grant someone their due
Give her the right you should have given her cousin, and so dies my revenge.Much Ado About Nothing · 1993 — 第 21 / 24 章 · 2'16" · C1
Claudio accepts the penance laid on him and agrees to give Hero the honour he denied her, calling it the end of his revenge. Borachio clears Margaret face to face, while Dogberry keeps pushing his own small grievance. The scene closes on a farewell.
Claudio accepts his punishment and promises to honour Hero's memory, saying his revenge is over. He thanks the kindness shown him and takes his leave for the night. Borachio is brought face to face with Margaret and defends her innocence, and Dogberry adds one last complaint before leaving.
注目の表現
take my leavewring tears from someoneface to faceunder white and black
このシーンの表現
be on my way
Leonato has settled the marriage for tomorrow and now closes the meeting, formally taking his leave.
I must take my leave now, but I will call you tomorrow.
make someone cry
in person, directly
in writing, on record
a thorough scoundrel
a blessing said backwards
22 行のセリフに 27 件のメモ
grant someone their due
Give her the right you should have given her cousin, and so dies my revenge.and so it ends
Give her the right you should have given her cousin, and so dies my revenge.past modal: Should have given marks something owed but never done, with reproach.
Give her the right you should have given her cousin, and so dies my revenge.Should have reduces to something like should-av.
Give her the right you should have given her cousin, and so dies my revenge.make someone cry
Claudio is forgiven in public and answers with gratitude, his words courtly and moved.
Your overkindness doth wring tears from me.Link wring and tears so they run together.
Your overkindness doth wring tears from me.be on my way
Leonato has settled the marriage for tomorrow and now closes the meeting, formally taking his leave.
Tonight I take my leave.in person, directly
Leonato orders the guilty man brought directly before Margaret so the wrong is confronted in person.
This naughty man shall face to face be brought to Margaret, who was packed in all this wrong.be tangled in the affair
This naughty man shall face to face be brought to Margaret, who was packed in all this wrong.passive voice: Shall be brought is passive with a commanding tone: the man is to be taken there.
This naughty man shall face to face be brought to Margaret, who was packed in all this wrong.I swear it
Nay, by my soul, she was not, nor knew not what she did when she spoke to me,double negative: Nor with not is an archaic double negative, still meaning she did not know.
Nay, by my soul, she was not, nor knew not what she did when she spoke to me,in writing, on record
Dogberry reports an insult and first admits it was never written down, in fussy official style.
Moreover, sir, which indeed is not under white and black, the offender did call me "ass".non-restrictive relative clause: The which-clause adds a side remark; the main sentence still stands without it.
Moreover, sir, which indeed is not under white and black, the offender did call me "ass".Call and me blend into one sound.
Moreover, sir, which indeed is not under white and black, the offender did call me "ass".an insult for a fool — An old insult; it will offend if said to someone's face.
Moreover, sir, which indeed is not under white and black, the offender did call me "ass".I beg you
I beseech you, let it be remembered in his punishment.thanks for your trouble
I thank thee for thy care and honest pains.simile with like: Like introduces a simile, comparing his speech to a grateful young man's.
Your worship speaks like a most thankful and reverend youth, and I praise God for you.The s in praise can drop into God.
Your worship speaks like a most thankful and reverend youth, and I praise God for you.may God keep it
God save the foundation!off you go — Blunt dismissal from someone in charge; not rude slang but curt.
Go.release someone from
I discharge thee of thy prisoner, and I thank thee.as a warning to others
I leave with your worship an arrant knave, which I beseech you to correct yourself, for the example of others.Stress both words to land the insult.
I leave with your worship an arrant knave, which I beseech you to correct yourself, for the example of others.outright scoundrel — Archaic insult, now mostly literary.
