walk or drive someone home
He took me home.Suddenly, Last Summer · 1959 — 第 11 / 27 章 · 3'34" · B2
Catherine tells the doctor how she came to be punished. A man took her home, then said they had better forget it; she rushed back to the Mardi Gras ball and, as she puts it, "I'd gone back to make a scene." She beat him until Sebastian pulled her away.
Under questioning, Catherine describes the Mardi Gras night that ended in her breakdown. A man drove her home, then told her his wife was expecting and they should forget the encounter. She took a taxi back to the Roosevelt Hotel ballroom, found him on the dance floor, and attacked him until her cousin Sebastian carried her away.
注目の表現
make a scenepick upfeel sorry fortook me away
このシーンの表現
act out in public
Catherine admits to the doctor that she rushed back to the ball not for her coat but to cause a public scene.
Please don't make a scene in front of the guests.
collect or grab something
pity someone
led me off
how exactly
mentally disturbed
50 行のセリフに 25 件のメモ
walk or drive someone home
He took me home.Link took me together and keep the final m soft.
He took me home.had better: Had better gives a firm suggestion; 'd is the contraction of had.
Then he said an awful thing to me. He said: "We'd better forget it.be pregnant
My wife's expecting a child, and..."hurry to a place
I called a taxi and rushed to the Roosevelt Hotel ballroom.still be happening
The ball was still going on.collect or grab something
Catherine says she believed she had gone back to pick up her coat, though she admits that was never the truth.
I thought I'd gone back to pick up my coat. But I hadn't.past perfect: Had gone marks an action earlier than the past moment being described.
I thought I'd gone back to pick up my coat. But I hadn't.The k links into up, so it sounds like one word.
I thought I'd gone back to pick up my coat. But I hadn't.act out in public
Catherine admits to the doctor that she rushed back to the ball not for her coat but to cause a public scene.
I hadn't gone back for that at all. I'd gone back to make a scene.occur to someone
Tell you the first thing that comes into my mind, my poor deranged mind.The final s links into into, sounding like come-sinto.
Tell you the first thing that comes into my mind, my poor deranged mind.resemble something
That shadow on the wall. What does it look like to you?do a game
I thought we were gonna play a game.going to — Everyday speech shorthand; avoid in formal writing.
I thought we were gonna play a game.pity someone
Telling the doctor about the girl who lost her honor, Catherine admits she is trying to draw out his pity.
I'm trying to make you feel sorry for her.For reduces to /fər/ and the three words run together.
I'm trying to make you feel sorry for her.give me details about
Tell me about your cousin, Sebastian.how exactly
The doctor asks how Catherine loved her cousin, then reframes it with in what way to pin down the nature of the feeling.
How? I mean, in what way did you love him?the sole option
The only way he'd accept.elliptical clause: A fragment keeping only the clause; 'd stands for would.
The only way he'd accept.attempt to rescue someone
- I tried to save him, doctor. - Save him from what?a kind of
Explaining why Sebastian wanted to die, Catherine says he was completing a kind of image of himself, and she reaches for a sort of twice.
Completing a sort of image he had of himself...relative clause: A reduced relative clause describing the image he held of himself.
Completing a sort of image he had of himself...an offering to something
...as a sort of a sacrifice to a terrible sort of a...The confession is the film's turn from mystery to memory. Catherine describes the night without softening anything: the man who took her home, the cruel sentence he gave her, and her own decision to return and wreck the party. The key line is a correction of her own story: 'I thought I'd gone back to pick up my coat. But I hadn't... I'd gone back to make a scene.' She admits she was not an innocent victim that night; she wanted a public collapse. And then Sebastian is named, and the doctor begins to steer her toward something darker. When she says she loved Sebastian 'the only way he'd accept,' and calls him a sacrifice, the film signals that the summer's real horror lies with the dead cousin, not the scandal.
He liked me, so I loved him.Catherine's simple, blunt statement about Sebastian: she returned his affection in the form he would allow, which hints at something complicated.
I hadn't gone back for that at all. I'd gone back to make a scene.She corrects her own account: the coat was an excuse, and she returned to the ball deliberately to cause a scene.
I'm trying to make you feel sorry for her.The doctor's blunt note about his own questioning: he is deliberately steering her toward pity, perhaps to reach the truth.
I thought I'd gone back to pick up my coat. But I hadn't.The first version of her story, which she immediately takes apart. It shows how carefully she has rehearsed and re-read her own night.
She went back to make a scene. After the man told her to forget their encounter, she took a taxi to the Roosevelt Hotel ballroom and attacked him in public.
He said they had better forget what happened, because his wife was expecting a child. She calls it an awful thing to say.
It means to cause a noisy public disturbance, usually by losing control of your emotions. Catherine admits she went back to the ball deliberately to create one.
She says she loved him 'the only way he'd accept' and describes him as a sacrifice to 'a terrible sort of a God.' The wording keeps the relationship deliberately ambiguous.
He asks how Sebastian died and where. Catherine says they were at Cabeza de Lobo last summer, and that this is where Sebastian died.
次のチャプター · 第 12 章burn upCatherine Relives the Burning Beach
第 1 章command performanceA Doctor, a Letter, and Money
第 2 章goddess from the machineMrs. Venable Meets Dr. Cukrowicz
第 3 章not unlikeMrs. Venable Shows the Garden
第 4 章mad as a hatterViolet Talks About Her Dead Son
第 5 章at one's wits' endViolet Describes Catherine's Madness
第 6 章in the image ofMrs. Venable Tells the Turtle Story
第 7 章my lips are sealedThe Hollys Come for Sebastian's Clothes
第 8 章inherit the earthMrs. Venable's Empty Chair
第 9 章bossed and bulliedThe Doctor Interviews Catherine
第 10 章to be usedCatherine on Love as Use
再生中 · 第 11 章make a sceneCatherine Recalls the Mardi Gras Ball
第 12 章burn upCatherine Relives the Burning Beach
第 13 章no strings attachedHockstader Shows Off the Million
第 14 章go through probateThe Hollys Visit Catherine
第 15 章go off your rockerCatherine Learns It's a Lobotomy
第 16 章all of a suddenCatherine Asks Where They'll Cut
第 17 章on the menuCatherine on Sebastian's Appetites
第 18 章taken a vowViolet Shows the Death Certificate
第 19 章objects for your pleasureCatherine Confronts Aunt Violet
第 20 章the other way aroundDoctor Fights to Delay the Surgery
第 21 章godforsakenMrs. Venable and the Sealed Coffin
第 22 章have to do withThe Doctor Hypnotizes Catherine
第 23 章third personCatherine Tells the True Story
第 24 章give someone awayViolet Explains the Spider's Web
第 25 章procureCatherine on Procuring for Sebastian
第 26 章fatal errorCatherine Recalls the Beach Children
第 27 章find a way outCatherine Tells How Sebastian Died