in written form
Salieri says that on the page it looked like nothing.
On the page it looked...Amadeus · 1984 — 第 4 / 25 章 · 4'02" · B2
Salieri describes a Mozart melody to the priest: the winds creep in like a rusty squeezebox until an oboe rises above them, and he calls it the voice of God. Then he turns on the same God: "Why would God choose an obscene child to be his instrument?" In Vienna, the court weighs Mozart's gifts against his excess.
In the asylum, Salieri tells Father Vogler about a Mozart piece that first sounds ordinary - like a rusty squeezebox - then lifts into a single unwavering oboe note. He says it made him feel he was hearing the voice of God, and asks why God would choose an obscene child as his instrument. At court, the Emperor and his advisers debate Mozart's Idomeneo and decide to invite him to Vienna.
注目の表現
on the pagea performing monkeyunfulfillableobscene child
このシーンの表現
more than he can manage
The courtier dismisses Mozart as reaching beyond his abilities.
He tried to act beyond his abilities.
in written form
someone who only performs tricks
impossible to satisfy
a filthy-minded child
notably impressive
57 行のセリフに 18 件のメモ
in written form
Salieri says that on the page it looked like nothing.
On the page it looked...someone who only performs tricks
Salieri decides this is real music, not tricks from a performing monkey.
This was no composition by a performing monkey.emphatic negation: No plus a noun is a stronger negation than not a.
This was no composition by a performing monkey.longing that cannot be met
Filled with such longing, such unfulfillable longing.a divine voice
It seemed to me I was hearing the voice of God.Hearing the blends across the words.
It seemed to me I was hearing the voice of God.be used by someone
Why would God choose an obscene child to be his instrument?must have been
This piece had to be an accident. It had to be.notably impressive
Salieri openly calls Mozart remarkable before the emperor.
He's remarkable,Majesty. I heard an extraordinary opera of his last month.Extraordinary opera runs together.
He's remarkable,Majesty. I heard an extraordinary opera of his last month.more than he can manage
The courtier dismisses Mozart as reaching beyond his abilities.
A young man trying to impress beyond his abilities.too much flavouring
Too much spice.an excessive number of notes
Too many notes.try to some degree
Then,we should make some effort to acquire him.prepositional phrase: The phrase specifies the language of the opera.
...an opera in German for our National Theater.the suitable language for
Italian is the proper language for opera.as I see it
In my opinion,it's time we had a piece in our own language.share someone's view
...I must agree with "Herr Direttore".The scene runs on a contradiction Salieri cannot resolve. He hears a piece so pure that it seems divine - "It seemed to me I was hearing the voice of God" - yet the man who wrote it is, in his eyes, vulgar and childish. His question, "Why would God choose an obscene child to be his instrument?", is not really about Mozart; it is the beginning of his grievance against heaven. The cut to the court makes the same puzzle social. The Emperor's men measure Mozart by taste and manners - too much spice, too many notes - and nearly talk themselves out of hiring a genius. Salieri, still praising him, quietly keeps himself in the middle of the decision.
It seemed to me I was hearing the voice of God.The peak of Salieri's description: the oboe melody is so clean that he experiences it as divine, which is exactly what makes its human author unbearable.
Why would God choose an obscene child to be his instrument?His grievance in one question - not disbelief in God but protest that such a gift went to someone he finds vulgar.
He's remarkable,Majesty. I heard an extraordinary opera of his last month.The measured court verdict: Salieri concedes Mozart is extraordinary, introducing Idomeneo as evidence while others are ready to dismiss it.
A young man trying to impress beyond his abilities.The court's dismissal of Mozart - not a bad composer but a young one overreaching, trying for more than he can manage.
We could use a good German composer in Vienna,surely?The practical turn: the Emperor frames hiring Mozart as filling a post, turning a genius into a useful civic asset.
A melody by Mozart, starting with winds that sound almost comic and then rising to a single oboe note. He tells Father Vogler it made him feel he was hearing the voice of God.
He means it as an insult about Mozart's crude behavior and humor, not his age. To Salieri the man is vulgar, which is why the beauty of his music feels like a divine injustice.
It is Italian for bad or wicked, said with a smile. The Emperor is teasing Salieri for praising Mozart while clearly working to keep his own position safe.
They admire his talent but distrust his taste. One adviser calls Idomeneo tiresome and overstuffed, and the debate turns on whether opera should be in German rather than on Mozart himself.
He decides to bring him to Vienna, saying he wants to meet the young man and asking for a pleasant welcome. He also proposes a German opera for the National Theater, setting up the conflict to come.
次のチャプター · 第 5 章down to businessMozart Meets the Emperor
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
再生中 · 第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation