Amadeus · 1984 — 第 6 / 25 章 · 2'22" · B2

Salieri Teases Cavalieri About Mozart, Explained:made me mute

This lesson is really two conversations. Katerina brings the gossip — "And he's been commissioned to write an opera. Is it true?" — while Salieri answers every question but one. Then, when she asks what Mozart looks like, he warns her off: "Looks and talent don't always go together."

あらすじ

Alone at his home, Salieri confesses to God that he wanted only to sing for Him, yet was given the longing and then made mute. A servant announces Katerina Cavalieri, come for her lesson. Talk turns to a new piece — "It's Turkish," she says, because her hairdresser claims everything is Turkish this year — and then to gossip about Mozart's opera and his looks.

MonologuesSmall talkComplainingConfrontingTeacher & studentB2slowbritishClean
IMDb ↗

注目の表現

made me muteimplant the desiredeny me the talenta woman of taste

00:00 / 02:22
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Salieri's lament5 行練習ページ ↗
セリフをタップするとそこから再生

このシーンの表現

made me mute

left me unable to speak

Salieri accuses God of giving him the longing but leaving him mute.

Fear made me mute.

このシーンの他の表現

  • implant the desire

    put the wish inside someone

  • deny me the talent

    refuse to give me the gift

  • a woman of taste

    a woman with good judgement

  • go together

    match or come as a pair

  • news travels fast

    word gets around quickly

このシーンのメモ一覧

34 行のセリフに 16 件のメモ

表現 · B2make someone + adjective

left me unable to speak

Salieri accuses God of giving him the longing but leaving him mute.

...and then made me mute. Why?
文法 · B1made me mute

make + object + adjective: Make plus an object and adjective means to cause a state.

...and then made me mute. Why?
表現 · B2implant a desire

put the wish inside someone

Salieri asks why God implanted the desire but denied the talent.

...why implant the desire...
表現 · B2deny someone something

refuse to give me the gift

He asks why God gave him the longing and then denied him the talent.

And then deny me the talent?
表現 · A2come for a lesson

for a music lesson

Madame Cavalieri is here for her lesson,sir.
表現 · A2be Turkish

in Turkish style

It's Turkish.
表現 · A2Does he?

Is that so?

Does he?
表現 · B1give someone some gossip

share some gossip

Come,come! Give me some gossip.
表現 · B2news travels fast

word gets around quickly

Salieri notes that news travels fast in Vienna, hiding his own curiosity.

News travels fast in Vienna.
発音travels fast

Travels fast runs the consonants together.

News travels fast in Vienna.
表現 · A2Is it true?

really?

And he's been commissioned to write an opera. Is it true?
表現 · A1What's that?

what is it

- What's that? - A brothel.
表現 · A2look like

resemble

- What does he look like? - Mozart?
発音don't always

The t in don't is often dropped.

Looks and talent don't always go together,Katerina.
表現 · B2a woman of + noun

a woman with good judgement

Cavalieri says only talent matters to a woman of taste.

Only talent interests a woman of taste.
文法 · B2a woman of taste

postmodifier: Of taste modifies woman, meaning she has taste.

Only talent interests a woman of taste.

「Salieri Teases Cavalieri About Mozart」を読み解く

What's really going on

Salieri's opening prayer sets the tone: he wanted to serve God through music, and God answered by giving him the wish and taking away the means. So when Katerina arrives, gossip about Mozart isn't small talk to him — every detail is evidence. He notes that the new opera is set in a harem, which he translates for her as "a brothel," and when she asks what the composer looks like, he says she may be disappointed. "Looks and talent don't always go together," he adds, which is partly a warning about the man and partly Salieri reassuring himself. Katerina's reply, "Only talent interests a woman of taste," is both flattery and flirtation, and it leaves him the one thing he can still claim: judgment. The lesson resumes, but Salieri has already measured himself against Mozart.

Theme

AmbitionSalieri measures himself against Mozart all scene long, turning a singing lesson into a test of who was granted the gift.
FaithHe speaks to God directly, demanding why the wish for music came without the ability to make it.

このチャプターで学べること

  • Deny takes two objects: deny someone something.
  • Go together means pair well or occur together.
  • Made me mute uses make plus an object and adjective.
  • The gossip hides how much he wants to know.

発音のポイント

  • travels fast — Travels fast runs the consonants together.
  • don't always — The t in don't is often dropped.
...and then made me mute. Why?

Salieri's charge against God: He gave him the longing to make music but not the gift, so Salieri is 'mute.' The question is less a request for an answer than an accusation.

Only talent interests a woman of taste.

Katerina's answer to being warned that Mozart is ugly: she doesn't care about looks, only about talent. It's a polite way of saying she isn't as shallow as Salieri assumes — and a quiet compliment to the composer.

Looks and talent don't always go together,Katerina.

Said right after 'You might be disappointed,' it means beauty and ability rarely arrive together — so expect an ordinary-looking genius. In context it's both a warning about Mozart and a jab at the idea that Katerina cares about looks.

My hairdresser said everything this year's going to be Turkish.

Katerina's way of judging the new piece: her hairdresser told her Turkish style is the fashion this year, so she calls the music 'Turkish.' A joke about taste that follows whatever is stylish rather than what is good.

Well,I heard you met "Herr Mozart".

Katerina opens the gossip: she has heard Salieri has met Mozart — 'Herr Mozart,' with a hint of mock formality. It's the line that turns the lesson into a conversation about the rival Salieri can't stop thinking about.

このシーンについての質問

Why does Salieri call himself mute?

He means he has the desire to make music but not the gift. Mozart has both; Salieri, in his own telling, was given the longing and then denied the talent, so in his mind God made him mute.

Who is Katerina Cavalieri, and what is she doing here?

She's Salieri's singing pupil, arriving for a lesson. She also sings for the court, so she's useful for gossip — she has just met Mozart and is curious about the man and his new commission.

Why is everyone suddenly talking about Mozart?

He has been commissioned to write an opera, which the court is buzzing about. Katerina has heard of him and wants a part; Salieri, who has just met him, knows exactly where the opera is set and what Mozart looks like.

Does Salieri actually know what Mozart looks like?

Yes — he has met him, which is how the conversation turns. He warns Katerina she may be disappointed, then adds that looks and talent don't always go together, setting up how the opera's author will look.

Is Katerina offended when Salieri warns her about Mozart's looks?

No. She answers that looks don't concern her and that only talent interests a woman of taste — a polished put-down that both flatters herself and brushes off Salieri's warning about the man she is curious to meet.

アマデウス · 全 25 章

すべて見る →
第 6 / 25 章 · 残り約 70 分