Amadeus · 1984 — 第 22 / 25 章 · 4'06" · B1

Constanze Hides the Requiem, Explained:in my noodle

The visitor has come for the Magic Flute, but the household keeps stalling: "Tell him I'm working on it." Then he picks up a Requiem Mass left on the table, and the mood turns. Mozart swears the opera lives only "right here in my noodle" — while someone nearby grows frightened of him.

あらすじ

Constanze's household is dodging a visitor who has come to collect Mozart's new opera. They claim Mozart is out and that he's working on it. When the visitor spots a Requiem Mass on the table, they snatch it back and tell him to leave it alone. Mozart defends himself, saying the whole opera is in his head, while a frightened servant describes his drinking and weird behavior.

ArgumentsComplainingConfrontingB1slowbritish
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注目の表現

in my noodleworking on itin the funeral businessto hell with

00:00 / 04:06
Space 再生 · ← → セリフ移動 · R リピート
いま
  1. ❝ 独白Schikaneder's ultimatum4 行練習ページ ↗
  2. ❝ 独白The maid's fear4 行練習ページ ↗
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このシーンの表現

in my noodle

in my head

Cornered for the score, Mozart taps his own head and says the whole opera is already finished up there.

The tune is still in my noodle; I just haven't written it down.

このシーンの他の表現

  • working on it

    be working at it

  • in the funeral business

    work in funerals

  • to hell with

    forget it, damn it

  • doing his best

    try as hard as one can

  • you little cunt

    a vicious insult

このシーンのメモ一覧

59 行のセリフに 25 件のメモ

表現 · B1be working on something

be working at it

Someone comes pressing for the score, and Mozart has Constanze tell him he is working on it.

Tell him I'm working on it.
発音working on it

The three words link smoothly across the consonants.

Tell him I'm working on it.
表現 · B1our friend

that friend of ours refers to Mozart here

Good. Where's our friend?
発音Where's our

Where's our runs together into one beat.

Good. Where's our friend?
表現 · B1be happy with something

satisfied with

Is he happy with it?
表現 · B2a Requiem Mass

a mass for the dead

What's this? A Requiem Mass?
表現 · B2be in the ... business

work in funerals

Schikaneder picks up the Requiem score and jabs at it; Constanze snaps at him to leave it alone.

- You think I'm in the funeral business? - Leave that alone!
表現 · B1leave something alone

don't touch it

- You think I'm in the funeral business? - Leave that alone!
表現 · A2put something down

set something down

- Put it down! It's nothing for you! - I'm sorry.
表現 · A2have you got something

do you have something

What have you got for me?
表現 · B1there's nothing to see

nothing to look at

Because there's nothing to see.
表現 · B1start rehearsals

begin rehearsing

...I asked you if we could start rehearsals next week and you said yes.
文法 · B2if we could start

if-clause object: Here 'if' means 'whether', not a condition.

...I asked you if we could start rehearsals next week and you said yes.
表現 · A2let me see something

show it to me

- Well,we can. - So let me see it. Where is it?
表現 · A2the rest of something

the remainder

It's all right here in my noodle. The rest is just scribbling.
スラング · C1you little cunt

a vile insult — The harshest insult; recognize it, never use it.

- Like a drink? - Look,you little cunt!
文法 · B2how many people I've hired

embedded question: The indirect question keeps normal word order inside the clause.

Do you know how many people I've hired?
表現 · B1do one's best

try as hard as one can

As Schikaneder rails that Mozart is stalling, Constanze defends him: he is doing his best.

- He's doing his best. - Paying them to wait. It's ridiculous!
文法 · B2Only an idiot would

hypothetical would: 'Would' frames the act as absurdly hypothetical, which makes it a rhetorical dig.

Only an idiot would ask him to work on that!
スラング · B1mad

crazy — Common in British speech; do not aim it at elders.

You're mad.
表現 · A2write something down

put it in writing

Just write it down.
表現 · B1be no use to someone

useless to someone

It's no use to anybody in your head.
表現 · B1know what it's like

know how it feels

You don't know what it's like.
表現 · B1make no sense

be understandable

Lorl tells Salieri that when Mozart speaks, nothing he says is coherent.

- When he speaks,he makes no sense. - Is he working?
表現 · A2all the time

constantly

He sits there all the time,doing some silly opera.

「Constanze Hides the Requiem」を読み解く

What's really going on

On the surface this is a scheduling argument: a producer wants his opera, and the composer's household wants him left alone. Underneath, two things are being protected. One is the secret Requiem, which the visitor is not supposed to see — hence the sudden "Put it down! It's nothing for you!" The other is Mozart himself, who is visibly coming apart. He insists the work is finished because it exists "all right here in my noodle. The rest is just scribbling," but nobody around him hears a genius; they hear a man who drinks all day and makes no sense. The argument over the Magic Flute versus the death Mass is really an argument over who owns his remaining time.

Theme

SecretsThe Requiem is a private commission the household scrambles to keep out of a visitor's hands.
MoneyThe fight over the opera and the Requiem keeps coming back to what pays: "Money. Money."

このチャプターで学べること

  • Noodle is slang, and here it means the composer's head.
  • Work on it is a polite way to say nothing is finished.
  • The curse at the end ends his patience, not the argument.
  • Lorl's fear comes out in short, repetitive sentences.

発音のポイント

  • working on it — The three words link smoothly across the consonants.
  • Where's our — Where's our runs together into one beat.
It's all right here in my noodle. The rest is just scribbling.

Mozart claims the whole opera already exists in his head; writing it down is just mechanical copying.

It's no use to anybody in your head.

Someone's frustration: music that stays in his mind can't be performed or paid for.

You don't know what it's like.

The servant's defense when asked about Mozart — a plea that his situation can't be understood from outside.

Only an idiot would ask him to work on that!

Mozart's rage at whoever pushed the frivolous opera on him while the Requiem waits.

You know what's ridiculous? Your libretto!

He fires back by calling the other man's own script the real waste of time.

I'm frightened. I'm very,very frightened!

The servant's plain admission of fear at how Mozart is behaving.

He sits there all the time,doing some silly opera.

The servant's report: Mozart is stuck composing something trivial instead of the work demanded.

Because there's nothing to see.

Mozart's excuse for not handing over the score — there is no finished manuscript on paper.

このシーンについての質問

Why does the visitor get so angry about Mozart working on the Magic Flute?

Because he is paying for the opera and hiring the performers. From his side, every day Mozart spends on the Requiem is money burning while the cast waits, which is why he snaps, "I'm paying them!"

Why won't Mozart show anyone the score?

He says there is nothing to see, because the whole opera is still in his head. He treats the written score as a formality, so handing it over would mean admitting the work barely exists yet.

Who is the servant so frightened of?

She is frightened of Mozart himself. She tells her listener that "Herr Mozart" drinks all day, takes medicine that makes him worse, and makes no sense when he speaks.

Why is the household hiding the Requiem Mass?

It is a secret commission, and they do not want the visitor to know Mozart is dividing his time between it and the opera. Hence the rush to snatch it back and say it is nothing for him.

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