Oh, guys.Zodiac · 2007 — Chapter 27 of 30 · 5'06" · B1
Graysmith Chases the Case at Home, Explained: put yourself out there
Graysmith is still chasing the Zodiac while his family life frays: a call about lunar cycles, a child's blunt question, and a wife who asks, "What's it gonna take for you to be done with this?" He answers that nobody else will, and that he needs to see the killer's face himself.
What happens
At home, Graysmith tells his kids to keep their project from Mom, then takes a call about matching lunar cycles to the Zodiac's timeline. His wife confronts him about the obsession and the late-night calls. He insists he must look the killer in the eye, then visits Bob Vaughn to trace a Zodiac symbol hidden in an old film print.
Listen for
put yourself out therelook someone in the eyetake a crack at somethingmore often than not
Phrase of the scene
put yourself out there
to expose yourself to public view or risk
妻子质问格雷史密斯为什么上电视,说他这么做等于把自己亮出来,让凶手看得一清二楚。
If you want the part, you have to put yourself out there.
Also in this scene
- look someone in the eye
to face someone with a direct gaze
- take a crack at something
to make an attempt at something
- more often than not
usually, in most cases
Everything marked in this scene
40 notes across 83 lines
Don't tell Mom about our special project, okay?How come you and Mom don't sleep in the same bed anymore?Oh, Captain Narlow. Thank you for calling me back.I called you because we've been cross-referencing lunar cycles with the Zodiac's timeline.present perfect continuous
I called you because we've been cross-referencing lunar cycles with the Zodiac's timeline.usually, in most cases
More often than not, each cycle since '69 corresponds with an attackMore often than not, each cycle since '69 corresponds with an attacksince as a preposition
More often than not, each cycle since '69 corresponds with an attackweak form
More often than not, each cycle since '69 corresponds with an attack-Ken, can you hold on one second? -Dad?to make an attempt at something
every federal agency has taken a crack at decoding it.past perfect
But today, where those agencies had failed,Yeah. The fucking library.I believe that you can accomplish anything that you put your mind...Why'd you do it?-What are you talking about? -You went on TV.to expose yourself to public view or risk
You put yourself out there for him to see.Then who's been calling our house in the middle of the night at least once a week?liaison
Then who's been calling our house in the middle of the night at least once a week?What's it gonna take for you to be done with this?What's it gonna take for you to be done with this?to face someone with a direct gaze
I need to look him in the eye and I need to know that it's him.liaison
I need to look him in the eye and I need to know that it's him.comparative
Is that more important than your family's safety?Of course not.Because nobody else will.That's not good enough.-Why don't we just go to my home? -Oh, I don't wanna put you out.It's no trouble at all.Watch your step.liaison
Watch your step.-Have a seat. -Thank you.I'd have to check my records. Why?question tag
This is about Rick Marshall, isn't it?But I have no occasion to correspond with him these days.But I have no occasion to correspond with him these days.It's trimmed off each reel before it's shown,before-clause
It's trimmed off each reel before it's shown,We got a tip that Rick left a film canister here that he told you never to open.Graysmith Chases the Case at Home, explained
What's really going on
The scene shows the cost of obsession paid by other people. Graysmith's wife has the sharpest line — "what's it gonna take for you to be done with this?" — and his answer, "because nobody else will," is both noble and a refusal to hear her. The house itself becomes evidence: kids told to keep a secret, a phone call cutting into family time, a wife counting threatening calls. At Vaughn's place the same compulsion plays out as polite questions over tea, inching toward the film canister he was told never to open. The quiet thread is that solving the case has become Graysmith's way of being needed, whatever it costs those around him.
Theme
What you'll learn
- He tells the kids not to mention the special project, then they ask why the parents sleep apart.
- Napa cross-references lunar cycles with attacks and letters since '69.
- Federal agencies failed for a decade; a puzzle-loving cartoonist cracks it on TV.
- Linda is in jail and can ID Rick, while midnight calls ask when this will be finished.
Listen for
- often than not — weak form
- middle of the night — liaison
- look him in — liaison
- Watch your step — liaison
You put yourself out there for him to see.A warning that going on TV exposed Graysmith to the killer, making him a target.
I need to look him in the eye and I need to know that it's him.His reason for not stopping: only a face-to-face confirmation will settle the question for him.
What's it gonna take for you to be done with this?The wife's exhausted question about what, if anything, would finally make him let the case go.
Then who's been calling our house in the middle of the night at least once a week?Her counter to his 'you're paranoid': someone really is phoning them weekly in the dark.
Questions about this scene
Why does Graysmith's wife want him to stop?
He is so absorbed in the case that it endangers the family, and she says someone has been calling their house at night about once a week.
Why does Graysmith say he can't stop?
He answers 'because nobody else will' and says he needs to look the killer in the eye, which he treats as the only way to settle the truth.
What is the lunar-cycle theory in the phone call?
Someone tells Graysmith that since 1969 each monthly cycle tends to line up with an attack, a letter, or an unsolved homicide, which he is cross-referencing.
What does Bob Vaughn add?
He recalls the film The Most Dangerous Game and the Zodiac symbol hidden on the countdown leaders of its reels, tying an old movie to the case.
Zodiac · 30 chapters
All chapters →
Up next · Chapter 28get it in your headGraysmith Meets the Theater Owner
Chapter 1creep someone outDarlene Ferrin's Last Drive
Chapter 2I wouldn't kid youThe Zodiac Confession Call
Chapter 3shed light onZodiac's Cipher Reaches the Chronicle
Chapter 4get any ideasZodiac Attacks the Couple at the Lake
Chapter 5a hell of a get-upZodiac's Lake Berryessa Attack
Chapter 6flag a cabThe Presidio Cab Murder
Chapter 7did inZodiac Claims the Taxi Murder
Chapter 8skip townPolice Bicker Over the Zodiac Case
Chapter 9at a moment's noticeZodiac Calls the TV Talk Show
Chapter 10crack the codeBelli Tries to Catch the Zodiac
Chapter 11What's your angle?Graysmith Cracks the Zodiac Cipher
Chapter 12the more the merrierKathleen Johns Escapes the Zodiac
Chapter 13come out of the woodworkGraysmith Finds the Zodiac's Source
Chapter 14in my gutGraysmith Talks Zodiac on a Date
Chapter 15beat the bushesRiverside Investigators Compare Notes
Chapter 16lost in the shuffleThe Informant Describes Leigh Allen
Chapter 17the whole pointPolice Question Arthur Leigh Allen
Chapter 18greener pasturesPolice Question Leigh Allen's Mother
Chapter 19home turfPolice Build a Case Against Allen
Chapter 20tore out of herePolice Search Allen's Trailer
Chapter 21holding the bagBill Transfers Out of the Chronicle
Chapter 22fade into a footnoteGraysmith Pitches a Zodiac Book
Chapter 23yesterday's newsGraysmith Talks His Way In
Chapter 24more than just a coincidenceGraysmith Follows the Birthday Clue
Chapter 25tread lightlyGraysmith Chases Rick Marshall
Chapter 26blow overThe Letter That Framed Toschi
Watching · Chapter 27put yourself out thereGraysmith Chases the Case at Home
Chapter 28get it in your headGraysmith Meets the Theater Owner
Chapter 29the date that didn't endLinda Recalls the Painting Party
Chapter 30cancel each other outRobert Confronts Dave About Allen