the name you go by
Orange opens by asking Marvin's name, using small talk to steady a bleeding man.
What's your name?Reservoir Dogs · 1992 — 第 16 / 22 章 · 3'01" · B2
Freddy Tells Marvin He's a Cop, Explained：move in
The wounded cop Marvin is tied up and bleeding when Freddy kneels beside him and quietly tells him the truth: 'Listen to me, Marvin Nash, I'm a cop.' Marvin already knew. The two are waiting for backup to move in once Joe Cabot arrives, and Marvin can only rage about what was done to him.
あらすじ
Freddy crouches next to the captured officer, Marvin Nash, and admits he is an undercover cop. Marvin says he already knew his name was Freddy. Freddy explains that he was sent in to catch Joe Cabot, and that police are waiting a block away to move in once Joe arrives. Marvin, badly hurt, can only shout about his injuries.
注目の表現
your namecophold onmove in
00:00 / 03:01Space 再生 · ← → セリフ移動 · R リピート
いま
このシーンの表現
move in
close in and raid
Orange says the police are a block away but will only move in once Joe Cabot appears.
The officers waited for the signal before they moved in.
このシーンの他の表現
- your name
the name you go by
- cop
police officer (informal)
- hold on
keep going; don't give up
- sick fuck
a twisted, disgusting person
- pussy out
back out from fear
このシーンのメモ一覧
40 行のセリフに 28 件のメモ
police officer (informal)
Orange tells Marvin he is a cop, revealing that they are on the same side.
Listen to me, Marvin Nash, I'm a cop.police officer — Everyday word for police; formal writing uses officer.
Listen to me, Marvin Nash, I'm a cop.casual yes — Casual yes; formal settings prefer yes.
Yeah, I know.not in the least
I don't remember that at all.the f-word — Extremely crude; not for any formal setting.
Fuck!not know what to say
I don't know what to tell you, Marvin.wh- + infinitive: Wh- plus infinitive acts as a noun object: I don't know what to tell you.
I don't know what to tell you, Marvin.a twisted bastard — A heavy insult; never use it in polite speech.
Ah, that sick fuck!a contemptible man — An insult; avoid saying it to someone's face.
That fuckin' bastard!keep going; don't give up
Orange leans close to the tied-up Marvin and tells him to hang on until help moves.
Marvin, I need you to hold on.need someone to: Need someone to do marks what you require that person to do.
Marvin, I need you to hold on.Blend need you to into something like nee-ja-tuh.
Marvin, I need you to hold on.close in and raid
Orange says the police are a block away but will only move in once Joe Cabot appears.
There's cops waiting to move in a block away.Run move in a together as moo-vi-na.
There's cops waiting to move in a block away.await
What the fuck are they waiting for?cut someone's face
This fuckin' guy slashes my face and he cuts my fuckin' ear off!act; take action
They're not to make a move till Joe Cabot shows up.appear; turn up
They're not to make a move till Joe Cabot shows up.be not to: Be not to do marks an order or plan not to act; here no one may move until Cabot arrives.
They're not to make a move till Joe Cabot shows up.send someone in
I was sent in to get him.coming; en route
Orange passes on the word that Joe Cabot is already on his way.
They said he's on his way.Link he's on his so it sounds like one run.
They said he's on his way.back out from fear
Orange warns Marvin not to lose his nerve and give the plan away at the worst moment.
Don't pussy out on me now, Marvin.The t in don't often drops, and pussy out runs together.
Don't pussy out on me now, Marvin.chicken out — Crude slang; only among close friends.
Don't pussy out on me now, Marvin.through the door
We're just gonna sit here and bleed until Joe Cabot sticks his fuckin' head through that door.until-clause: An until-clause sets the point where the waiting finally ends.
We're just gonna sit here and bleed until Joe Cabot sticks his fuckin' head through that door.「Freddy Tells Marvin He's a Cop」を読み解く
What's really going on
The scene is one of the few in the film where anyone tells the truth. Freddy has been playing a robber for months, and here he drops the act for a man he has helped tie up: 'Listen to me, Marvin Nash, I'm a cop.' The strange part is that it changes nothing. Marvin is still bleeding, still furious about what was done to him, and still waiting — because the police outside will not 'make a move till Joe Cabot shows up.' The scene underlines the film's cruelty: Freddy's confession is not rescue, it is information. He needs Marvin to stay alive long enough to be useful, so he tells him to 'hold on,' while Marvin tells him exactly what he thinks of the man who cut off his ear. Both are trapped, and neither can act.
Theme
DeceptionFreddy drops his cover for one moment, admitting to the wounded officer that he is a cop.
SurvivalBoth men are trapped and bleeding, waiting for backup that cannot move until Joe arrives.
このチャプターで学べること
- Hold on here means don't give up, not grab something.
- Move in turns a routine phrase into a police raid.
- Pussy out is crude slang for losing your nerve.
- On his way answers the question everyone is asking.
発音のポイント
- need you to — Blend need you to into something like nee-ja-tuh.
- move in a — Run move in a together as moo-vi-na.
- he's on his — Link he's on his so it sounds like one run.
- Don't pussy out — The t in don't often drops, and pussy out runs together.
We're just gonna sit here and bleed until Joe Cabot sticks his fuckin' head through that door.The bleak plan: nobody moves, and the two wounded men simply wait and bleed until Joe walks in.
They're not to make a move till Joe Cabot shows up.The reason the police outside are holding back: they will not move in until Joe arrives.
Marvin, I need you to hold on.Freddy telling the wounded officer to survive a little longer, because he is still needed alive.
This fuckin' guy slashes my face and he cuts my fuckin' ear off!Marvin's furious account of what was done to him by the man who tortured him.
I was sent in to get him.Freddy explaining his real mission: he was placed inside the crew to catch Joe Cabot.
このシーンについての質問
Who is Freddy?
He is an undercover police officer who has been posing as Mr. Orange, one of the robbers. He reveals this to the captured officer Marvin Nash.
Did Marvin already know Freddy was a cop?
Yes. Marvin says he already knows, and even recognises Freddy's name, which suggests the pair had crossed paths before.
Why won't the police move in sooner?
They are waiting for Joe Cabot to arrive. Freddy says they will not make a move until he shows up.
Why is Marvin so angry?
He has been tortured — his face slashed and his ear cut off — and he is bleeding badly while the police outside wait.
What does Freddy need Marvin to do?
He needs Marvin to hold on and stay alive, so he can be useful once Joe arrives and the police move in.
レザボア・ドッグス · 全 22 章
すべて見る →
次のチャプター · 第 17 章made a killingMr. Orange Briefs Holdaway
第 1 章lose my train of thoughtThe Madonna Theory Debate
第 2 章world's smallest violinMr. Pink Refuses to Tip
第 3 章a degree in medicineMr. White Reassures Mr. Orange
第 4 章bless your heartMr. White Refuses the Hospital Run
第 5 章What's done is doneMr. White Panics About the Setup
第 6 章set someone upThe Crew Reconstructs the Robbery
第 7 章null and voidThe Crew Debates Mr. Blonde's Rampage
第 8 章call it quitsThe Crew Hunts the Rat
第 9 章on the up-and-upThe Crew Debates the Hospital Run
第 10 章back offMr. White Defends Telling His Name
第 11 章on the levelWhite and Blonde Nearly Fight
第 12 章chin upVic Comes Home From Prison
第 13 章for crying out loudEddie Sets Vic Up With a Job
第 14 章the stonesJoe Demands the Stolen Stones
第 15 章put up withThe Crew Ditches the Cars
再生中 · 第 16 章move inFreddy Tells Marvin He's a Cop
第 17 章made a killingMr. Orange Briefs Holdaway
第 18 章sell your storyHoldaway Teaches the Commode Story
第 19 章snap out of itFreddy Tells the Men's Room Story
第 20 章lay eyes on someoneEddie Tells the Elois Story
第 21 章my way or the highwayJoe Lays Down the Alias Rules
第 22 章barking up the wrong treeJoe Accuses Orange of Being a Cop第 16 / 22 章 · 残り約 22 分