Much Ado About Nothing · 1993 — 第 13 / 24 章 · 4'08" · C1

Hero and Ursula Trick Beatrice, Explained:double meaning

Beatrice has spent the play mocking love and swearing she'll never marry. Here, she overhears Hero and Ursula say that Benedick is dying for her and that her pride is the only obstacle — every word aimed at her. She ends the scene vowing, "Benedick, love on! I will requite thee."

あらすじ

Earlier, Benedick replayed Beatrice's line "Against my will I am sent to bid you come in to dinner" and decided it hid a double meaning. Now the same trick is turned on Beatrice: in the orchard, Hero lets Ursula argue that Benedick loves her, while Beatrice listens hidden and hears only praise of his worth and blame of her pride.

PersuasionTeasingPersuadingTeasingFriendsC1slowbritishClean
IMDb ↗

注目の表現

double meaninghave no stomach for somethingagainst my willlimed

00:00 / 04:08
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Beatrice gives up her pride8 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

double meaning

a second, hidden sense

After Beatrice delivers her message and leaves, Benedick decides the words hid a second sense meant for him.

Her remark carried a double meaning that I only caught later.

このシーンの他の表現

  • have no stomach for something

    no appetite or appetite for it

  • against my will

    unwillingly; under protest

  • limed

    caught like a bird on birdlime

  • go by haps

    happen by chance

  • requite

    repay or return

このシーンのメモ一覧

42 行のセリフに 25 件のメモ

表現 · B2bid someone do something

tell someone to come in

Against my will I am sent to bid you come in to dinner.
文法 · B2Against my will

fronted adverbial: The fronted phrase stresses reluctance; the plain order would put it after sent.

Against my will I am sent to bid you come in to dinner.
表現 · B1thank someone for their pains

for your trouble

Fair Beatrice! I thank you for your pains.
表現 · B2take pains to do something

made little effort

I took no more pains for those thanks than you take pains to thank me.
表現 · B1take pleasure in something

enjoy something

You take pleasure, then, in the message?
表現 · B2upon a knife's point

the tip of a knife

Yea, just so much as you may take upon a knife's point.
スラング · B2stomach

appetite; nerve — Common enough in speech for appetite or nerve; fine at work too.

You have no stomach, signior? Fare you well.
発音meaning in that

Run meaning in that together as one unit.

There's a double meaning in that.
表現 · B2love someone so entirely

so completely

But are you sure that Benedick loves Beatrice so entirely?
表現 · C1new-trothed

newly betrothed

So says the prince, and my new-trothed lord.
表現 · C1entreat someone to do something

beg me to do something

They did entreat me to acquaint her of it,
文法 · C1Doth not he deserve

question inversion: Doth not he deserve is a rhetorical inversion: of course he deserves it.

Doth not he deserve as full as fortunate a bed as ever Beatrice shall couch upon?
表現 · C1misprise something

undervalue what they see

Disdain and scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly, that to her, all matter else seems weak.
表現 · B2counsel someone to do something

advise someone

I will go to Benedick, and counsel him to fight against his passion.
表現 · C1so swift a wit

such a quick mind

She cannot be so much without true judgement, having so swift a wit, as to
表現 · B2always excepted

leaving out, of course

He's the only man of Italy. Always excepted my dear Claudio.
スラング · C1limed

caught on birdlime — An old hunting image; modern talk says hooked.

She's limed, I warrant you.
スラング · C1haps

chance; luck — Archaic for chance; modern English says luck or chance.

If it proves so, then loving goes by haps.
発音fire is in

Link fire, is and in so the three run together.

What fire is in mine ears?
表現 · B2be condemned for something

found guilty of something

Can this be true? Stand I condemned for pride and scorn so much?
表現 · B2maiden pride

a maiden's pride

Contempt, farewell! And maiden pride, adieu!
表現 · C1tame someone's wild heart

gentling a wild heart

I will requite thee, taming my wild heart to thy loving hand.
発音heart to thy

The t in heart often drops, sliding into to thy.

