quit pretending
You better stop bluffing, pal.Reservoir Dogs · 1992 — 第 14 / 22 章 · 2'56" · B2
Joe Demands the Stolen Stones, Explained：the stones
When Joe arrives the warehouse is chaos: Orange is dying, Brown is dead, and the men are fighting over who set them up. Nobody can agree, and the only certainty anyone offers is 'I don't know, but somebody did.' Joe cuts through it all with one practical question.
あらすじ
Joe walks into a wrecked warehouse and demands to know what happened. He learns that Orange is dying, Brown is dead, and the crew is split over whether they were betrayed. After sorting through the fighting, Joe turns to the captured police officer and then asks the practical question on his mind.
注目の表現
set uptake care ofbluffpissed
00:00 / 02:56Space 再生 · ← → セリフ移動 · R リピート
いま
セリフをタップするとそこから再生
このシーンの表現
the stones
the diamonds
The line jerks the argument back to business: who is holding the diamonds?
The crew split the stones three ways after the job.
このシーンの他の表現
- set up
trick or frame someone
- take care of
arrange care or handle something
- bluff
pretend to be stronger than you are
- pissed
very angry
- took one in the head
was shot in the head
このシーンのメモ一覧
57 行のセリフに 27 件のメモ
do you understand me
You hear me? Cause you're gonna fuckin' talk.have caught a cop
- You're asking what's going on? - Hey, Nice Guy, we got a cop.Link got and a into one sound.
- You're asking what's going on? - Hey, Nice Guy, we got a cop.if-clause: The if-clause sets the condition that decides whether he lives.
No, he's not dead, but he will be if we don't get him taken care of.trick or frame someone
Mr White insists the ambush was no accident: the crew was deliberately framed.
We were set up. The cops were there waiting for us.nonsense — Crude dismissal; not for formal use.
- The cops were waiting for us, man! - Bullshit.watch a place secretly
Fuck you, man. You weren't there. The cops had that store staked out.the very thing we keep asking
What the hell do you think we've been asking?transform one thing into another
You fuckin' idiots turn a jewellery store into a Wild West show, - and you wonder why the cops show up? - Don't call me an idiot!embedded question: An embedded question after wonder, kept in statement order.
You fuckin' idiots turn a jewellery store into a Wild West show, - and you wonder why the cops show up? - Don't call me an idiot!have not spoken to him
I don't know. I ain't talked to him.nonstandard for haven't — Street speech; keep it out of writing.
I don't know. I ain't talked to him.speak with someone
I talked to Dove. He said Daddy's coming down here and he's fuckin' pissed!very angry — Common in US speech; write angry in formal text.
I talked to Dove. He said Daddy's coming down here and he's fuckin' pissed!what became of someone
Now, what happened to Brown and Blue?have no news about someone
Brown's dead. We don't know about Blue.was shot in the head
Asked how Brown died, Mr White answers flatly that he was shot in the head.
He took one in the head.have any idea
Nobody's got a clue what happened to Mr Blue?either-or: Either ... or ... lays out the alternatives side by side.
Either he's alive or he's dead, or the cops got him...or they don't.Link he's alive; pause lightly before or.
Either he's alive or he's dead, or the cops got him...or they don't.a nasty man — A crude insult; do not use it.
If you fuckin' beat this prick long enough, he'll tell you he started the Chicago Fire.the diamonds
The line jerks the argument back to business: who is holding the diamonds?
All right, first things fuckin' last. Who's got the stones?diamonds — Heist slang for diamonds, only in context.
All right, first things fuckin' last. Who's got the stones?as a favour to me
Please, somebody at least tell me one little fuckin' favour just for my sake.Stashed it links, with the t almost dropped.
