in verse
Marry, I cannot show it in rhyme.Much Ado About Nothing · 1993 — 第 22 / 24 章 · 3'05" · C1
Benedick is in love and hopeless at saying so: he cannot find a rhyme, and admits he was 'not born under a rhyming planet.' Beatrice arrives, they trade insults instead of kisses, and both finally agree they are 'too wise to woo peaceably.'
Benedick tries to put his love into verse and fails, complaining that no rhyme will come. When Beatrice appears, the two fall into their usual sparring: he offers a kiss, she refuses it as foul breath, and they joke about each other's faults. By the end they agree they are too clever for quiet courtship.
注目の表現
find outhornI pray theefall in love with
このシーンの表現
court without quarrelling
Beatrice says the two of them are too clever to court without quarrelling.
They were too proud to woo peaceably and quarrelled all spring.
discover, work out
a horn; a cuckold's horn
I beg you
start loving someone
despite; to spite
40 行のセリフに 23 件のメモ
in verse
Marry, I cannot show it in rhyme.why, indeed — An old exclamation; no one says it now.
Marry, I cannot show it in rhyme.discover, work out
Benedick jokes that he simply cannot find a rhyme, using find out for the search.
I can find out no rhyme to "lady" but... "baby". An innocent rhyme.Blend rhyme and to so they sound like one word.
I can find out no rhyme to "lady" but... "baby". An innocent rhyme.fated by the stars
I was not born under a rhyming planet, nor I cannot woo in festival terms.court in fancy words
I was not born under a rhyming planet, nor I cannot woo in festival terms.coordinated negation: Nor introduces a second negative, an archaic equivalent of and I cannot.
I was not born under a rhyming planet, nor I cannot woo in festival terms.passive voice: Is spoken is passive: the word has been said and cannot be taken back.
"Then" is spoken. Fare you well now.before — Archaic; survives mostly in poetry and Shakespeare.
..ere I go...what happened between them
..let me go with knowing what hath passed between you and Claudio.leave without a kiss
Foul words is but foul breath, and foul breath is noisome. I will depart unkissed.archaic is but: Is but means is only; the construction is common in Shakespeare.
Foul words is but foul breath, and foul breath is noisome. I will depart unkissed.label someone as something
..or I will subscribe him a coward.start loving someone
Benedick asks which of his faults first made Beatrice fall in love with him.
tell me, for which of my bad parts did thou first fall in love with me?faults
tell me, for which of my bad parts did thou first fall in love with me?question inversion: The question word fronting and did plus thou inversion mark early modern English word order.
tell me, for which of my bad parts did thou first fall in love with me?good qualities
For which of my good parts did you first suffer love for me?unwillingly
Suffer love! A good epithet, for I love thee against my will.a fitting label
Suffer love! A good epithet, for I love thee against my will.Link against my into one run and stress will at the end.
Suffer love! A good epithet, for I love thee against my will.despite; to spite
Beatrice suspects Benedick is acting against his own heart, and says so with in spite of your heart.
In spite of your heart, I think. Alas, poor heart.too...to: Too plus adjective plus to do means so much that one cannot; here cleverness blocks quiet courting.
Thou and I are too wise to woo peaceably.Stress too wise and let woo peaceably answer it in rhythm.
Thou and I are too wise to woo peaceably.The love scene is built as a failed poem that turns into a real conversation. Benedick keeps trying to be a conventional lover and keeps failing — he cannot rhyme 'lady' except with 'baby,' and his attempts at 'scorn' and 'school' land on 'horn' and 'fool,' endings he himself calls ominous. What actually works is the old habit of arguing. Beatrice will not accept his kiss or his sweet talk, turning them into 'foul breath,' and the two only draw closer by attacking each other's faults openly. Their own summary is the best description of the relationship: 'Thou and I are too wise to woo peaceably.' The scene matters because it shows the pair exactly as they are, not as the plot wants them to be — even in love, they need the quarrel.
Marry, I cannot show it in rhyme.Benedick's admission that he cannot express his love in poetry, the traditional language of wooing.
I can find out no rhyme to "lady" but... "baby". An innocent rhyme.His comic struggle for a rhyme: the only match he can find for 'lady' is 'baby,' which he calls harmless.
I was not born under a rhyming planet, nor I cannot woo in festival terms.His conclusion that he has no talent for verse or for the fancy language of courtship.
Foul words is but foul breath, and foul breath is noisome. I will depart unkissed.Beatrice's rejection of his kiss: bad words are only bad breath, and bad breath is unpleasant, so she leaves without one.
Suffer love! A good epithet, for I love thee against my will.Her praise for the phrase 'suffer love': she likes it because she loves him against her own wishes.
Thou and I are too wise to woo peaceably.Their shared verdict on themselves: they are too clever to court quietly, so quarrelling is their way of loving.
He has no talent for poetry. He cannot find rhymes, and the ones he does find are unlucky, so he admits he was not born under a rhyming planet.
She turns his offer into a joke about foul words and foul breath, saying she will leave unkissed. It is her usual way of keeping the upper hand.
It means the two are too clever and too fond of wit to court each other quietly. Sparring, not soft talk, is how they express love.
He says Claudio has accepted his challenge and that he will soon hear from him, or else he will brand Claudio a coward.
They ask after Hero, admit they are both unwell, and then leave it simply: serve God, love me, and mend.
次のチャプター · 第 23 章an eye of favourBenedick Proposes to Beatrice
第 1 章merry warBeatrice and Benedick's Merry War
第 2 章turncoatBeatrice and Benedick Trade Insults
第 3 章turn husbandBenedick Scorns Hero and Marriage
第 4 章bear the yokeDon Pedro Woos Hero for Claudio
第 5 章cross someoneDon John Plots Against Claudio
第 6 章as merry as the day is longBeatrice Refuses to Marry
第 7 章wish someone joyDon John Deceives Claudio
第 8 章speak poniardsBeatrice Outwits Benedick
第 9 章a mountain of affectionDon Pedro Schemes to Match Beatrice
第 10 章make an oyster of someoneBenedick Mocks Men in Love
第 11 章bait the hookDon Pedro Tricks Benedick
第 12 章paper bullets of the brainBenedick Falls for Beatrice
第 13 章double meaningHero and Ursula Trick Beatrice
第 14 章by virtue of one's officeDogberry Instructs the Watch
第 15 章a rotten orangeClaudio Denies Hero at the Altar
第 16 章sway someoneFriar Francis Fakes Hero's Death
第 17 章in the height a villainBeatrice Asks Benedick to Kill Claudio
第 18 章little better thanDogberry Uncovers Don John's Plot
第 19 章flesh and bloodLeonato Confronts Claudio and Don Pedro
第 20 章brought to lightBorachio Confesses to Leonato
第 21 章take my leaveClaudio Accepts His Penance
再生中 · 第 22 章woo peaceablyBenedick and Beatrice Woo by Quarrelling
第 23 章an eye of favourBenedick Proposes to Beatrice
第 24 章hands against our heartsBenedick and Beatrice Deny Their Love