tell someone to come in
Against my will I am sent to bid you come in to dinner.Much Ado About Nothing · 1993 — 第 13 / 24 章 · 4'08" · C1
Beatrice has spent the play mocking love and swearing she'll never marry. Here, she overhears Hero and Ursula say that Benedick is dying for her and that her pride is the only obstacle — every word aimed at her. She ends the scene vowing, "Benedick, love on! I will requite thee."
Earlier, Benedick replayed Beatrice's line "Against my will I am sent to bid you come in to dinner" and decided it hid a double meaning. Now the same trick is turned on Beatrice: in the orchard, Hero lets Ursula argue that Benedick loves her, while Beatrice listens hidden and hears only praise of his worth and blame of her pride.
注目の表現
double meaninghave no stomach for somethingagainst my willlimed
このシーンの表現
a second, hidden sense
After Beatrice delivers her message and leaves, Benedick decides the words hid a second sense meant for him.
Her remark carried a double meaning that I only caught later.
no appetite or appetite for it
unwillingly; under protest
caught like a bird on birdlime
happen by chance
repay or return
42 行のセリフに 25 件のメモ
tell someone to come in
Against my will I am sent to bid you come in to dinner.fronted adverbial: The fronted phrase stresses reluctance; the plain order would put it after sent.
Against my will I am sent to bid you come in to dinner.for your trouble
Fair Beatrice! I thank you for your pains.made little effort
I took no more pains for those thanks than you take pains to thank me.enjoy something
You take pleasure, then, in the message?the tip of a knife
Yea, just so much as you may take upon a knife's point.appetite; nerve — Common enough in speech for appetite or nerve; fine at work too.
You have no stomach, signior? Fare you well.Run meaning in that together as one unit.
There's a double meaning in that.so completely
But are you sure that Benedick loves Beatrice so entirely?newly betrothed
So says the prince, and my new-trothed lord.beg me to do something
They did entreat me to acquaint her of it,question inversion: Doth not he deserve is a rhetorical inversion: of course he deserves it.
Doth not he deserve as full as fortunate a bed as ever Beatrice shall couch upon?undervalue what they see
Disdain and scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly, that to her, all matter else seems weak.advise someone
I will go to Benedick, and counsel him to fight against his passion.such a quick mind
She cannot be so much without true judgement, having so swift a wit, as toleaving out, of course
He's the only man of Italy. Always excepted my dear Claudio.caught on birdlime — An old hunting image; modern talk says hooked.
She's limed, I warrant you.chance; luck — Archaic for chance; modern English says luck or chance.
If it proves so, then loving goes by haps.Link fire, is and in so the three run together.
What fire is in mine ears?found guilty of something
Can this be true? Stand I condemned for pride and scorn so much?a maiden's pride
Contempt, farewell! And maiden pride, adieu!gentling a wild heart
I will requite thee, taming my wild heart to thy loving hand.The t in heart often drops, sliding into to thy.
I will requite thee, taming my wild heart to thy loving hand.a sacred bond
If thou dost love, my kindness shall incite thee to bind our loves up in a holy band.archaic second person: Thou with dost is the old second-person form; today it is simply if you love.
If thou dost love, my kindness shall incite thee to bind our loves up in a holy band.For all her wit, Beatrice never once suspects that the women are performing for her benefit. The evidence is designed the way it worked on Benedick: Ursula says he "doth deserve as much as may be yielded to a man," then blames Beatrice's own character — "nature never framed a woman's heart of prouder stuff than that of Beatrice." That's the line that gets her, because it's the one accusation she can't dismiss. The scene turns on a quiet joke about eavesdropping: both Benedick and Beatrice are talked into love by words they weren't meant to hear, and both believe they figured it out themselves. As Hero puts it, "Some Cupid kills with arrows, some with traps."
There's a double meaning in that.Benedick takes Beatrice's ordinary dinner message and decides it secretly declares her love. He's inventing the subtext, which is exactly the joke.
Some Cupid kills with arrows, some with traps.Hero's verdict on the trick: Cupid doesn't only strike with love at first sight. Sometimes people are caught by a scheme — and it works on Beatrice.
What fire is in mine ears?Beatrice, alone, can't cool down what she's just heard. The 'fire' is the sting of being praised and criticized in the same breath, and it moves her toward love.
I will requite thee, taming my wild heart to thy loving hand.She promises to return his love and gives up her independence — the wild heart is hers, and she hands the reins to Benedick.
Disdain and scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly, that to her, all matter else seems weak.Ursula's description of Beatrice's greatest flaw: contempt in her eyes and a wit that rates itself above everything. It's the precise pride the trick exploits.
I took no more pains for those thanks than you take pains to thank me.Beatrice's answer when thanked for coming: the effort she spent equals the effort he spent thanking her — barely any. A double-edged compliment turned into a small insult.
She doesn't realize Hero and Ursula are performing for her. Because she's hidden and hears it as private, she believes the praise of Benedick and the criticism of her pride are honest — and the pride charge is the one she can't shrug off.
It's pitched at her exact weak spot. Ursula says Benedick deserves "as much as may be yielded to a man," then blames her proud heart, which sounds too unflattering to be staged for her benefit.
He replays Beatrice's message about dinner and convinces himself it hides a confession of love. There is no second meaning — he invents one, because he now wants there to be.
Not here. She keeps it private: she asks "What fire is in mine ears?" and then vows to "requite" Benedick, deciding on her own to love him — which is exactly what the trick was designed to produce.
Hero does, as a wry summary of what they've just done. Arrows are love at first sight; traps are staged conversations like this one, which caught Beatrice without her noticing.
次のチャプター · 第 14 章by virtue of one's officeDogberry Instructs the Watch
第 1 章merry warBeatrice and Benedick's Merry War
第 2 章turncoatBeatrice and Benedick Trade Insults
第 3 章turn husbandBenedick Scorns Hero and Marriage
第 4 章bear the yokeDon Pedro Woos Hero for Claudio
第 5 章cross someoneDon John Plots Against Claudio
第 6 章as merry as the day is longBeatrice Refuses to Marry
第 7 章wish someone joyDon John Deceives Claudio
第 8 章speak poniardsBeatrice Outwits Benedick
第 9 章a mountain of affectionDon Pedro Schemes to Match Beatrice
第 10 章make an oyster of someoneBenedick Mocks Men in Love
第 11 章bait the hookDon Pedro Tricks Benedick
第 12 章paper bullets of the brainBenedick Falls for Beatrice
再生中 · 第 13 章double meaningHero and Ursula Trick Beatrice
第 14 章by virtue of one's officeDogberry Instructs the Watch
第 15 章a rotten orangeClaudio Denies Hero at the Altar
第 16 章sway someoneFriar Francis Fakes Hero's Death
第 17 章in the height a villainBeatrice Asks Benedick to Kill Claudio
第 18 章little better thanDogberry Uncovers Don John's Plot
第 19 章flesh and bloodLeonato Confronts Claudio and Don Pedro
第 20 章brought to lightBorachio Confesses to Leonato
第 21 章take my leaveClaudio Accepts His Penance
第 22 章woo peaceablyBenedick and Beatrice Woo by Quarrelling
第 23 章an eye of favourBenedick Proposes to Beatrice
第 24 章hands against our heartsBenedick and Beatrice Deny Their Love