write what is spoken
Page after page of it. As if he were just taking dictation.Amadeus · 1984 — 第 11 / 25 章 · 4'51" · B2
Salieri isn't just reading music — he's meeting the mind that wrote it. "Page after page of it. As if he were just taking dictation." Mozart's manuscripts have no corrections, and for Salieri that proves God speaks through a man he despises.
Young Salieri examines Mozart's original scores and finds them flawless — no corrections, not one. He concludes that a power he can't match speaks through his rival. Then Constanze Mozart arrives to ask Salieri to help her husband win a royal post, and he names his price: come back tonight, alone.
注目の表現
miraculousin returnthat is the priceup to you
このシーンの表現
like a miracle
Asked if the work is good, Salieri answers that it is miraculous.
The recovery was miraculous.
as a reward or exchange
that is what it costs
your decision
writing down what is spoken
have dinner with someone
56 行のセリフに 16 件のメモ
write what is spoken
Page after page of it. As if he were just taking dictation.not a coincidence
... had been no accident.precisely that one
Here again was the very voice of God.Voice of God blends across the words.
Here again was the very voice of God.like a miracle
Asked if the work is good, Salieri answers that it is miraculous.
It is miraculous.have dinner with someone
Salieri mentions he dines with the emperor, hinting at his influence.
I dine with the emperor tomorrow evening.a single word from someone
One word from me and the post is his.Post is his runs together.
One word from me and the post is his.as a reward or exchange
He frames his demand as a fair exchange with in return.
Some service deserves service in return.your decision
He leaves the choice to Constanze, politely shifting all the pressure to her.
It's up to you.that is what it costs
Salieri stops being subtle and names the price outright.
And not to be vague,that is the price.parenthetical: The parenthetical means to put it plainly.
And not to be vague,that is the price.night fell
Evening came.unsure
I sat there,not knowing whether she would return or not.participle phrase: The negative participle describes his state while sitting.
I sat there,not knowing whether she would return or not.usher someone in
Show her in.The manuscripts are the real turning point: Salieri expected to find a rival's drafts and instead finds something finished. "Here again was the very voice of God." That line isn't admiration — it's a verdict against himself, because God chose the vulgar little man over the pious one. The price he sets for Constanze turns his faith into a transaction: "And not to be vague, that is the price." He is not just bargaining for her body; he is testing whether God will reward him for helping Mozart. When he prays to be entered, the film frames genius itself as something he can only receive secondhand, never own.
Here again was the very voice of God.The music sounds divine to Salieri — proof that God, not Mozart, is the real author. It is his accusation as much as his praise.
One word from me and the post is his.Salieri dangles his influence at court: a single recommendation from him can hand Mozart the appointment Constanze is begging for.
Page after page of it. As if he were just taking dictation.The manuscripts are so clean it looks like Mozart wrote down what God dictated, instead of drafting and revising like everyone else.
And not to be vague,that is the price.Salieri drops the courtly hints and states his condition outright: the price of his help is what Constanze must give up.
I sat there,not knowing whether she would return or not.Waiting that night, Salieri admits he was anxious and uncertain — he had no idea if his offer would be taken up.
He turns the favor into a transaction. He will push for Mozart's court appointment, but what he wants in return is her, not gratitude.
It means writing down words someone else speaks. Salieri is saying Mozart composed as if God dictated the music and he simply wrote it out.
The scene ends with a servant announcing that the lady has returned and Salieri telling him to show her in, so the answer is yes.
Because he finds no flaw in it and cannot accept that this crude young man wrote it, so he reads it as divine proof rather than human talent.
Not only. He offers to help Mozart in exchange for a sign, but what he is asking for is to be chosen and loved the way Mozart seems to be.
次のチャプター · 第 12 章achieve mediocritySalieri Declares War on God
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
再生中 · 第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation