obstruct and damage
Salieri vows to hinder and harm God's creature on earth.
I will hinder and harm your creature on earth...Amadeus · 1984 — 第 12 / 25 章 · 3'42" · B2
Alone, Salieri renounces God and vows, "From now on, we are enemies." He promises to hinder and harm God's creature and swears it. Then he goes to the Emperor and quietly accuses Mozart of improper conduct with a pupil. When Mozart appears to beg for help, the man he is sabotaging is the same man he is plotting against.
Alone in his room, Salieri renounces God for giving genius to a vulgar boy and vows that from now on they are enemies. He swears to hinder and harm God's creature on earth. He then tells the Emperor that Mozart cannot be trusted alone with young ladies. Soon Mozart arrives, desperate: he has lost the post to a mediocrity and asks Salieri for help - and for a loan.
注目の表現
hinder and harmto be trustedachieve mediocritysimply can't
このシーンの表現
reach even an average standard
Salieri mocks the rival by saying he has yet to achieve mediocrity.
The film struggles to achieve mediocrity.
obstruct and damage
reliable
absolutely cannot
very poor
as though I were a monster
55 行のセリフに 16 件のメモ
obstruct and damage
Salieri vows to hinder and harm God's creature on earth.
I will hinder and harm your creature on earth...Hinder and harm runs together.
I will hinder and harm your creature on earth...reliable
Salieri plants doubt with the careful phrase not entirely to be trusted.
Mozart is not entirely to be trusted alone with young ladies.with no one else present
Mozart is not entirely to be trusted alone with young ladies.passive: The passive plus not entirely means he cannot be fully trusted.
Mozart is not entirely to be trusted alone with young ladies.reach even an average standard
Salieri mocks the rival by saying he has yet to achieve mediocrity.
No,no. He has yet to achieve mediocrity.present perfect with yet: Has yet to do means has still not done it.
No,no. He has yet to achieve mediocrity.absolutely cannot
Repeating it with simply makes his panic unmistakable.
I can't lose this post. I simply can't.this position
I can't lose this post. I simply can't.the royal court
Let's go to the palace. You can talk to the emperor...teach students
...I must have pupils.lacking something
Without pupils,I can't manage.very poor
Salieri asks if Mozart is living in poverty, exposing his situation.
You don't mean you're living in poverty?Living in poverty runs together.
You don't mean you're living in poverty?as though I were a monster
Mozart complains he is treated as if he were a fiend.
...but they won't let me teach their daughters,as if I was a fiend.arrange a loan
...is there any chance you could manage a loan?Salieri's war is declared in private and fought in public. The vow - "From now on, we are enemies" - is aimed at God, but every move that follows lands on Mozart, who never learns he is the target. The slander to the Emperor shows the method: he does not attack the music, which cannot be beaten, but the man, claiming Mozart "is not entirely to be trusted alone with young ladies." Meanwhile Mozart comes to Salieri as a supplicant, broke and begging for a loan, because he still believes the court composer is a colleague. The scene's cruelty is structural: Salieri is both the man Mozart asks for help and the man engineering his failure.
I will hinder and harm your creature on earth...Salieri's vow to attack God indirectly by harming Mozart, the creature through whom God's gift is made visible.
Mozart is not entirely to be trusted alone with young ladies.A carefully vague slander: it plants suspicion without a formal charge, aimed at Mozart's reputation rather than his music.
No,no. He has yet to achieve mediocrity.A joke that doubles as an insult - Zummer is so bad that mediocrity would be a promotion, and Mozart says it with contempt.
I can't lose this post. I simply can't.Mozart's desperation in plain words: the post is not vanity but survival, and he repeats it because he has no leverage.
You don't mean you're living in poverty?Disbelief from Salieri - he knows Mozart's concerts sell out, so the idea of poverty seems impossible until Mozart explains.
Because God gave genius to Mozart, a man Salieri finds vulgar and unworthy, while granting Salieri only the ability to recognize that genius. He decides to take revenge on the creator through the creature.
He cannot compete with Mozart's music, so he attacks his reputation. The accusation about a pupil is vague enough to plant doubt without a formal charge, which is exactly how it damages Mozart.
Mozart is broke despite successful concerts, because no one will hire him or let him teach their daughters. He still trusts Salieri enough to ask him for money.
The committee passes him over for Herr Zummer, whom Mozart calls a fool. The rejection reflects how the court prefers safe, unthreatening mediocrity to a difficult genius.
No. He listens, offers sympathy and sends Mozart away when the music starts. His vow to hinder and harm God's creature is being kept even while Mozart believes he has an ally.
次のチャプター · 第 13 章explode like a bombMozart Borrows Money From Salieri
第 1 章trained monkeySalieri Begins His Confession
第 2 章seek him outSalieri Recalls His Answered Vow
第 3 章fiendMozart's Backwards Proposal
第 4 章beyond his abilitiesSalieri Hears the Voice of God
第 5 章down to businessMozart Meets the Emperor
第 6 章made me muteSalieri Teases Cavalieri About Mozart
第 7 章take it too hardToo Many Notes, Mozart
第 8 章the fault is mineSalieri Learns Mozart Had Katerina
第 9 章come flockingMozart Refuses the Committee
第 10 章slips through his fingersConstanze Brings Mozart's Originals
第 11 章taking dictationSalieri Reads Mozart's Manuscripts
再生中 · 第 12 章achieve mediocritySalieri Declares War on God
第 13 章explode like a bombMozart Borrows Money From Salieri
第 14 章stuffs me like a gooseLeopold Visits Mozart in Vienna
第 15 章sick to death ofLorl Offers to Be Mozart's Maid
第 16 章go mad forMozart Defends Figaro to the Emperor
第 17 章fed to the teethMozart Argues Opera With the Court
第 18 章take this up withMozart's Figaro Ballet Fight
第 19 章accept the factSalieri Explains the Emperor's Yawns
第 20 章with your own handsSalieri's Plan to Kill Mozart
第 21 章a lost causeMozart Begs the Baron for Money
第 22 章in my noodleConstanze Hides the Requiem
第 23 章killing meThe Messenger Demands the Requiem
第 24 章cheer someone upSalieri Helps Mozart Write the Requiem
第 25 章doubling the voicesMozart's Last Dictation