frightened me badly
Salieri says his own simple plan terrified him.
...that it terrified me.Amadeus · 1984 — 第 20 / 25 章 · 3'54" · B2
Salieri isn't just confessing a murder fantasy. "I must achieve his death" is a composer's plan to turn Mozart's funeral into his own masterpiece — a Requiem he can hold up to God as proof he was chosen too, and to silence the God who never answered him.
In the asylum, Salieri tells Father Vogler how he finally found his revenge. He will secretly commission Mozart's death Mass, then have him killed and perform the Requiem over the coffin himself. He pictures all Vienna in the cathedral, silenced by music everyone believes only God could have written.
注目の表現
terrified meachieve his deathbursts outtouched by God
このシーンの表現
personally, not by proxy
Salieri admits doing it with your own hands is another matter.
You have to do it with your own hands.
frightened me badly
bring about his death
suddenly erupts
blessed or inspired
a man of noble rank
38 行のセリフに 16 件のメモ
frightened me badly
Salieri says his own simple plan terrified him.
...that it terrified me.bring about his death
Salieri frames murder as a goal to achieve.
...I must achieve his death.the whole city
The cathedral,all Vienna sitting there.in the quiet
...in that silence...suddenly erupts
He imagines the music bursting out over the crowd.
...bursts out over them all.Bursts out blends across the words.
...bursts out over them all.a Mass for the dead
A great Mass of death.blessed or inspired
Salieri says he has been touched by God at last.
Salieri has been touched by God at last...this one time
I,for once,in the end,laughing at him!the deed itself
The only thing that worried me was the actual killing.relative clause: The relative clause identifies the one thing that worried him.
The only thing that worried me was the actual killing.one matter
It's one thing...personally, not by proxy
Salieri admits doing it with your own hands is another matter.
...with your own hands.prepositional phrase: The phrase stresses doing it yourself.
...with your own hands.Own hands runs together.
...with your own hands.a man of noble rank
A guest insists he is a nobleman who only dines with his equals.
I've come to dinner Dinner! Are you mad? I'm a nobleman!Strip the drama away and this is a confession about authorship. Salieri does not simply want Mozart gone; he wants the Requiem — the music the world will believe came from heaven — to be signed 'Antonio Salieri.' His fantasy ends not at the grave but in front of God: "Salieri has been touched by God at last... and God forced to listen!" The murder is secondary, almost an administrative step. What troubles him is that fantasy and deed are different things: "The only thing that worried me was the actual killing." He can stage the funeral in his head, but the hands-on part is where the plan becomes a crime.
First,I must get the death Mass,and then...The first step of his plan: secretly obtain the Requiem Mozart is writing, so it can become Salieri's own work.
Salieri has been touched by God at last...What he imagines the audience whispering at the funeral — proof, to him, that he has finally been chosen the way Mozart was.
I,for once,in the end,laughing at him!His real goal: not just to kill Mozart but to mock God, to be the one who laughs last.
The only thing that worried me was the actual killing.He can plan and dream without trouble; the single hard part is the physical act of murder.
His coffin. Mozart's little coffin in the middle.The image that drives the fantasy: Mozart dead in the cathedral, the tiny coffin at the centre of the ceremony.
Because the Requiem would let Salieri claim the one thing he wants most: a masterpiece that proves God touched him instead of Mozart. Killing Mozart is how he takes the music for himself and stages his revenge.
In his fantasy, the Requiem is so sublime that all Vienna will believe Salieri was finally chosen by God. If God cannot stop the performance, Salieri wins the argument he has been having with heaven.
Dreaming about a murder costs nothing; doing it with his own hands is a different thing entirely. Salieri can imagine the funeral and the music, but he has no idea how a man actually kills someone.
Mostly about God. Mozart is the instrument; the Requiem is Salieri's message to heaven. He wants the world to hear that he, not Mozart, was the one who deserved the gift.
次のチャプター · 第 21 章a lost causeMozart Begs the Baron for Money
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
再生中 · 第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation