startled me
- You gave me a turn. - Hi, Aunt Vi.Suddenly, Last Summer · 1959 — 第 7 / 27 章 · 3'50" · B2
Mrs. Holly and her son George drop by to collect Sebastian's clothes, as Violet supposedly promised. Violet barely tolerates them: "Don't flaunt them in my face," she snaps, then asks them to leave. Only when talk turns to Catherine does her coldness crack.
Grace Holly and her son George enter Violet's house to collect Sebastian's clothes, saying Violet let them have them. Violet is cold and wants them gone, but the visit revives memories of Catherine and the summer she broke down. Mrs. Holly begs the doctor to save her daughter, and Violet declares that madness is the worst doom on earth.
注目の表現
accused of generositymy lips are sealedlet yourselves outflaunt something
このシーンの表現
I will not tell
When the guest protests what kind of person she takes him for, Violet answers that her lips are sealed.
Tell me the plan; my lips are sealed.
blamed for being too giving
show yourselves out
show off
had in the past
65 行のセリフに 26 件のメモ
startled me
- You gave me a turn. - Hi, Aunt Vi.as you told us
We came for Sebastian's clothes, like you said.let oneself in
- Remember? Like you said. - So we just kind of let ourselves in.got hold of
- I must have got hold of this letter. - Caught on your sleeve probably.blamed for
I'm accused of generosity. Now will you please...?that illness of yours
I was afraid you had another of those strokes of yours. Those seizures.never had
I've never had a seizure nor a stroke. We were discussing your daughter.nor-coordination: Nor after never adds a second negation, stronger than a plain or.
I've never had a seizure nor a stroke. We were discussing your daughter.if possible
- Can you help her? - I'm gonna try to, if I can.The t sounds in gonna try to often drop, blurring into one run.
- Can you help her? - I'm gonna try to, if I can.going to — Everyday speech; keep it out of formal writing.
- Can you help her? - I'm gonna try to, if I can.oh wow — A casual exclamation, fine among friends.
Oh, boy, is this one gonna pick up lipstick!show off
George waves the white silk around, and Violet tells him to take the clothes and stop showing off.
Take the clothes. Don't flaunt them in my face.show yourselves out
Tired of the visit, Violet asks the two of them to see themselves out, polite but done.
Why don't you both let yourselves out?In fast speech don't you can sound like don-cha.
Why don't you both let yourselves out?subject clause: It stands in for the real subject, the that-clause about Sebastian.
It's impossible that Sebastian won't walk through that door again...lent her
Remember how lovely she was? You loaned her your fur coat.listed in an inventory
Every item here has been inventoried by the insurance people.present perfect passive: The perfect passive stresses the inventory is already done and still binds them.
Every item here has been inventoried by the insurance people.would be annoyed
They'd be upset if anything were missing.subjunctive: The subjunctive were frames a hypothetical loss, not a real one.
They'd be upset if anything were missing.They'd reduces and glues onto be, so it sounds like one word.
They'd be upset if anything were missing.I will not tell
When the guest protests what kind of person she takes him for, Violet answers that her lips are sealed.
- What do you think I am? - On that subject, my lips are sealed.had in the past
Talking about her five o'clock drink, Violet corrects herself to used to have, since Sebastian is gone.
Violet always has, I mean, used to have...truly pray
I do pray you can help my poor Cathy. Goodbye.crude, primitive people — An insult implying people are crude; avoid it.
...on how those Neanderthals...The scene shows two families measuring their losses. The Hollys are poor relations collecting a dead man's clothes; Violet is rich, grieving, and disgusted by their need: 'I'm accused of generosity.' Her politeness is a weapon — 'Why don't you both let yourselves out?' is a hostess telling guests to leave while sounding almost sweet. The photograph of Catherine changes the temperature: Grace calls her 'my poor lamb,' and Violet admits the girl was 'the one most like me.' That admission explains everything that follows, because Violet's horror of madness — 'madness is the most horrible doom on this earth' — is also a horror of losing her own mirror. When the subject turns to the missing items, she closes up with 'my lips are sealed,' which is less a joke than a warning.
Because madness is the most horrible doom on this earth.Violet's stated reason for the operation: to her, losing one's mind is worse than death, which is why she wants Catherine 'saved.'
Why don't you both let yourselves out?A polite-sounding way of throwing guests out. It dresses a rude order as a light suggestion.
They'd be upset if anything were missing.Violet warns the Hollys not to pocket anything, since the house's contents have been recorded for insurance. It's a thinly veiled accusation.
I guess it was not exactly a happy evening.A dry remark about the Mardi Gras night the photograph recalls — the evening that ended in Catherine's breakdown.
They come to collect Sebastian's clothes, which Violet had reportedly promised to George for college. They let themselves in and start packing them up.
She dislikes having poor relations handling her dead son's things. She tells them to take the clothes and go, and refuses to let them linger or flaunt the items in front of her.
It means 'I will not say anything about it,' like a promise of secrecy. Violet uses it to refuse to discuss what she thinks of the Hollys' motives.
She calls her 'the one most like me' among her relations and insists she must be saved, because madness is 'the most horrible doom on this earth.'
Grace Holly's daughter Catherine is Violet's niece by marriage, so they are relations — poorer ones, which is why the scene is so uncomfortable.
次のチャプター · 第 8 章inherit the earthMrs. Venable's Empty Chair
第 1 章command performanceA Doctor, a Letter, and Money
第 2 章goddess from the machineMrs. Venable Meets Dr. Cukrowicz
第 3 章not unlikeMrs. Venable Shows the Garden
第 4 章mad as a hatterViolet Talks About Her Dead Son
第 5 章at one's wits' endViolet Describes Catherine's Madness
第 6 章in the image ofMrs. Venable Tells the Turtle Story
再生中 · 第 7 章my lips are sealedThe Hollys Come for Sebastian's Clothes
第 8 章inherit the earthMrs. Venable's Empty Chair
第 9 章bossed and bulliedThe Doctor Interviews Catherine
第 10 章to be usedCatherine on Love as Use
第 11 章make a sceneCatherine Recalls the Mardi Gras Ball
第 12 章burn upCatherine Relives the Burning Beach
第 13 章no strings attachedHockstader Shows Off the Million
第 14 章go through probateThe Hollys Visit Catherine
第 15 章go off your rockerCatherine Learns It's a Lobotomy
第 16 章all of a suddenCatherine Asks Where They'll Cut
第 17 章on the menuCatherine on Sebastian's Appetites
第 18 章taken a vowViolet Shows the Death Certificate
第 19 章objects for your pleasureCatherine Confronts Aunt Violet
第 20 章the other way aroundDoctor Fights to Delay the Surgery
第 21 章godforsakenMrs. Venable and the Sealed Coffin
第 22 章have to do withThe Doctor Hypnotizes Catherine
第 23 章third personCatherine Tells the True Story
第 24 章give someone awayViolet Explains the Spider's Web
第 25 章procureCatherine on Procuring for Sebastian
第 26 章fatal errorCatherine Recalls the Beach Children
第 27 章find a way outCatherine Tells How Sebastian Died