I stashed it till I could be sure this place wasn't a police station.go and fetch it
Good for you. Now, let's go get it.「Joe Demands the Stolen Stones」を読み解く
What's really going on
The scene is the crew at its most fractured, and Joe's arrival only sharpens it. Everyone has a version of the disaster: they were 'set up,' the cops were waiting, or nobody betrayed anyone at all. Joe has no patience for the argument, and he is more interested in facts than blame. His one exchange about the prisoner says everything — beat a man long enough and he will confess to anything, even the Chicago Fire — so torture is useless as evidence. What he actually cares about is the money, and he names it in the plainest terms: the stones. The crew can argue forever about loyalty, but the missing diamonds are a question with an answer, and getting that answer is the only thing Joe trusts. It is a small moment that shows how the whole enterprise works: loyalty is talk, but the take is real.
Theme
BetrayalThe crew cannot agree on who betrayed them, and the argument itself becomes the scene.
MoneyJoe cuts through the fighting to ask where the stolen diamonds are, the one thing he really cares about.
このチャプターで学べること
- A heist crew turns on itself the moment fear takes over.
- Beating a suspect proves nothing, and White says so.
- Bad news arrives in order of severity, not importance.
- One blunt question restores a scene's lost focus.
発音のポイント
- got a — Link got and a into one sound.
- he's alive — Link he's alive; pause lightly before or.
- stashed it — Stashed it links, with the t almost dropped.
No, he's not dead, but he will be if we don't get him taken care of.A blunt report on Orange's condition: he is alive for now, but will die without treatment.
Maybe he can tell us who the fuck set us up.The hope behind beating the captured officer: he might name whoever betrayed the job.
If you fuckin' beat this prick long enough, he'll tell you he started the Chicago Fire.Joe's warning that torture produces any answer you want, true or not.
All right, first things fuckin' last. Who's got the stones?Joe cutting off the argument to ask the practical question: who has the stolen diamonds?
このシーンについての質問
Who is the man they are beating?
A police officer they captured, who they hope can tell them who set up the robbery.
Why does Joe say torture is useless?
He argues that if you beat a man long enough he will confess to anything, even starting the Chicago Fire, so the confession proves nothing.
What does Joe ask about at the end?
He asks who has the stones — the stolen diamonds — because recovering the money is what matters most to him.
Why does the crew think they were set up?
The police were already waiting at the store, which suggests someone inside passed on information about the job.
What happened to Brown and Blue?
Brown is dead after being shot in the head, and nobody knows what happened to Mr Blue.
レザボア・ドッグス · 全 22 章
すべて見る →
次のチャプター · 第 15 章put up withThe Crew Ditches the Cars
第 1 章lose my train of thoughtThe Madonna Theory Debate
第 2 章world's smallest violinMr. Pink Refuses to Tip
第 3 章a degree in medicineMr. White Reassures Mr. Orange
第 4 章bless your heartMr. White Refuses the Hospital Run
第 5 章What's done is doneMr. White Panics About the Setup
第 6 章set someone upThe Crew Reconstructs the Robbery
第 7 章null and voidThe Crew Debates Mr. Blonde's Rampage
第 8 章call it quitsThe Crew Hunts the Rat
第 9 章on the up-and-upThe Crew Debates the Hospital Run
第 10 章back offMr. White Defends Telling His Name
第 11 章on the levelWhite and Blonde Nearly Fight
第 12 章chin upVic Comes Home From Prison
第 13 章for crying out loudEddie Sets Vic Up With a Job
再生中 · 第 14 章the stonesJoe Demands the Stolen Stones
第 15 章put up withThe Crew Ditches the Cars
第 16 章move inFreddy Tells Marvin He's a Cop
第 17 章made a killingMr. Orange Briefs Holdaway
第 18 章sell your storyHoldaway Teaches the Commode Story
第 19 章snap out of itFreddy Tells the Men's Room Story
第 20 章lay eyes on someoneEddie Tells the Elois Story
第 21 章my way or the highwayJoe Lays Down the Alias Rules
第 22 章barking up the wrong treeJoe Accuses Orange of Being a Cop第 14 / 22 章 · 残り約 27 分