Amadeus · 1984 — 第 4 / 25 章 · 4'02" · B2

Salieri Hears the Voice of God, Explained:beyond his abilities

Salieri describes a Mozart melody to the priest: the winds creep in like a rusty squeezebox until an oboe rises above them, and he calls it the voice of God. Then he turns on the same God: "Why would God choose an obscene child to be his instrument?" In Vienna, the court weighs Mozart's gifts against his excess.

あらすじ

In the asylum, Salieri tells Father Vogler about a Mozart piece that first sounds ordinary - like a rusty squeezebox - then lifts into a single unwavering oboe note. He says it made him feel he was hearing the voice of God, and asks why God would choose an obscene child as his instrument. At court, the Emperor and his advisers debate Mozart's Idomeneo and decide to invite him to Vienna.

StorytellingMeetingsExplainingPersuadingB2slowbritishClean
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注目の表現

on the pagea performing monkeyunfulfillableobscene child

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  1. ❝ 独白Salieri's question7 行練習ページ ↗
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このシーンの表現

beyond his abilities

more than he can manage

The courtier dismisses Mozart as reaching beyond his abilities.

He tried to act beyond his abilities.

このシーンの他の表現

  • on the page

    in written form

  • a performing monkey

    someone who only performs tricks

  • unfulfillable

    impossible to satisfy

  • obscene child

    a filthy-minded child

  • remarkable

    notably impressive

このシーンのメモ一覧

57 行のセリフに 18 件のメモ

表現 · B2on the page

in written form

Salieri says that on the page it looked like nothing.

On the page it looked...
表現 · C1a performing monkey

someone who only performs tricks

Salieri decides this is real music, not tricks from a performing monkey.

This was no composition by a performing monkey.
文法 · B2no composition by

emphatic negation: No plus a noun is a stronger negation than not a.

This was no composition by a performing monkey.
表現 · C1unfulfillable + noun

longing that cannot be met

Filled with such longing, such unfulfillable longing.
表現 · B2the voice of God

a divine voice

It seemed to me I was hearing the voice of God.
発音hearing the

Hearing the blends across the words.

It seemed to me I was hearing the voice of God.
表現 · B2be someone's instrument

be used by someone

Why would God choose an obscene child to be his instrument?
表現 · B1had to be

must have been

This piece had to be an accident. It had to be.
表現 · B2be remarkable

notably impressive

Salieri openly calls Mozart remarkable before the emperor.

He's remarkable,Majesty. I heard an extraordinary opera of his last month.
発音extraordinary opera

Extraordinary opera runs together.

He's remarkable,Majesty. I heard an extraordinary opera of his last month.
表現 · B2beyond one's abilities

more than he can manage

The courtier dismisses Mozart as reaching beyond his abilities.

A young man trying to impress beyond his abilities.
表現 · A2too much + noun

too much flavouring

Too much spice.
表現 · A2too many + plural noun

an excessive number of notes

Too many notes.
表現 · B1make an effort

try to some degree

Then,we should make some effort to acquire him.
文法 · B1an opera in German

prepositional phrase: The phrase specifies the language of the opera.

...an opera in German for our National Theater.
表現 · B2the proper language for something

the suitable language for

Italian is the proper language for opera.
表現 · A2in my opinion

as I see it

In my opinion,it's time we had a piece in our own language.
表現 · A2agree with someone

share someone's view

...I must agree with "Herr Direttore".

「Salieri Hears the Voice of God」を読み解く

What's really going on

The scene runs on a contradiction Salieri cannot resolve. He hears a piece so pure that it seems divine - "It seemed to me I was hearing the voice of God" - yet the man who wrote it is, in his eyes, vulgar and childish. His question, "Why would God choose an obscene child to be his instrument?", is not really about Mozart; it is the beginning of his grievance against heaven. The cut to the court makes the same puzzle social. The Emperor's men measure Mozart by taste and manners - too much spice, too many notes - and nearly talk themselves out of hiring a genius. Salieri, still praising him, quietly keeps himself in the middle of the decision.

Theme

FaithSalieri hears God in Mozart's music, then blames God for giving such a gift to a vulgar boy.
PrideAt court, tastes and rank decide whether a genius is invited, while Salieri praises Mozart and guards his own position.

このチャプターで学べること

  • On the page contrasts how something reads with how it works.
  • Beyond his abilities implies overreach, not modesty.
  • Remarkable praises without sounding emotional.
  • The whole monologue is jealousy being born.

発音のポイント

  • hearing the — Hearing the blends across the words.
  • extraordinary opera — Extraordinary opera runs together.
It seemed to me I was hearing the voice of God.

The peak of Salieri's description: the oboe melody is so clean that he experiences it as divine, which is exactly what makes its human author unbearable.

Why would God choose an obscene child to be his instrument?

His grievance in one question - not disbelief in God but protest that such a gift went to someone he finds vulgar.

He's remarkable,Majesty. I heard an extraordinary opera of his last month.

The measured court verdict: Salieri concedes Mozart is extraordinary, introducing Idomeneo as evidence while others are ready to dismiss it.

A young man trying to impress beyond his abilities.

The court's dismissal of Mozart - not a bad composer but a young one overreaching, trying for more than he can manage.

We could use a good German composer in Vienna,surely?

The practical turn: the Emperor frames hiring Mozart as filling a post, turning a genius into a useful civic asset.

このシーンについての質問

What is Salieri describing in the voice-of-God scene?

A melody by Mozart, starting with winds that sound almost comic and then rising to a single oboe note. He tells Father Vogler it made him feel he was hearing the voice of God.

Why does Salieri call Mozart an obscene child?

He means it as an insult about Mozart's crude behavior and humor, not his age. To Salieri the man is vulgar, which is why the beauty of his music feels like a divine injustice.

What does the Emperor mean by calling Salieri 'cattivo'?

It is Italian for bad or wicked, said with a smile. The Emperor is teasing Salieri for praising Mozart while clearly working to keep his own position safe.

Why does the court hesitate to hire Mozart?

They admire his talent but distrust his taste. One adviser calls Idomeneo tiresome and overstuffed, and the debate turns on whether opera should be in German rather than on Mozart himself.

What does the Emperor decide about Mozart?

He decides to bring him to Vienna, saying he wants to meet the young man and asking for a pleasant welcome. He also proposes a German opera for the National Theater, setting up the conflict to come.

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