Suddenly, Last Summer · 1959 — 第 26 / 27 章 · 3'48" · B2

Catherine Recalls the Beach Children, Explained:fatal error

The story turns ugly in the white heat. Beyond a wire fence, a band of children — "a flock of plucked birds" — call for bread and drum on tin cans, while Sebastian refuses to look: "Beggars are a social disease in this country." When he finally tries to stop them, Catherine calls it "his fatal error."

あらすじ

Catherine describes the lunch at Cabeza de Lobo: a wire fence separated the restaurant from the beach, and beyond it a band of children, 'like a flock of plucked birds,' called out for bread and made gobbling noises. Sebastian told her not to look, then finally tried to stop them — and fled.

StorytellingInterrogationsExplainingConfessingDoctor & patientB2slowamericanClean
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注目の表現

a flock ofa social diseaseget sick ofinstruments of percussion

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  1. ❝ 独白Catherine on Sebastian's ways6 行練習ページ ↗
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このシーンの表現

fatal error

a deadly mistake

After telling how Sebastian first tried to set something right, Catherine calls it his fatal error.

Ignoring the warning turned out to be a fatal error.

このシーンの他の表現

  • a flock of

    a group of birds or sheep

  • a social disease

    a social ill

  • get sick of

    grow tired of

  • instruments of percussion

    percussion instruments

  • make out

    barely see or discern

このシーンのメモ一覧

62 行のセリフに 28 件のメモ

表現 · A2along the beach / shore

along the shore

Then there were those children along the beach...
表現 · A2fence something off

separated by a fence

...which was fenced off with wire from the restaurant.
表現 · B1a metre away from something

a short distance from

Our table was less than a yard away from the wire fence.
表現 · A2a band of people

a group of

There was a band of them.
表現 · A2a flock of birds

a group of birds or sheep

Recalling the scene, Catherine compares the begging children to a flock of plucked birds.

They looked like a flock of plucked birds...
文法 · B1as if

as if clause: As if introduces an imagined comparison that is not literally true.

...as if they'd been blown there by the wind...
発音they'd been

In fast speech they'd been can blur into one quick unit.

...as if they'd been blown there by the wind...
表現 · B1call out something

shout aloud

They were all calling out, "Pan! Pan! Pan!"
表現 · B1call for something

ask for by shouting

They were calling for bread?
表現 · B2make gobbling noises

throaty eating sounds

They made gobbling noises with their mouths...
表現 · A2too late to do something

no longer able to leave

We were sorry we'd come to the place, but it was too late to go.
文法 · B1we'd come

past perfect: We'd come stands for we had come, marking the action before the regret.

We were sorry we'd come to the place, but it was too late to go.
表現 · B2look dazed

seemed stunned

I told you. Cousin Sebastian wasn't well. His eyes looked dazed.
スラング · B1little monsters

little monsters — A scornful label; only when venting, not in polite talk.

But he said, "Don't look at those little monsters.
表現 · C1a social disease

a social ill

Annoyed by the begging children, Sebastian coldly calls beggars a social disease.

Beggars are a social disease in this country.
表現 · B1get sick of something

grow tired of

Sebastian warns Catherine not to look, or she will sour on the whole country.

If you look at them, you get sick of the country.
発音serenade us

Link serenade and us into one smooth run.

The band of children began to serenade us.
表現 · B2instruments of percussion

percussion instruments

Telling the doctor what the children played, Catherine uses a formal phrase and checks he follows.

Their instruments were the instruments of percussion, know what I mean?
表現 · B2make something out

barely see or discern

In the blinding white of the beach, Catherine could only just make out what the children held.

As far as I could make out in the white blaze of the sand beach...
発音far as I

As far as I runs together quickly.

As far as I could make out in the white blaze of the sand beach...
表現 · B1flatten something out

pressed flat

...that had been flattened out and made into...
表現 · A2pick something up

collect from the ground

Things that they'd made or picked up on the beach to make a sort of noise.
表現 · B2have a right to do something

be entitled to

...and thought nobody had any right to complain or interfere whatsoever.
文法 · B2nobody had any right to

object clause: The clause after thought is its object, spelling out what he believed.

...and thought nobody had any right to complain or interfere whatsoever.
表現 · B1go on doing something

keep doing

...except to go on doing as something in him directed.
文法 · B1the first time that

relative clause: The clause after the first time that describes which occasion is meant.

That was the first time that Cousin Sebastian ever attempted...
表現 · B2a fatal error

a deadly mistake

After telling how Sebastian first tried to set something right, Catherine calls it his fatal error.

I think that that was his fatal error.
表現 · B2flee from a place

run away from

He fled from the place.

