Amadeus · 1984 — 第 20 / 25 章 · 3'54" · B2

Salieri's Plan to Kill Mozart, Explained:with your own hands

Salieri isn't just confessing a murder fantasy. "I must achieve his death" is a composer's plan to turn Mozart's funeral into his own masterpiece — a Requiem he can hold up to God as proof he was chosen too, and to silence the God who never answered him.

あらすじ

In the asylum, Salieri tells Father Vogler how he finally found his revenge. He will secretly commission Mozart's death Mass, then have him killed and perform the Requiem over the coffin himself. He pictures all Vienna in the cathedral, silenced by music everyone believes only God could have written.

MonologuesStorytellingConfessingExplainingB2slowbritishClean
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注目の表現

terrified meachieve his deathbursts outtouched by God

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  1. ❝ 独白Salieri imagines the killing8 行練習ページ ↗
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このシーンの表現

with your own hands

personally, not by proxy

Salieri admits doing it with your own hands is another matter.

You have to do it with your own hands.

このシーンの他の表現

  • terrified me

    frightened me badly

  • achieve his death

    bring about his death

  • bursts out

    suddenly erupts

  • touched by God

    blessed or inspired

  • a nobleman

    a man of noble rank

このシーンのメモ一覧

38 行のセリフに 16 件のメモ

表現 · B2terrify someone

frightened me badly

Salieri says his own simple plan terrified him.

...that it terrified me.
表現 · C1achieve something

bring about his death

Salieri frames murder as a goal to achieve.

...I must achieve his death.
表現 · B2all + place

the whole city

The cathedral,all Vienna sitting there.
表現 · B1in the silence

in the quiet

...in that silence...
表現 · B2burst out

suddenly erupts

He imagines the music bursting out over the crowd.

...bursts out over them all.
発音bursts out

Bursts out blends across the words.

...bursts out over them all.
表現 · B2a Mass of ...

a Mass for the dead

A great Mass of death.
表現 · B2be touched by God

blessed or inspired

Salieri says he has been touched by God at last.

Salieri has been touched by God at last...
表現 · B2for once

this one time

I,for once,in the end,laughing at him!
表現 · B2the actual + noun

the deed itself

The only thing that worried me was the actual killing.
文法 · B2The only thing that worried me

relative clause: The relative clause identifies the one thing that worried him.

The only thing that worried me was the actual killing.
表現 · B2it's one thing to ... , another to ...

one matter

It's one thing...
表現 · B2with one's own hands

personally, not by proxy

Salieri admits doing it with your own hands is another matter.

...with your own hands.
文法 · B2with your own hands

prepositional phrase: The phrase stresses doing it yourself.

...with your own hands.
発音own hands

Own hands runs together.

...with your own hands.
表現 · B2be a nobleman

a man of noble rank

A guest insists he is a nobleman who only dines with his equals.

I've come to dinner Dinner! Are you mad? I'm a nobleman!

「Salieri's Plan to Kill Mozart」を読み解く

What's really going on

Strip the drama away and this is a confession about authorship. Salieri does not simply want Mozart gone; he wants the Requiem — the music the world will believe came from heaven — to be signed 'Antonio Salieri.' His fantasy ends not at the grave but in front of God: "Salieri has been touched by God at last... and God forced to listen!" The murder is secondary, almost an administrative step. What troubles him is that fantasy and deed are different things: "The only thing that worried me was the actual killing." He can stage the funeral in his head, but the hands-on part is where the plan becomes a crime.

Theme

RevengeSalieri turns Mozart's death Mass into a weapon aimed at God, using the funeral to settle a private score.
FaithHe measures himself against God throughout, begging to be chosen and finally claiming the Requiem as proof he was.

このチャプターで学べること

  • Achieving death is a cold, mismatched collocation.
  • With your own hands stresses doing it personally.
  • Burst out means erupt suddenly.
  • His fear is of the deed, not the plan.

発音のポイント

  • bursts out — Bursts out blends across the words.
  • own hands — Own hands runs together.
First,I must get the death Mass,and then...

The first step of his plan: secretly obtain the Requiem Mozart is writing, so it can become Salieri's own work.

Salieri has been touched by God at last...

What he imagines the audience whispering at the funeral — proof, to him, that he has finally been chosen the way Mozart was.

I,for once,in the end,laughing at him!

His real goal: not just to kill Mozart but to mock God, to be the one who laughs last.

The only thing that worried me was the actual killing.

He can plan and dream without trouble; the single hard part is the physical act of murder.

His coffin. Mozart's little coffin in the middle.

The image that drives the fantasy: Mozart dead in the cathedral, the tiny coffin at the centre of the ceremony.

このシーンについての質問

Why does Salieri want to commission Mozart's Requiem and then kill him?

Because the Requiem would let Salieri claim the one thing he wants most: a masterpiece that proves God touched him instead of Mozart. Killing Mozart is how he takes the music for himself and stages his revenge.

Why does Salieri say God would be forced to listen?

In his fantasy, the Requiem is so sublime that all Vienna will believe Salieri was finally chosen by God. If God cannot stop the performance, Salieri wins the argument he has been having with heaven.

Why is the actual killing the only thing that worries him?

Dreaming about a murder costs nothing; doing it with his own hands is a different thing entirely. Salieri can imagine the funeral and the music, but he has no idea how a man actually kills someone.

Is Salieri's plan really about Mozart, or about God?

Mostly about God. Mozart is the instrument; the Requiem is Salieri's message to heaven. He wants the world to hear that he, not Mozart, was the one who deserved the gift.

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