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Amadeus · 1984 — 第 25 / 25 章 · 3'06" · B2

Mozart's Last Dictation, Explained：doubling the voices

On the surface, it's a race to keep up: one man calls out 'Now the tenors' and 'Now the orchestra' while the other fights to write every part down. Underneath, the tension is speed itself — music that arrives faster than any hand can capture it.

あらすじ

A man dictates a score that exists only in his head, instrument by instrument: 'Fourth beat of the first measure, on C,' then bassoons, trombones and basses, each entry spelled out. The person with him writes it all down and keeps asking for details back — 'Bassoon to trombone what?' — as the music keeps moving.

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注目の表現

go too fasthave itdoubling the voiceswith the tenors

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このシーンの表現

doubling the voices

echoing the vocal line

Mozart explains that the instruments simply double the vocal line.

The violins are doubling the voices in the final chorus.

このシーンの他の表現

  • go too fast

    move too quickly

  • have it

    to grasp it

  • with the tenors

    together with the tenors

  • the first measure

    the opening bar

  • All right

    is that okay

このシーンのメモ一覧

33 行のセリフに 15 件のメモ

表現 · A2the first measure

the opening bar

Mozart calls out the bar and beat so Salieri can notate it exactly.

Fourth beat of the first measure,on C.
表現 · A2the (ordinal) beat

the fourth beat

Second measure,fourth beat. D.
表現 · A2All right?

is that okay

Mozart checks that Salieri is following before moving on.

- All right? - Yes,continue.
発音All right

The t in all right is often dropped, so it sounds close to aw-right.

- All right? - Yes,continue.
表現 · A2the (ordinal) beat of something

the second beat

Second beat of the fourth measure,on F.
表現 · A2Now the (section)

next comes the orchestra

Now the orchestra. Second bassoon,bass trombones,basses.
表現 · B1notes and rhythm

the notes and the rhythm

Identical notes and rhythm.
表現 · B1with the (section)

together with the tenors

Mozart assigns the instruments to play along with the tenors.

First bassoon,tenor trombones,with the tenors.
文法 · B1with the tenors

with phrase: The preposition with links one part to another that plays or works alongside it.

First bassoon,tenor trombones,with the tenors.
表現 · A2go too fast

move too quickly

Salieri cannot keep up and blurts out that Mozart is going too fast.

- You go too fast. - Do you have it?
表現 · B1have it

to grasp it

Mozart checks whether Salieri has grasped each instruction.

- You go too fast. - Do you have it?
発音Do you have it

Do you and have it run together, so the question comes out in one breath.

- You go too fast. - Do you have it?
表現 · C1double the voices

echoing the vocal line

Mozart explains that the instruments simply double the vocal line.

- Identical? - The instruments doubling the voices.
表現 · A2the (section) instruments

the instruments

- Identical? - The instruments doubling the voices.
文法 · B2doubling the voices

present participle: The present participle doubling describes what the instruments are doing.

- Identical? - The instruments doubling the voices.

「Mozart's Last Dictation」を読み解く

What's really going on

The scene is built to make us feel the gap between hearing and writing. One man can produce this music from memory, dictating 'Fourth beat of the first measure, on C' and explaining that the instruments are 'doubling the voices'; the other can only copy what he is told. 'You go too fast' is not really about tempo. It is the sound of a person realizing that the music already sits complete in someone else's head, and that his own hand may never catch it. Each clarification — 'Bassoon to trombone what?' — makes the distance plainer: one owns the piece, the other only writes it down.

Theme

AmbitionA composer pours out a score from memory while another man can only copy it down, exposing the gap between gift and effort.

このチャプターで学べること

  • To go too fast is to move faster than someone can follow.
  • To have it means to grasp or remember it.
  • With the tenors links an instrument to the vocal section.

発音のポイント

  • All right — The t in all right is often dropped, so it sounds close to aw-right.
  • Do you have it — Do you and have it run together, so the question comes out in one breath.
- You go too fast. - Do you have it?

A complaint and a check-in: the listener can't keep pace, while the speaker asks whether the notes have been captured.

Now the orchestra. Second bassoon,bass trombones,basses.

The dictation moves to the orchestra, naming the low instruments — second bassoon, bass trombones and basses — that enter here.

First bassoon,tenor trombones,with the tenors.

The first bassoon and tenor trombones are told to play the same line as the tenor voices.

- Bassoon to trombone what? - With the tenors.

A clarification of how the bassoon and trombone parts relate: both follow the tenor line.

Second beat of the fourth measure,on F.

A precise cue: in the fourth bar, the second beat begins on the note F.

このシーンについての質問

Who is dictating the music, and who is writing it down?

The dialogue gives it away: one person rattles off every part while the other asks 'Bassoon to trombone what?' and complains 'You go too fast' — the writer is clearly the one trying to keep up.

Why does the composer keep going even when the other can't keep up?

Nothing in the lines suggests impatience or cruelty. The music is already complete in his head, and he assumes it can be transferred as fast as he can say it.

What does 'doubling the voices' mean here?

In this scene it means the instruments play the same melodic line as the singers, reinforcing the voices rather than adding an independent part.

Is the writer fast enough to capture what he hears?

No — 'You go too fast' and the repeated requests for clarification show he is falling behind, even though the notes are spelled out for him.

アマデウス · 全 25 章

すべて見る →
第 1 章trained monkeySalieri Begins His Confession第 2 章seek him outSalieri Recalls His Answered Vow第 3 章fiendMozart's Backwards Proposal第 4 章beyond his abilitiesSalieri Hears the Voice of God第 5 章down to businessMozart Meets the Emperor第 6 章made me muteSalieri Teases Cavalieri About Mozart第 7 章take it too hardToo Many Notes, Mozart第 8 章the fault is mineSalieri Learns Mozart Had Katerina第 9 章come flockingMozart Refuses the Committee第 10 章slips through his fingersConstanze Brings Mozart's Originals第 11 章taking dictationSalieri Reads Mozart's Manuscripts第 12 章achieve mediocritySalieri Declares War on God第 13 章explode like a bombMozart Borrows Money From Salieri第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna第 15 章sick to death ofLorl Offers to Be Mozart's Maid第 16 章go mad forMozart Defends Figaro to the Emperor第 17 章fed to the teethMozart Argues Opera With the Court第 18 章take this up withMozart's Figaro Ballet Fight第 19 章accept the factSalieri Explains the Emperor's Yawns第 20 章with your own handsSalieri's Plan to Kill Mozart第 21 章a lost causeMozart Begs the Baron for Money第 22 章in my noodleConstanze Hides the Requiem第 23 章killing meThe Messenger Demands the Requiem第 24 章cheer someone upSalieri Helps Mozart Write the Requiem再生中 · 第 25 章doubling the voicesMozart's Last Dictation
この作品の 25 章はここまでです