「Catherine Recalls the Beach Children」を読み解く

What's really going on

The scene is the heart of Catherine's testimony, and it works by refusing to explain. The children are described as animals — 'a flock of plucked birds,' blown in by the white wind — and their music is made from garbage: flattened tin cans beaten together. Sebastian's response is the giveaway: 'Beggars are a social disease in this country. If you look at them, you get sick of the country.' He wants the poor erased from view. Yet when the noise becomes unbearable, he breaks his own rule and tries to stop it, 'the first time that Cousin Sebastian ever attempted to correct a human situation.' Catherine's verdict, 'I think that that was his fatal error,' ties his death to that one act. He had accepted everything, she says, and the moment he interfered, he was doomed.

Theme

ClassSebastian calls beggars 'a social disease' and tells Catherine not to look at the poor children beyond the fence.
PhilosophySebastian's rule is to accept everything and interfere with nothing; the one time he breaks it, Catherine calls it fatal.

このチャプターで学べること

  • A crowd can be dismissed as a disease, and the word does the cruelty.
  • Get sick of something means you have had more than enough.
  • Make out is what you do when your eyes cannot quite tell.
  • Catherine's flat tone makes the ending land harder.

発音のポイント

  • they'd been — In fast speech they'd been can blur into one quick unit.
  • serenade us — Link serenade and us into one smooth run.
  • far as I — As far as I runs together quickly.
Beggars are a social disease in this country.

Sebastian's cold dismissal of the poor: he treats begging as an illness of the country itself, something to avoid looking at.

We were sorry we'd come to the place, but it was too late to go.

Catherine's regret at the restaurant: they already sensed the danger, but Sebastian was too unwell to leave.

I think that that was his fatal error.

Her verdict on the moment Sebastian tried to stop the children — the one time he interfered with the world, and it killed him.

What manager? God? You don't understand my cousin.

Her sharp reply when the doctor asks if Sebastian complained: he answered to no manager, only to himself — or God.

このシーンについての質問

Why does Sebastian tell Catherine not to look at the children?

He calls beggars 'a social disease' and says looking at them will make you sick of the country. He wants the poverty hidden, not helped.

What instruments do the children play?

They use tin cans strung together and flattened pieces of metal as cymbals — 'instruments of percussion,' as Catherine explains, meaning things you hit to make sound.

Why does Sebastian finally try to stop the children?

The noise and the boys between childhood and adulthood terrify him. Unwell and frightened, he breaks his usual rule and demands that they stop.

Why does Catherine call it his fatal error?

Because it was the first time Sebastian ever tried to correct a human situation. In her telling, that one act of interference led to his death.

What does 'a social disease' mean?

It's Sebastian's phrase for begging — something he sees as a sickness in the country rather than a human problem. The line shows how coldly he regards the poor.

去年の夏 突然に · 全 27 章

すべて見る →
次のチャプター · 第 27 章find a way outCatherine Tells How Sebastian Died
第 1 章command performanceA Doctor, a Letter, and Money第 2 章goddess from the machineMrs. Venable Meets Dr. Cukrowicz第 3 章not unlikeMrs. Venable Shows the Garden第 4 章mad as a hatterViolet Talks About Her Dead Son第 5 章at one's wits' endViolet Describes Catherine's Madness第 6 章in the image ofMrs. Venable Tells the Turtle Story第 7 章my lips are sealedThe Hollys Come for Sebastian's Clothes第 8 章inherit the earthMrs. Venable's Empty Chair第 9 章bossed and bulliedThe Doctor Interviews Catherine第 10 章to be usedCatherine on Love as Use第 11 章make a sceneCatherine Recalls the Mardi Gras Ball第 12 章burn upCatherine Relives the Burning Beach第 13 章no strings attachedHockstader Shows Off the Million第 14 章go through probateThe Hollys Visit Catherine第 15 章go off your rockerCatherine Learns It's a Lobotomy第 16 章all of a suddenCatherine Asks Where They'll Cut第 17 章on the menuCatherine on Sebastian's Appetites第 18 章taken a vowViolet Shows the Death Certificate第 19 章objects for your pleasureCatherine Confronts Aunt Violet第 20 章the other way aroundDoctor Fights to Delay the Surgery第 21 章godforsakenMrs. Venable and the Sealed Coffin第 22 章have to do withThe Doctor Hypnotizes Catherine第 23 章third personCatherine Tells the True Story第 24 章give someone awayViolet Explains the Spider's Web第 25 章procureCatherine on Procuring for Sebastian再生中 · 第 26 章fatal errorCatherine Recalls the Beach Children第 27 章find a way outCatherine Tells How Sebastian Died
第 26 / 27 章 · 残り約 4 分