I leave with your worship an arrant knave, which I beseech you to correct yourself, for the example of others.bring someone back to health
God restore you to health.The final movement of the play is about putting things back together, and its tone keeps slipping between solemn and silly. Claudio plays the penitent properly — 'Give her the right you should have given her cousin, and so dies my revenge' — and his thanks are genuine enough to move the man he wronged: 'Your overkindness doth wring tears from me.' Beside this, Borachio's defence of Margaret matters more than it looks, because it clears an innocent woman from the plot while the play still believes Hero is dead. Then Dogberry arrives to insist that an insult to him be 'remembered in his punishment,' and the solemn scene turns comic on purpose. His farewell, 'God prohibit it,' is a blessing that wishes the opposite, the last of the malapropisms that make him who he is.
Give her the right you should have given her cousin, and so dies my revenge.Claudio accepts his penance: he will restore to Hero the honour he wrongly took, and with that his desire for revenge is finished.
Your overkindness doth wring tears from me.His move into tears at being treated gently after all he did, showing the penance has reached him.
This naughty man shall face to face be brought to Margaret, who was packed in all this wrong.The order that the guilty man be confronted with Margaret, since she too has been dragged into the false accusation.
Moreover, sir, which indeed is not under white and black, the offender did call me "ass".Dogberry's complaint that the prisoner insulted him, and his worry that the insult was never written down and might be forgotten.
I leave with your worship an arrant knave, which I beseech you to correct yourself, for the example of others.Dogberry handing over the prisoner, asking that he be corrected personally so others will learn from it.
I humbly give you leave to depart, and if a merry meeting may be wished, God prohibit it!His polite parting that turns into a backwards blessing: if anyone wishes them a happy meeting again, may God prevent it.
He believes Hero is dead because of the accusation he made, and the penance is a way to honour her memory. He says that once he restores her honour, his revenge is over.
It is the end of the matter as far as he is concerned. By giving Hero the honour he denied her, he gives up the anger that drove him to accuse her.
She was named in the scheme against Hero, and he is asked to face her. He insists she was innocent and did not know what she was doing.
The prisoner insulted him, and he wants that insult recorded and counted when the man is punished. He complains that it was never written down.
Dogberry means to offer a kind farewell, but his words come out backwards: may God prevent any happy meeting again. It is one of his comic mistakes of the wrong word.
次のチャプター · 第 22 章woo peaceablyBenedick and Beatrice Woo by Quarrelling
第 1 章merry warBeatrice and Benedick's Merry War
第 2 章turncoatBeatrice and Benedick Trade Insults
第 3 章turn husbandBenedick Scorns Hero and Marriage
第 4 章bear the yokeDon Pedro Woos Hero for Claudio
第 5 章cross someoneDon John Plots Against Claudio
第 6 章as merry as the day is longBeatrice Refuses to Marry
第 7 章wish someone joyDon John Deceives Claudio
第 8 章speak poniardsBeatrice Outwits Benedick
第 9 章a mountain of affectionDon Pedro Schemes to Match Beatrice
第 10 章make an oyster of someoneBenedick Mocks Men in Love
第 11 章bait the hookDon Pedro Tricks Benedick
第 12 章paper bullets of the brainBenedick Falls for Beatrice
第 13 章double meaningHero and Ursula Trick Beatrice
第 14 章by virtue of one's officeDogberry Instructs the Watch
第 15 章a rotten orangeClaudio Denies Hero at the Altar
第 16 章sway someoneFriar Francis Fakes Hero's Death
第 17 章in the height a villainBeatrice Asks Benedick to Kill Claudio
第 18 章little better thanDogberry Uncovers Don John's Plot
第 19 章flesh and bloodLeonato Confronts Claudio and Don Pedro
第 20 章brought to lightBorachio Confesses to Leonato
再生中 · 第 21 章take my leaveClaudio Accepts His Penance
第 22 章woo peaceablyBenedick and Beatrice Woo by Quarrelling
第 23 章an eye of favourBenedick Proposes to Beatrice
第 24 章hands against our heartsBenedick and Beatrice Deny Their Love