I will requite thee, taming my wild heart to thy loving hand.
表現 · C1a holy band

a sacred bond

If thou dost love, my kindness shall incite thee to bind our loves up in a holy band.
文法 · C1thou dost love

archaic second person: Thou with dost is the old second-person form; today it is simply if you love.

If thou dost love, my kindness shall incite thee to bind our loves up in a holy band.

「Hero and Ursula Trick Beatrice」を読み解く

What's really going on

For all her wit, Beatrice never once suspects that the women are performing for her benefit. The evidence is designed the way it worked on Benedick: Ursula says he "doth deserve as much as may be yielded to a man," then blames Beatrice's own character — "nature never framed a woman's heart of prouder stuff than that of Beatrice." That's the line that gets her, because it's the one accusation she can't dismiss. The scene turns on a quiet joke about eavesdropping: both Benedick and Beatrice are talked into love by words they weren't meant to hear, and both believe they figured it out themselves. As Hero puts it, "Some Cupid kills with arrows, some with traps."

Theme

RomanceBeatrice is talked into love by an overheard conversation, then vows to requite Benedick and tame her wild heart.
PrideHer pride is the wall the trick has to break; Ursula attacks it directly, and overhearing that attack is what finally moves her.

このチャプターで学べること

  • A double meaning lets a dinner errand sound like a love note.
  • Puns give the lovers a safe way to test each other.
  • The same trick that caught him now catches her.
  • Her pride falls not to an argument but to flattery.
  • Old words like limed and haps make the trap feel like hunting.

発音のポイント

  • meaning in that — Run meaning in that together as one unit.
  • fire is in — Link fire, is and in so the three run together.
  • heart to thy — The t in heart often drops, sliding into to thy.
There's a double meaning in that.

Benedick takes Beatrice's ordinary dinner message and decides it secretly declares her love. He's inventing the subtext, which is exactly the joke.

Some Cupid kills with arrows, some with traps.

Hero's verdict on the trick: Cupid doesn't only strike with love at first sight. Sometimes people are caught by a scheme — and it works on Beatrice.

What fire is in mine ears?

Beatrice, alone, can't cool down what she's just heard. The 'fire' is the sting of being praised and criticized in the same breath, and it moves her toward love.

I will requite thee, taming my wild heart to thy loving hand.

She promises to return his love and gives up her independence — the wild heart is hers, and she hands the reins to Benedick.

Disdain and scorn ride sparkling in her eyes, misprising what they look on, and her wit values itself so highly, that to her, all matter else seems weak.

Ursula's description of Beatrice's greatest flaw: contempt in her eyes and a wit that rates itself above everything. It's the precise pride the trick exploits.

I took no more pains for those thanks than you take pains to thank me.

Beatrice's answer when thanked for coming: the effort she spent equals the effort he spent thanking her — barely any. A double-edged compliment turned into a small insult.

このシーンについての質問

Why does Beatrice fall for the trick so easily?

She doesn't realize Hero and Ursula are performing for her. Because she's hidden and hears it as private, she believes the praise of Benedick and the criticism of her pride are honest — and the pride charge is the one she can't shrug off.

Why is Beatrice so sure the conversation is real?

It's pitched at her exact weak spot. Ursula says Benedick deserves "as much as may be yielded to a man," then blames her proud heart, which sounds too unflattering to be staged for her benefit.

What does Benedick mean by "a double meaning"?

He replays Beatrice's message about dinner and convinces himself it hides a confession of love. There is no second meaning — he invents one, because he now wants there to be.

Does Beatrice ever admit she was tricked?

Not here. She keeps it private: she asks "What fire is in mine ears?" and then vows to "requite" Benedick, deciding on her own to love him — which is exactly what the trick was designed to produce.

Who says "Some Cupid kills with arrows, some with traps"?

Hero does, as a wry summary of what they've just done. Arrows are love at first sight; traps are staged conversations like this one, which caught Beatrice without her noticing.

から騒ぎ · 全 24 章

すべて見る →
第 13 / 24 章 · 残り約 34 分