Link all and white into one smooth sound.
It was all white outside.Suddenly, Last Summer · 1959 — 第 27 / 27 章 · 4'01" · B2
On the surface this is an interrogation: a doctor pressing Catherine to repeat, detail by detail, how she followed Sebastian out of a café and up the white-hot hill. Underneath, she isn't just answering questions — she is reliving the afternoon he died. "He screamed just once," she says, and the polite room cannot hold what she has finally said.
Catherine Holly, barely holding together, is asked to describe the day Sebastian died. She recounts leaving a café with her cousin, walking into a blinding white street, and being followed by a band of children as Sebastian panicked and hurried up the hill, searching for a way out that didn't exist.
注目の表現
paralyzedshut uphandle this situationfind a way out
このシーンの表現
find an escape
The doctor asks whether Sebastian could not find a way out, and Catherine repeats the line as confirmation.
We must find a way out of this mess.
unable to move
be quiet (rude)
deal with the matter
started burning
a ruined place
68 行のセリフに 24 件のメモ
Link all and white into one smooth sound.
It was all white outside.out of the building
You followed Sebastian out of the restaurant onto that hot, white street?in either direction
We didn't move either way.offer an idea
I rarely made any suggestion, but this time I did.probably will
So I said, "Let's go." I remember I said: "Down that way is the harbor, we're likely to find a taxi there.how about we
Or why don't we go back in and have them call us a taxi?a group of kids
That gang of kids shouted vile things about me to the waiters."children — Everyday and warm; use children in formal writing.
That gang of kids shouted vile things about me to the waiters."be quiet — Blunt and rude; say it only when you are truly angry.
And Cousin Sebastian shouted, "Please shut up!deal with the matter
Refusing her advice, Sebastian insists on stepping in himself and takes over.
Let me handle this situation, will you? I want to handle this thing."absolute construction: With plus a noun and participle describes a state that goes along with the action.
And he started up the steep street with a hand stuck in his jacket...in a panic
But he walked faster and faster in panic.The and in faster and is reduced to a soft schwa.
But he walked faster and faster in panic.comparative clause: The plus a comparative sets up a condition answered by the next clause.
The faster he walked...the more, the more
...the louder and the closer it got.the only option
Up. Straight up. That was the only way open, so he went that way.find an escape
The doctor asks whether Sebastian could not find a way out, and Catherine repeats the line as confirmation.
- He couldn't find a way out? - He couldn't find a way out.tried to get away
When he tried to escape...came from all sides
...they came from everywhere.non-restrictive clause: The clause after the comma adds a description rather than narrowing the noun.
...in the sun, that was like a great white bone of a giant beast...started burning
Catherine pictures the sun as a giant beast's bone that had caught on fire in the sky.
...that had caught on fire in the sky.Caught on runs together like caw-ton.
...that had caught on fire in the sky.shone bright white
Those steep, white streets and the sun, and everything blazed white and empty.a ruined place
Reaching the top, Catherine says there is only one thing there: a place, a ruin.
Something. A place, a ruin.The questions look clinical, but each one pushes Catherine back into the memory she has been hiding from. She is not merely a witness; she was there, running beside him, and the telling exposes how helpless she felt. When she says, "We didn't move either way," she admits they were frozen before the pursuit even began. Sebastian's command, "Let me handle this situation, will you?", shows a man trying to control the moment while his body betrays him — she notes he was "paralyzed near the entrance at the café" and that he walked "faster and faster in panic." The horror isn't only the mob; it's that the streets themselves offered no exit. "Up. Straight up. That was the only way open," she recalls, and the memory turns the town into a trap. Her account is less an answer than a re-enactment, and by the end she is back inside it.
Up. Straight up. That was the only way open, so he went that way.Every street led nowhere, so the only direction left was uphill — not a choice but the sole escape route open to him.
But he walked faster and faster in panic.His fear drove his pace; he was almost running, more terrified of what was behind him than of the hill ahead.
Sebastian seemed to be paralyzed near the entrance at the café.He froze outside the café, unable to move, while the people around him became a threat.
Let me handle this situation, will you? I want to handle this thing."He snapped at Catherine to stop helping and insisted on taking charge himself, even as he lost control.
He is embarrassed and losing control. The gang of kids has been shouting things at him, and he wants to manage the moment alone rather than have Catherine suggest a plan. His command is less confidence than panic.
They chase him through the streets and side alleys until he reaches the ruined temple at the top. The film never explains them as ordinary kids; they move like a crowd Sebastian can't outrun, and they overtake him there.
She has clearly been reluctant to say any of this — she corrects her questioner and resists the details. But her account holds together and she keeps returning to the same images, so it reads less like invention than memory she cannot stop reliving.
The day's heat and light are burned into the memory: the streets are white, the sun is white, everything is blazing and empty. For her, that whiteness is the feeling of the afternoon itself — before the scream.
第 1 章command performanceA Doctor, a Letter, and Money
第 2 章goddess from the machineMrs. Venable Meets Dr. Cukrowicz
第 3 章not unlikeMrs. Venable Shows the Garden
第 4 章mad as a hatterViolet Talks About Her Dead Son
第 5 章at one's wits' endViolet Describes Catherine's Madness
第 6 章in the image ofMrs. Venable Tells the Turtle Story
第 7 章my lips are sealedThe Hollys Come for Sebastian's Clothes
第 8 章inherit the earthMrs. Venable's Empty Chair
第 9 章bossed and bulliedThe Doctor Interviews Catherine
第 10 章to be usedCatherine on Love as Use
第 11 章make a sceneCatherine Recalls the Mardi Gras Ball
第 12 章burn upCatherine Relives the Burning Beach
第 13 章no strings attachedHockstader Shows Off the Million
第 14 章go through probateThe Hollys Visit Catherine
第 15 章go off your rockerCatherine Learns It's a Lobotomy
第 16 章all of a suddenCatherine Asks Where They'll Cut
第 17 章on the menuCatherine on Sebastian's Appetites
第 18 章taken a vowViolet Shows the Death Certificate
第 19 章objects for your pleasureCatherine Confronts Aunt Violet
第 20 章the other way aroundDoctor Fights to Delay the Surgery
第 21 章godforsakenMrs. Venable and the Sealed Coffin
第 22 章have to do withThe Doctor Hypnotizes Catherine
第 23 章third personCatherine Tells the True Story
第 24 章give someone awayViolet Explains the Spider's Web
第 25 章procureCatherine on Procuring for Sebastian
第 26 章fatal errorCatherine Recalls the Beach Children
再生中 · 第 27 章find a way outCatherine Tells How Sebastian Died