy changes the subject by teasing him about his novel.
注目の表現
butt plugjob offerturn it offhave feelings for someone
このシーンの表現
be attracted to someone
Pressed to explain himself, Ted admits he still has feelings for Mary.
I have feelings for someone else.
a crude sex-toy pun
an offer of a job
shut something down
a bride arranged by catalog
charge by weight
50 行のセリフに 27 件のメモ
an offer of a job
Healy explains the Miami move by saying he took a job offer, flat and simple.
I took a job offer.rebranding
- They're changing their image. - Yeah, well, listen.considering something
- I've been thinking about what you said. - Good. Good.track someone down
And I still wanna look her up.are you crazy — A blunt spoken challenge; not for elders or clients.
Who? Roller pig? Are you nuts?an energetic person
I thought you said she was a real spark plug.awful, revolting — Teen exaggeration for awful; never said to a face.
No, no, I said butt plug. She's heinous.even so
You know what? All the same. I think I wanna call her.seems insane
I mean. I know it sounds crazy...be understandable to
I know this doesn't make sense to you, but I can't just turn it off that fast.object clause: The clause this doesn't make sense to you is what Ted knows.
I know this doesn't make sense to you, but I can't just turn it off that fast.Turn it off links into one run, almost turni-toff.
I know this doesn't make sense to you, but I can't just turn it off that fast.be attracted to someone
Pressed to explain himself, Ted admits he still has feelings for Mary.
I guess I still have feelings for her.immediately when
I'll get you her number as soon as she gets back from Japan.a bride arranged by catalog
Healy jokes that Mary is heading to Japan as a mail-order bride.
You've heard of mail-order brides, haven't you?Heard of links across the d, sounding like one word.
You've heard of mail-order brides, haven't you?a cruel fat joke — A cruel insult about weight; recognize it, do not use it.
What are they, desperate? She's a whale.charge by weight
Healy adds that Japan is a sumo culture where they pay by the pound, turning weight into a joke.
Don't forget. It's a sumo culture. They pay by the pound there.ruin a chance
Healy reminds Ted that Mary is still single and that Ted blew his only chance.
- Remember. No rock? - You had your window. Ted. You blew it.had a chance
- Remember. No rock? - You had your window. Ted. You blew it.ruined a chance — Everyday speech for wasting a chance.
- Remember. No rock? - You had your window. Ted. You blew it.seeing a therapist
Healy points out that Ted is in therapy over losing the greatest girl ever.
I mean. You're in therapy thinking you blew it with the greatest girl ever...participle phrase: The participle thinking adds what Ted keeps doing while in therapy.
I mean. You're in therapy thinking you blew it with the greatest girl ever...it happens that
...and it turns out that getting your dick stuck in your zipper...gerund subject: The gerund phrase getting stuck is the subject of the clause.
...and it turns out that getting your dick stuck in your zipper...rise at a time
Healy excuses himself with an early wake-up to help his boss's brother move.
I gotta get up at 6 a.m. and help my boss's brother move into his apartment.The t in get up at flaps, linking the three words.
I gotta get up at 6 a.m. and help my boss's brother move into his apartment.The scene shows Healy's deception growing more desperate as Ted's sincerity refuses to fade. Ted has heard every awful detail and still wants to find Mary, because what he feels is not based on her looks or her situation — it is simply loyalty to a memory. "I know this doesn't make sense to you, but I can't just turn it off that fast," he says, and that line is the film's whole idea of love: it is stubborn, irrational, and not something a person can switch off. Healy, meanwhile, keeps inventing: Japan, a mail-order marriage, her weight, all of it designed to protect his own plan. The comedy is that the worse Healy makes Mary sound, the more determined Ted becomes, which quietly sets up the reunion to come.
I know this doesn't make sense to you, but I can't just turn it off that fast.Ted's explanation of his own devotion: feelings are not a switch, and he cannot stop caring about Mary just because the facts have changed.
Okay? I mean, come on. You're liberated. I feel liberated.Healy's cynical spin: he tells Ted to treat the loss as freedom, using the language of therapy to disguise his own desire for Mary.
Ted, you gotta finish that novel so you can quit that stupid magazine.A friendly nudge at the end: Healy urges Ted to finish his novel and leave the magazine, the one piece of advice in the scene that is not self-serving.
I guess I still have feelings for her.The simple confession that drives everything: despite all he has heard, Ted admits he is still attached to Mary.
Because he never stopped caring about her. Nothing Healy says about her appearance or situation changes how Ted feels, and he cannot simply turn those feelings off.
Because he wants Mary for himself. Every detail he invents is meant to discourage Ted, so that Healy can pursue her without competition.
It means to ruin or lose an opportunity. Healy tells Ted that he already had his chance with Mary and wasted it.
He says she is going to Japan as a mail-order bride, and adds cruel jokes about her weight. None of it is true, but it is meant to make her seem unavailable.
He says he still wants to call Mary and even help her. He also has to get up early to help his boss's brother move, and Healy tells him to finish his novel.
次のチャプター · 第 11 章politically incorrectHealy Chats Up Mary at the Range
第 1 章hold someone to thatTed Asks Mary to the Prom
第 2 章not all thereTed Asks Mary to the Prom
第 3 章busting chopsTed Meets Mary's Family
第 4 章pull off a Band-AidTed Gets His Zipper Stuck
第 5 章in a slumpDom Gives Ted a Pep Talk
第 6 章a bump in the roadTed Hires Healy to Find Mary
第 7 章shooting fish in a barrelHealy Visits Sully in Miami
第 8 章at a drop of a hatMary Describes Her Ideal Man
第 9 章spark plugHealy Reports Back on Mary
再生中 · 第 10 章have feelings for someoneTed Still Wants to Find Mary
第 11 章politically incorrectHealy Chats Up Mary at the Range
第 12 章so to speakHealy Pretends to Be an Architect
第 13 章blow out of the waterThe 7 Minute Abs Pitch
第 14 章too good to be trueHealy Says Goodnight to Mary
第 15 章cut to the chaseTed Is Interrogated by Detectives
第 16 章funny vibeTucker Warns Mary About Healy
第 17 章pick up the tabTed Watches Mary From Afar
第 18 章dodged a few bulletsTed Runs Into Mary in Miami
第 19 章hooked upTucker Warns Mary About Healy
第 20 章come cleanHealy Confronts the Fake Detective
第 21 章dumb luckTed and Mary Talk at a Bar
第 22 章quit while I'm aheadPuffy Attacks Ted
第 23 章trick me intoMary Confronts Ted About Healy
第 24 章cross the lineThe Guys Confront Each Other