manage without something
At the diner one crew member shrugs off Madonna, cool and unbothered.
Personally, I can do without her.Reservoir Dogs · 1992 — 第 1 / 22 章 · 2'18" · B2
The crew's diner talk drifts from Madonna's career to a wild theory about what 'Like a Virgin' is really about. The argument is loud, obscene, and completely unserious, until Joe's address book gets grabbed and the banter turns into a threat.
Over breakfast, the men talk about Madonna. One says he could do without her; another liked her early singles but tuned out after 'Papa Don't Preach.' Then the conversation turns into an argument about the real meaning of 'Like a Virgin,' until Joe's address book is snatched and tempers rise.
注目の表現
do withoutin a coon's agesick ofLike a Virgin
このシーンの表現
forget what you were saying
Mid-speech, the talker is interrupted so often that he complains he has lost his thread.
Don't interrupt me or I'll lose my train of thought.
manage without something
in a very long time
tired of something
song title read literally
turning the excuse back on him
42 行のセリフに 28 件のメモ
manage without something
At the diner one crew member shrugs off Madonna, cool and unbothered.
Personally, I can do without her.did in the past, not now
I used to like her early stuff - Borderline.used to: Used to marks a past habit that no longer holds true.
I used to like her early stuff - Borderline.stop paying attention
But when she got off with that Papa Don't Preach phase, I tuned out.forget what you were saying
Mid-speech, the talker is interrupted so often that he complains he has lost his thread.
You guys are like making me lose my train of thought here.The are in guys are is often reduced in speech.
You guys are like making me lose my train of thought here.family name
Oh, Toby's that little Chinese girl. What was her last name?in a very long time
A crew member finds an old address book in a coat he has not worn in years.
It's an old address book I found in a coat I haven't worn in a coon's age.the hell (intensifier) — Angry slang among friends; never in polite speech.
- What was that name? - Look, what the fuck was I talking about?a symbol for something
A sensitive girl who meets a nice guy, but Like A Virgin was a metaphor for big dicks.Let me often blurs into lemme in fast speech.
OK, let me tell you what Like A Virgin's about.a crude word for a woman — A vulgar slur for a woman; avoid it entirely.
It's all about this cooze who's a regular fuck machine.someday in the past
So, one day she meets this John Holmes motherfucker and it's like, whoa, baby!for a very long time
She's getting serious dick action, and she's feeling something she ain't felt since forever.relative clause: A relative clause follows something with the pronoun dropped.
She's getting serious dick action, and she's feeling something she ain't felt since forever.am not — Nonstandard speech; keep it out of writing.
She's getting serious dick action, and she's feeling something she ain't felt since forever.at this point
It hurts. It hurts her. It shouldn't hurt her. Her pussy should be Bubble Yum by now, but when this cat fucks her, itexactly as
hurts. It hurts just like it did the first time.noun clause: A what-clause serves as the object of reminding.
You see the pain is reminding a fuck machine what it was once like to be a virgin, hence...Like A Virgin.tired of something
The argument over the address book escalates, and one man snaps that he is tired of it.
I'm sick of fuckin' hearin' it, Joe. I'll give it back when we leave.fucking (intensifier) — A vulgar intensifier; avoid in formal talk.
I'm sick of fuckin' hearin' it, Joe. I'll give it back when we leave.emerge from something
I got Madonna's big dick coming out of my lefta slur for a Japanese person — An ethnic slur; never use it.
ear, and Toby the Jap l-don't-know-what coming out of my right.store something back
Are you gonna put it away?whatever the hell — Aggressive slang, used in an argument.
I'm gonna do whatever the fuck I want with it.stop sleeping
Shit! You shoot me in a dream, you better wake up and apologise.Wake up and runs together as one sound.
Shit! You shoot me in a dream, you better wake up and apologise.damn (exclamation) — A swear of surprise or anger; informal only.
Shit! You shoot me in a dream, you better wake up and apologise.The opening scene is Tarantino's way of making a table of criminals sound like any other table of men: they argue about pop music as if it mattered. The Madonna discussion is deliberately ridiculous — nobody is really listening, and one of them admits he keeps losing his train of thought as the others talk over him. What the banter hides is the hierarchy. The argument over the address book is the first glimpse of who takes what from whom: 'Well, then I'm afraid I'm gonna have to keep it,' one says, and the threat that follows — you shoot me in a dream, you better wake up and apologise — tells you these men joke about violence the way other people joke about traffic. The scene is funny and it is also a warning about everyone in it.
Personally, I can do without her.One man's verdict on Madonna: he doesn't need her, and says so flatly in the middle of the table's talk.
It's an old address book I found in a coat I haven't worn in a coon's age.He explains the notebook he is reading from: an old address book found in a coat he hasn't worn in years.
Shit! You shoot me in a dream, you better wake up and apologise.A joking threat, delivered as if a dream were as real as waking life: shoot me in a dream and you owe me an apology when you wake.
But when she got off with that Papa Don't Preach phase, I tuned out.He liked Madonna until she moved into her 'Papa Don't Preach' period, when he stopped paying attention.
Well, then I'm afraid I'm gonna have to keep it.The polite-sounding response that is really a claim of possession: if you won't put the book away, I'll just hold on to it.
It is idle talk before the job. They treat pop music as something worth fighting over, which is part of how the film makes them feel ordinary.
It means a very long time. The expression comes from an old saying about raccoons, and here it just means he hasn't worn the coat in years.
The men grab Joe's address book and refuse to give it back. When one jokes about shooting the other, the conversation shows how fast talk slides into violence.
One of them claims the song 'Like a Virgin' is not about what it sounds like, and launches into a long, absurd explanation. Nobody takes it seriously.
The address book is his, and he is annoyed that someone keeps reading it aloud. He demands it returned before they leave.
次のチャプター · 第 2 章world's smallest violinMr. Pink Refuses to Tip
再生中 · 第 1 章lose my train of thoughtThe Madonna Theory Debate
第 2 章world's smallest violinMr. Pink Refuses to Tip
第 3 章a degree in medicineMr. White Reassures Mr. Orange
第 4 章bless your heartMr. White Refuses the Hospital Run
第 5 章What's done is doneMr. White Panics About the Setup
第 6 章set someone upThe Crew Reconstructs the Robbery
第 7 章null and voidThe Crew Debates Mr. Blonde's Rampage
第 8 章call it quitsThe Crew Hunts the Rat
第 9 章on the up-and-upThe Crew Debates the Hospital Run
第 10 章back offMr. White Defends Telling His Name
第 11 章on the levelWhite and Blonde Nearly Fight
第 12 章chin upVic Comes Home From Prison
第 13 章for crying out loudEddie Sets Vic Up With a Job
第 14 章the stonesJoe Demands the Stolen Stones
第 15 章put up withThe Crew Ditches the Cars
第 16 章move inFreddy Tells Marvin He's a Cop
第 17 章made a killingMr. Orange Briefs Holdaway
第 18 章sell your storyHoldaway Teaches the Commode Story
第 19 章snap out of itFreddy Tells the Men's Room Story
第 20 章lay eyes on someoneEddie Tells the Elois Story
第 21 章my way or the highwayJoe Lays Down the Alias Rules
第 22 章barking up the wrong treeJoe Accuses Orange of Being a Cop